Ron Carter Esperanza Spalding - Downbeat
Ron Carter Esperanza Spalding - Downbeat
Ron Carter Esperanza Spalding - Downbeat
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duced film shot during a large family reunion.<br />
This is especially the case on “Heaven,” which<br />
includes numerous singers, many of whom<br />
are Wooten’s family. Full of enthusiasm and<br />
good vibes, it’s obvious that its participants<br />
enjoyed recording the album. Wooten is to be<br />
commended for his generosity in sharing the<br />
recording experience with his family and giving<br />
numerous people the opportunity to record.<br />
Although diehard Wooten fans will probably<br />
flock to Words And Tones, it’s nothing a casual<br />
fan or those unfamiliar with Wooten would<br />
seek out. <br />
—Chris Robinson<br />
Sword And Stone: Sword And Stone; Love Is My Favorite Word;<br />
Pass Me Not, O Gentle Savior; Get It Right; A Woman’s Strength; It’s<br />
All Right; Love To Hear U Laugh; Say Word; Be What U Are; H.O.P.E.;<br />
Brooklyn; Still Your Baby; Merlin; Keep It Low. (62:33)<br />
Personnel: Victor Wooten, basses, cello (5, 7), viola (5, 7), keyboards<br />
(8, 12), vocals (14); Meshell Ndegeocello, bass (4); Steve Bailey,<br />
trombone (1, 2, 11), bass (1, 6, 9, 14); Marcus Rojas, tuba (11);<br />
Roy Wooten, cajon (7, 14), drums (9); Darrell Tibbs, percussion (6, 7,<br />
9, 11); J.D. Blair, drums (3, 5, 8).<br />
Words And Tones: Listen And Be Silent; Sword And Stone; Love Is<br />
My Favorite Word; A Woman’s Strength; I Can’t Make You Love Me;<br />
Brooklyn; Say Word; Be What U Are; Get It Right; When U Grow<br />
Up; Overjoyed; Heaven; It’s All Right; Love To Hear U Laugh. (69:13)<br />
Personnel: Victor Wooten, basses, keyboards (7, 10), vocals (9, 10,<br />
12), cello (11, 14), viola (14); Additional personnel include: Meshell<br />
Ndegeocello, vocals (9), bass (9); Marcus Rojas, tuba (6); Joseph<br />
Wooten, keyboards (9, 11, 12), vocals (9, 12); Darrel Tibbs, percussion<br />
(8, 13, 14); J.D. Blair, drums (4, 5, 7, 11, 12); Derico Watson,<br />
drums (6, 9, 12); Adam Wooten, vocals (1, 10, 12), drums (13); Kaila<br />
Wooten, vocals (1, 3, 9, 10, 12); Saundra Williams, vocals (6, 9, 14);<br />
Divinity Roxx, vocals (7, 9, 12).<br />
Ordering info: vixrecords.com<br />
Victor Wooten<br />
Sword And Stone<br />
VIX Records<br />
HH1/2<br />
Victor Wooten<br />
Words And Tones<br />
VIX Records<br />
HH<br />
Victor Wooten’s new albums are two sides of<br />
the same coin: Sword And Stone is mostly<br />
instrumental, while Words And Tones (sword<br />
and stone respelled) features most of the same<br />
tunes sung by female vocalists. Employing<br />
over a combined 60 musicians and never using<br />
the same personnel and instrumentation configuration<br />
twice, both albums, especially the<br />
vocal one, are at times fuzzy conceptually and<br />
over-produced. Too many musicians, too many<br />
instruments, too many ideas.<br />
Sword And Stone is the stronger and least<br />
muddled of the two albums, although it can’t<br />
help itself from meandering. The tunes are<br />
often catchy, especially the title track and<br />
“Brooklyn.” “Love Is My Favorite Word”<br />
is a playful samba, but it’s light and a little<br />
watered down. “Keep It Low,” with vocals<br />
from Wooten, is a head-scratcher, as it inexplicably<br />
features 13 bass players. The somewhat<br />
unfortunate “Still Your Baby” is a family<br />
affair, and Kaila Wooten’s vocals were processed<br />
to almost sound like a talking doll; it<br />
doesn’t work. Wooten flashes his bass chops on<br />
the slow funk of “Say Word,” on which he is<br />
joined by drummer J.D. Blair. His brief tenor<br />
bass solo track, “H.O.P.E.,” is quite lovely.<br />
Words And Tones, which includes a small<br />
army of singers and most of the instrumentalists<br />
from its counterpart, is frankly a bit messy.<br />
Almost every song features a different lead<br />
vocalist, helping to create inconsistency. Save<br />
for “I Can’t Make You Love Me” (originally<br />
recorded by Bonny Raitt) and a cover of Stevie<br />
Wonder’s “Overjoyed,” Wooten wrote or cowrote<br />
all the lyrics. Positive lyrics that celebrate<br />
love, family and places are always great<br />
in theory, but as they appear on Words And<br />
Tones they’re sometimes too obvious, superficial<br />
and a bit trite. Words And Tones comes<br />
off like the musical equivalent of a well-pro-<br />
DECEMBER 2012 DOWNBEAT 95