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WELCOME Magazine 16 - Turistička zajednica grada Dubrovnika

WELCOME Magazine 16 - Turistička zajednica grada Dubrovnika

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By Sanja Dražić<br />

Thirtieth Anniversary of Cappella Ragusina<br />

– Linđo «N» Vocal Group<br />

Croatian<br />

Music Heritage<br />

Lovers<br />

Many anniversaries which<br />

we celebrate remind us<br />

that some individual or<br />

ensemble is still active. It sometime happens<br />

that we have almost forgotten the<br />

honouree, since he is no longer present<br />

in public and every-day life. However,<br />

the Croatian early and traditional<br />

music ensemble Cappella Ragusina has<br />

a completely different story. It is not<br />

only the ensemble which has continuously<br />

been active for thirty years now,<br />

but we may well say that appearing in<br />

their picturesque costumes the ensemble<br />

members have been enriching our<br />

cultural life all the time with an ever<br />

increasing zeal and performing nerve.<br />

And it more and more comprises – deservedly<br />

– the Croatian music heritage,<br />

both old and new. The Linđo Vocal<br />

Group, which grew into the Croatian<br />

early and traditional music ensemble<br />

Cappella Ragusina - The Linđo «N»<br />

Vocal Group, was founded by four<br />

musicians: Krešimir Magdić, singer,<br />

player and music leader, soprano Ilka<br />

Zec Ðapo, bass Vinko Dragojević and<br />

baritone Nikola Cvjetković (in whose<br />

honour, after his death, the Vocal Group<br />

added the letter „N“ to its name). If<br />

you attend some of their concerts today,<br />

in addition to the unchangeable trefoil<br />

Magdić – Zec Ðapo – Dragojević, you<br />

can listen to soprano Paulina Ðapo,<br />

tenor Ivan Sušac, countertenor Mario<br />

Miladin, baritone Tomislav Marinović,<br />

bass Vicko Dragojević (lute and guitar),<br />

lutenist Joško Berdović and violinist<br />

Viktor Lenert.<br />

The Ensemble’s first appearance at the<br />

1979 Dalmatian Vocal Groups Festival<br />

in Omiš brought it the best debutant<br />

title. Performing continuously at the<br />

festival finales ever since, this vocal<br />

group has won numerous awards and<br />

prizes for interpreting both traditional<br />

and new songs. Apart from professional<br />

juries, the audiences have also recognized<br />

the quality and importance of the<br />

Ensemble awarding it 1st prizes several<br />

times. The Omiš Festival presented<br />

the Ensemble with numerous jubilee<br />

plaquettes, and in 1997 chose it to<br />

perform in the Vatican before Pope John<br />

Paul II. For its early music concert at the<br />

42nd Dubrovnik Summer Festival the<br />

Ensemble was awarded Orlando Award<br />

for the best musical performance. The<br />

Ensemble has released a large number of<br />

CDs with Dalmatian vocal-group songs,<br />

the Croatian early music, the Glagolitic<br />

Chant and numerous carols.<br />

«The appearance of new ethno-musicological<br />

and musicological materials in<br />

the research of father Miho Demović,<br />

Ph.D.» – said Krešimir Magdić – «inspired<br />

me for this combination of vocal<br />

group and ensemble.» He claims that<br />

a discovered piece draws you further<br />

on, and this is a never-ending work.<br />

Thanks to the fact that Mr. Magdić is a<br />

Christmas service cantor in St Dominic’s<br />

Church, the Ensemble rehearses there.<br />

Commenting the venues of which the<br />

acoustics are most suitable for the<br />

Ensemble’s performances, he claims:<br />

«Many venues in the City have the<br />

problem of noise, while some have either<br />

too quiet or blurred acoustics. The<br />

Benedictine Monastery Atrium is the<br />

most convenient for the Ensemble. We<br />

would like to perform in the Holy Spirit<br />

Church on the Island of Šipan, which is<br />

not used at all. It has the finest acoustics<br />

that even has its own colour.»<br />

The Ensemble is preparing a new CD<br />

with the traditional Glagolitic chant,<br />

which makes the Croatian musical heritage<br />

recognizable and specific within the<br />

European context.<br />

Wel c o m e to Du b r o v n i k 21

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