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May Issue - Stage Directions Magazine

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Tools Of The Trade<br />

<strong>May</strong> MélangeThe rise in temperature<br />

Wybron Transition<br />

T h e W y b r o n , I n c .<br />

Transition, a CMY Fiber<br />

Illuminator, uses similar<br />

CMY dichroic color mixing<br />

technology to Wybron’s<br />

Nexera lighting fixtures. The<br />

Transition offers smooth color<br />

changes with nearly infinite<br />

color choices and silent operation. The advantage of using fiber<br />

optics is that the light source is separated from the light output,<br />

and its fiber optic strands do not conduct UV radiation, all of<br />

which is meant to allow practically heatless illumination.<br />

The Transition allows the fiber common ends to remain cool,<br />

and the unit will not burn PMMA fiber. It has a compact design<br />

that measures less than 6 inches wide and weighs just less than<br />

8 pounds. The Transition includes an integral electronic ballast<br />

and power supply. It uses a 150-watt compact UHI light source<br />

and has a 10,000-hour lamp life. It accepts 17 through 34 mm<br />

common end fiber bundles and is RDM compliant. The Transition<br />

can be placed in an accessible location for easy maintenance.<br />

www.wybron.com<br />

QSC SC28 System Controller<br />

The QSC SC28 System Controller is a two-input, eight<br />

output DSP controller that additionally offers user-adjustable EQ<br />

and delay.<br />

The SC28’s<br />

audio quality is<br />

rooted in 48 kHz,<br />

24-bit A/D and<br />

D/A conversion<br />

technology with 32-bit, floating-point DSP offering wide dynamic<br />

range and low distortion. System tunings can be selected by<br />

scrolling through a list of QSC loudspeakers found on the SC28’s<br />

front LCD panel and selecting the desired configuration.<br />

Once the SC28 has been configured to match a system, integral<br />

six-band parametric equalization can be added along with high<br />

and low shelving filters and signal delay. Password protected to<br />

deter unauthorized tampering, the SC28 also provides thermal<br />

and excursion loudspeaker protection, as well as a channellinking<br />

feature that can be used to select linked or independent<br />

control of stereo channel settings. www.qscaudio.com<br />

ETC SmartFade ML<br />

ETC’s new SmartFade ML is a compact, portable and easyto-use<br />

board. The<br />

SmartFade ML<br />

is intended for<br />

small touring acts,<br />

schools, house of<br />

worship venues,<br />

industrials and<br />

other applications.<br />

SmartFade ML brings professional features like palettes,<br />

parameter “fan” and built-in dynamic effects to novice or<br />

experienced users. Its direct-access style of operation means that<br />

Photo Courtesy of Wybron<br />

Photo Courtesy of QSC<br />

Courtesy of ETC<br />

students, volunteers, non-technical staffers and others will be<br />

able to use the console.<br />

With a capacity for up to 24 moving lights and an additional<br />

48 intensity channels (dimmers), and the ability to patch to<br />

two universes of DMX512A (1,024 outputs), SmartFade ML<br />

provides control for smaller lighting rigs. www.etcconnect.com/<br />

SmartFadeML<br />

Look Solutions and City Theatrical Wireless DMX-it<br />

The Wireless DMX-it, by Look Solutions and City Theatrical,<br />

i s a n a c c e s s o r y<br />

d e s i g n e d t o m a k e<br />

any Look Solutions<br />

fog or haze machine<br />

WDS-ready; also, City<br />

T h e a t r i c a l ’s W D S<br />

wireless technology<br />

can control any Look<br />

Solutions product from<br />

their DMX console without DMX cables.<br />

The Wireless DMX-it has a built-in WDS receiver and two<br />

control output jacks: a 1 /8-inch Mini, to control Look Solutions’<br />

Tiny-Fogger or Tiny-Compact, and a 3-pin XLR to control a<br />

Power-Tiny, Viper NT or Unique2. A 5-pin XLR DMX Out is also<br />

included, allowing the unit to function as a conventional WDS<br />

DMX Receiver while simultaneously controlling a fog machine.<br />

looksolutionsusa.com<br />

Clear-Com Tempest<br />

The Clear-Com<br />

Tempest 2400<br />

a n d Te m p e s t<br />

900 is a wireless<br />

intercom system<br />

that has been<br />

continues to usher in a diverse<br />

array of new products.<br />

engineered to<br />

avoid the need<br />

for licensing and<br />

frequency coordination. Utilizing Frequency Hopping Spread<br />

Spectrum (FHSS) in conjunction with TDMA technology, Tempest<br />

operates in both the 2.4 GHz and 900 MHz bands.<br />

Tempest is intended to serve as a solution for the dilemma<br />

wireless communication system users will face when the DTV<br />

transition is completed in early 2009. Tempest operates in the<br />

unlicensed 2.4 GHz and 900 MHz bands, so it is unaffected by the<br />

reallocation of the UHF-TV spectrum. 2xTX Transmission Voice<br />

Data Redundancy sends each packet of audio data twice on<br />

different frequencies and through different antennas.<br />

Tempest can interoperate with other Clear-Com intercom<br />

systems, as well as those from other manufacturers through fourwire<br />

and two-wire connections. Each base-station can operate<br />

up to five wireless belt-stations.<br />

A Shared-Slot feature allows one of the five belt-stations slots<br />

to be used for up to 25 half-duplex, single transmit belt-stations.<br />

The new system has a PC-based control panel, with set-up and<br />

programming transferred to belt-stations via Ethernet or a USB<br />

connection. www.clearcom.com<br />

Courtesy of City Theatrical<br />

and Look Solutions<br />

14 <strong>May</strong> 2007 • www.stage-directions.com

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