May Issue - Stage Directions Magazine
May Issue - Stage Directions Magazine
May Issue - Stage Directions Magazine
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Tools Of The Trade<br />
<strong>May</strong> MélangeThe rise in temperature<br />
Wybron Transition<br />
T h e W y b r o n , I n c .<br />
Transition, a CMY Fiber<br />
Illuminator, uses similar<br />
CMY dichroic color mixing<br />
technology to Wybron’s<br />
Nexera lighting fixtures. The<br />
Transition offers smooth color<br />
changes with nearly infinite<br />
color choices and silent operation. The advantage of using fiber<br />
optics is that the light source is separated from the light output,<br />
and its fiber optic strands do not conduct UV radiation, all of<br />
which is meant to allow practically heatless illumination.<br />
The Transition allows the fiber common ends to remain cool,<br />
and the unit will not burn PMMA fiber. It has a compact design<br />
that measures less than 6 inches wide and weighs just less than<br />
8 pounds. The Transition includes an integral electronic ballast<br />
and power supply. It uses a 150-watt compact UHI light source<br />
and has a 10,000-hour lamp life. It accepts 17 through 34 mm<br />
common end fiber bundles and is RDM compliant. The Transition<br />
can be placed in an accessible location for easy maintenance.<br />
www.wybron.com<br />
QSC SC28 System Controller<br />
The QSC SC28 System Controller is a two-input, eight<br />
output DSP controller that additionally offers user-adjustable EQ<br />
and delay.<br />
The SC28’s<br />
audio quality is<br />
rooted in 48 kHz,<br />
24-bit A/D and<br />
D/A conversion<br />
technology with 32-bit, floating-point DSP offering wide dynamic<br />
range and low distortion. System tunings can be selected by<br />
scrolling through a list of QSC loudspeakers found on the SC28’s<br />
front LCD panel and selecting the desired configuration.<br />
Once the SC28 has been configured to match a system, integral<br />
six-band parametric equalization can be added along with high<br />
and low shelving filters and signal delay. Password protected to<br />
deter unauthorized tampering, the SC28 also provides thermal<br />
and excursion loudspeaker protection, as well as a channellinking<br />
feature that can be used to select linked or independent<br />
control of stereo channel settings. www.qscaudio.com<br />
ETC SmartFade ML<br />
ETC’s new SmartFade ML is a compact, portable and easyto-use<br />
board. The<br />
SmartFade ML<br />
is intended for<br />
small touring acts,<br />
schools, house of<br />
worship venues,<br />
industrials and<br />
other applications.<br />
SmartFade ML brings professional features like palettes,<br />
parameter “fan” and built-in dynamic effects to novice or<br />
experienced users. Its direct-access style of operation means that<br />
Photo Courtesy of Wybron<br />
Photo Courtesy of QSC<br />
Courtesy of ETC<br />
students, volunteers, non-technical staffers and others will be<br />
able to use the console.<br />
With a capacity for up to 24 moving lights and an additional<br />
48 intensity channels (dimmers), and the ability to patch to<br />
two universes of DMX512A (1,024 outputs), SmartFade ML<br />
provides control for smaller lighting rigs. www.etcconnect.com/<br />
SmartFadeML<br />
Look Solutions and City Theatrical Wireless DMX-it<br />
The Wireless DMX-it, by Look Solutions and City Theatrical,<br />
i s a n a c c e s s o r y<br />
d e s i g n e d t o m a k e<br />
any Look Solutions<br />
fog or haze machine<br />
WDS-ready; also, City<br />
T h e a t r i c a l ’s W D S<br />
wireless technology<br />
can control any Look<br />
Solutions product from<br />
their DMX console without DMX cables.<br />
The Wireless DMX-it has a built-in WDS receiver and two<br />
control output jacks: a 1 /8-inch Mini, to control Look Solutions’<br />
Tiny-Fogger or Tiny-Compact, and a 3-pin XLR to control a<br />
Power-Tiny, Viper NT or Unique2. A 5-pin XLR DMX Out is also<br />
included, allowing the unit to function as a conventional WDS<br />
DMX Receiver while simultaneously controlling a fog machine.<br />
looksolutionsusa.com<br />
Clear-Com Tempest<br />
The Clear-Com<br />
Tempest 2400<br />
a n d Te m p e s t<br />
900 is a wireless<br />
intercom system<br />
that has been<br />
continues to usher in a diverse<br />
array of new products.<br />
engineered to<br />
avoid the need<br />
for licensing and<br />
frequency coordination. Utilizing Frequency Hopping Spread<br />
Spectrum (FHSS) in conjunction with TDMA technology, Tempest<br />
operates in both the 2.4 GHz and 900 MHz bands.<br />
Tempest is intended to serve as a solution for the dilemma<br />
wireless communication system users will face when the DTV<br />
transition is completed in early 2009. Tempest operates in the<br />
unlicensed 2.4 GHz and 900 MHz bands, so it is unaffected by the<br />
reallocation of the UHF-TV spectrum. 2xTX Transmission Voice<br />
Data Redundancy sends each packet of audio data twice on<br />
different frequencies and through different antennas.<br />
Tempest can interoperate with other Clear-Com intercom<br />
systems, as well as those from other manufacturers through fourwire<br />
and two-wire connections. Each base-station can operate<br />
up to five wireless belt-stations.<br />
A Shared-Slot feature allows one of the five belt-stations slots<br />
to be used for up to 25 half-duplex, single transmit belt-stations.<br />
The new system has a PC-based control panel, with set-up and<br />
programming transferred to belt-stations via Ethernet or a USB<br />
connection. www.clearcom.com<br />
Courtesy of City Theatrical<br />
and Look Solutions<br />
14 <strong>May</strong> 2007 • www.stage-directions.com