Ron Carter Esperanza Spalding - Downbeat
Ron Carter Esperanza Spalding - Downbeat
Ron Carter Esperanza Spalding - Downbeat
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Toolshed <br />
Eastman AR905CE Archtop<br />
Boutique Quality, Bargain Price<br />
Eastman’s AR905CE Uptown Deluxe is the<br />
company’s premier 16-inch archtop model,<br />
a prime example of the fine workmanship that<br />
guitarists have come to expect from this Beijingbased<br />
builder.<br />
From the moment you first open the deluxe<br />
hardshell case, the quality of the AR905CE<br />
shines through. The materials are all handselected<br />
from Eastman’s private reserve of premium<br />
AAA tone woods, and it really shows.<br />
The guitar’s tasteful natural nitro-cellulose finish<br />
highlights the highly flamed maple back and<br />
sides and shows off its tight-grained spruce top.<br />
The 16-inch body has a depth of 3 1/4 inches and<br />
features a Venetian-style cutaway reminiscent of<br />
the great Selmer guitars of the 1930s.<br />
The design of the AR905CE is classic, with a<br />
tailpiece, adjustable floating bridge and pickguard<br />
all made from solid ebony. The body, neck<br />
and headstock are all bound in figured maple,<br />
which is nicely echoed by the bound f-holes cut<br />
into the top. The neck is carved from figured<br />
maple and accented by two inlaid strips of ebony.<br />
The fingerboard, also ebony, is clean, utilizing<br />
only dot position markers inlaid into the neck’s<br />
wood binding.<br />
As with all Eastman jazz guitars, the<br />
AR905CE is hand-carved from all solid wood.<br />
Standard details—such as tap tuning of the tops<br />
and hand shaping of the braces—really show in<br />
the responsiveness of this guitar, which is even<br />
capable of holding its own as an acoustic instrument.<br />
When amplified, the AR905CE produces<br />
a smooth, thick jazz tone with surprisingly good<br />
detail and clarity. The pickup’s tone and volume<br />
control wheels are cleverly mounted to the pickguard’s<br />
underside, keeping them hidden from<br />
view but easily accessible when needed. The<br />
playability of the AR905CE is great right out of<br />
the box with excellent intonation and an extremely<br />
good setup.<br />
Retailing for $3,550 (with a street price of<br />
around $2,800), the AR905CE is simply a wellmade<br />
guitar built in the tradition of the finest<br />
archtop guitar makers. Eastman continues to<br />
push the boundaries of affordable quality.<br />
<br />
—Keith Baumann<br />
Ordering info: eastmanguitars.com<br />
RW Pro Series Saxophones<br />
Precision, Tone & Good Looks<br />
The RW Pro series of saxophones from<br />
Roberto’s Winds are high-performing stepup<br />
horns that are built in Taiwan and adjusted in<br />
New York by one of the world’s finest woodwind<br />
repair specialists, Roberto Romeo.<br />
The keywork on the RW Pro series is very<br />
similar to what you would find on a Selmer Mark<br />
VI or other instruments that follow that template.<br />
The horns have a slightly larger bell and bore,<br />
which gives them a sound and a response more<br />
reminiscent of vintage American-made saxophones<br />
like old Conn and King models.<br />
On the cosmetic side, the RW Pro series saxophones<br />
offer some striking finishes to choose<br />
from, including gold lacquer, black nickel, silver,<br />
double-silver, red brass, vintage and unlacquered.<br />
In addition to looking incredibly cool,<br />
the different finishes influence each instrument’s<br />
tone production in subtle ways; the silver and<br />
double-silver, in particular, impart a noticeably<br />
darker tone than some of the other finishes, making<br />
them suitable for classical playing.<br />
I play-tested a black nickel alto, silver tenor,<br />
silver baritone and gold lacquer soprano (with<br />
straight and bent neck pipe options) from the RW<br />
Pro series. All of the saxophones were responsive<br />
and produced a good, textured sound. I<br />
was encouraged by the clear, full tone I could<br />
get in the higher register. I didn’t have to sacrifice<br />
tone for range in the lower reaches of these<br />
saxophones, where players often find themselves<br />
struggling against tendencies to honk.<br />
“A lot of new instruments that are in the<br />
same price range as the RW Pro series tend to<br />
lose a little bit of the sparkle once you get above<br />
your high D,” said Alberto Cebollero, sales manager<br />
for Roberto’s Woodwinds. “With our horns,<br />
you have a very shiny, bright-sounding high register<br />
that’s well in tune, as well.”<br />
Another appealing quality of the RW Pro<br />
series saxophones was their ability to take everything<br />
I could put into them. As I increased the<br />
power of my air column, the horns responded<br />
with more vibration, more overtones, more sound<br />
spread and more volume. If you have the chops<br />
of an experienced player and like to blow hard,<br />
you’ll find these instruments are awfully fun to<br />
play. You can achieve lots of dynamic extremes,<br />
tonal shadings and other cool unique saxophone<br />
effects without having to work too hard.<br />
The RW Pro series saxophones are a great<br />
value for advanced players and serious college<br />
students who need a horn for gigs and studio<br />
work but don’t want to pay top dollar for a vintage<br />
Selmer Mark VI. —Ed Enright<br />
Ordering info: robertoswinds.com<br />
106 DOWNBEAT DECEMBER 2012