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Ron Carter Esperanza Spalding - Downbeat

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Toolshed <br />

Eastman AR905CE Archtop<br />

Boutique Quality, Bargain Price<br />

Eastman’s AR905CE Uptown Deluxe is the<br />

company’s premier 16-inch archtop model,<br />

a prime example of the fine workmanship that<br />

guitarists have come to expect from this Beijingbased<br />

builder.<br />

From the moment you first open the deluxe<br />

hardshell case, the quality of the AR905CE<br />

shines through. The materials are all handselected<br />

from Eastman’s private reserve of premium<br />

AAA tone woods, and it really shows.<br />

The guitar’s tasteful natural nitro-cellulose finish<br />

highlights the highly flamed maple back and<br />

sides and shows off its tight-grained spruce top.<br />

The 16-inch body has a depth of 3 1/4 inches and<br />

features a Venetian-style cutaway reminiscent of<br />

the great Selmer guitars of the 1930s.<br />

The design of the AR905CE is classic, with a<br />

tailpiece, adjustable floating bridge and pickguard<br />

all made from solid ebony. The body, neck<br />

and headstock are all bound in figured maple,<br />

which is nicely echoed by the bound f-holes cut<br />

into the top. The neck is carved from figured<br />

maple and accented by two inlaid strips of ebony.<br />

The fingerboard, also ebony, is clean, utilizing<br />

only dot position markers inlaid into the neck’s<br />

wood binding.<br />

As with all Eastman jazz guitars, the<br />

AR905CE is hand-carved from all solid wood.<br />

Standard details—such as tap tuning of the tops<br />

and hand shaping of the braces—really show in<br />

the responsiveness of this guitar, which is even<br />

capable of holding its own as an acoustic instrument.<br />

When amplified, the AR905CE produces<br />

a smooth, thick jazz tone with surprisingly good<br />

detail and clarity. The pickup’s tone and volume<br />

control wheels are cleverly mounted to the pickguard’s<br />

underside, keeping them hidden from<br />

view but easily accessible when needed. The<br />

playability of the AR905CE is great right out of<br />

the box with excellent intonation and an extremely<br />

good setup.<br />

Retailing for $3,550 (with a street price of<br />

around $2,800), the AR905CE is simply a wellmade<br />

guitar built in the tradition of the finest<br />

archtop guitar makers. Eastman continues to<br />

push the boundaries of affordable quality.<br />

<br />

—Keith Baumann<br />

Ordering info: eastmanguitars.com<br />

RW Pro Series Saxophones<br />

Precision, Tone & Good Looks<br />

The RW Pro series of saxophones from<br />

Roberto’s Winds are high-performing stepup<br />

horns that are built in Taiwan and adjusted in<br />

New York by one of the world’s finest woodwind<br />

repair specialists, Roberto Romeo.<br />

The keywork on the RW Pro series is very<br />

similar to what you would find on a Selmer Mark<br />

VI or other instruments that follow that template.<br />

The horns have a slightly larger bell and bore,<br />

which gives them a sound and a response more<br />

reminiscent of vintage American-made saxophones<br />

like old Conn and King models.<br />

On the cosmetic side, the RW Pro series saxophones<br />

offer some striking finishes to choose<br />

from, including gold lacquer, black nickel, silver,<br />

double-silver, red brass, vintage and unlacquered.<br />

In addition to looking incredibly cool,<br />

the different finishes influence each instrument’s<br />

tone production in subtle ways; the silver and<br />

double-silver, in particular, impart a noticeably<br />

darker tone than some of the other finishes, making<br />

them suitable for classical playing.<br />

I play-tested a black nickel alto, silver tenor,<br />

silver baritone and gold lacquer soprano (with<br />

straight and bent neck pipe options) from the RW<br />

Pro series. All of the saxophones were responsive<br />

and produced a good, textured sound. I<br />

was encouraged by the clear, full tone I could<br />

get in the higher register. I didn’t have to sacrifice<br />

tone for range in the lower reaches of these<br />

saxophones, where players often find themselves<br />

struggling against tendencies to honk.<br />

“A lot of new instruments that are in the<br />

same price range as the RW Pro series tend to<br />

lose a little bit of the sparkle once you get above<br />

your high D,” said Alberto Cebollero, sales manager<br />

for Roberto’s Woodwinds. “With our horns,<br />

you have a very shiny, bright-sounding high register<br />

that’s well in tune, as well.”<br />

Another appealing quality of the RW Pro<br />

series saxophones was their ability to take everything<br />

I could put into them. As I increased the<br />

power of my air column, the horns responded<br />

with more vibration, more overtones, more sound<br />

spread and more volume. If you have the chops<br />

of an experienced player and like to blow hard,<br />

you’ll find these instruments are awfully fun to<br />

play. You can achieve lots of dynamic extremes,<br />

tonal shadings and other cool unique saxophone<br />

effects without having to work too hard.<br />

The RW Pro series saxophones are a great<br />

value for advanced players and serious college<br />

students who need a horn for gigs and studio<br />

work but don’t want to pay top dollar for a vintage<br />

Selmer Mark VI. —Ed Enright<br />

Ordering info: robertoswinds.com<br />

106 DOWNBEAT DECEMBER 2012

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