Anonyma – Eine Frau in Berlin - german films
Anonyma – Eine Frau in Berlin - german films
Anonyma – Eine Frau in Berlin - german films
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German Days<br />
<strong>in</strong> Rome 2008
C<strong>in</strong>ema 2008 Competition<br />
SCHATTENWELT LONG SHADOWS by Connie Walther<br />
Anteprima-Premiere<br />
DER BAADER MEINHOF KOMPLEX THE BAADER MEINHOF COMPLEX by Uli Edel<br />
New C<strong>in</strong>ema Network<br />
SIEBEN TAGE SONNTAG SEVEN DAYS SUNDAY by Niels Laupert<br />
L’Altro C<strong>in</strong>ema / Extra<br />
FARBTEST.6 COLOUR TEST.6 by Gerd Conradt<br />
Masterclass with Volker Schloendorff POLITICAL MEMORY<br />
C<strong>in</strong>eCampus: Masterclass with Edgar Reitz EXTRAORDINARY FILMMAKING<br />
German Screen<strong>in</strong>gs / The Bus<strong>in</strong>ess Street<br />
ANONYMA – EINE FRAU IN BERLIN A WOMAN IN BERLIN by Max Faerberboeck<br />
DIE FRAU DES ANARCHISTEN THE ANARCHIST’S WIFE by Marie Noëlle & Peter Sehr<br />
FRIEDLICHE ZEITEN PEACEFUL TIMES by Neele Leana Vollmar<br />
KRABAT by Marco Kreuzpa<strong>in</strong>tner<br />
WOLKE 9 CLOUD 9 by Andreas Dresen<br />
Credits are not contractual for any of the <strong>films</strong> mentioned <strong>in</strong> this publication. Screen<strong>in</strong>gs subject to change.<br />
This brochure is published by: German Films Service + Market<strong>in</strong>g GmbH<br />
Herzog-Wilhelm-Strasse 16, 80331 Munich/Germany<br />
phone +49-89-5 99 78 70, fax +49-89-59 97 87 30, email: <strong>in</strong>fo@<strong>german</strong>-<strong>films</strong>.de, www.<strong>german</strong>-<strong>films</strong>.de<br />
German Films <strong>in</strong> Rome: German Films Italia, Alessia Ratzenberger<br />
c/o A-PICTURES, Villa Pamphili, Via del Forte Bravetta 4, 00164 Rome/Italy,<br />
phone +39-06-48 90 70 75, fax +39-06-4 88 57 97, email: ratzenberger@<strong>german</strong>-<strong>films</strong>.de<br />
Editor: Angela Hawk<strong>in</strong>s<br />
Design: Werner Schauer www.triptychon.biz<br />
Pr<strong>in</strong>t<strong>in</strong>g Office: ESTA Druck GmbH, 82398 Poll<strong>in</strong>g/Germany<br />
Photo Cover: Scene from “Long Shadows” (photo © Olaf Aue)<br />
Photo Backcover: Scene from “The Baader Me<strong>in</strong>hof Complex” (photo © Constant<strong>in</strong> Film Verleih 2008)<br />
Contents / Impr<strong>in</strong>t<br />
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Preface<br />
German Days at the<br />
3rd Rome International Film Festival<br />
The cooperation between the Rome International Film Festival and German Films has become a tradition:<br />
for the 3rd time the GERMAN DAYS will present a sample of German filmmak<strong>in</strong>g <strong>in</strong> Rome.<br />
German Films is very proud of this tradition and especially this year the program of the German Days is<br />
very attractive. Two <strong>films</strong> <strong>in</strong> the Official Selection of the festival focus on the political situation <strong>in</strong> Germany<br />
<strong>in</strong> the late 1960s: as an Anteprima-Premiere THE BAADER MEINHOF COMPLEX by Uli Edel deals with<br />
the RAF terrorists and their actions <strong>in</strong> the 60s and 70s. The high-profile cast with the best of Germany’s<br />
talent literally draws the audience <strong>in</strong>to the fast-paced story.<br />
LONG SHADOWS by Connie Walther can be seen <strong>in</strong> the C<strong>in</strong>ema 2008 Competition and portrays the exterrorist<br />
Widmer, who is confronted with the consequences of his terrorist past after he has been released<br />
from prison many years later. A human drama develops.<br />
Hav<strong>in</strong>g these two <strong>films</strong> <strong>in</strong> the official program, it was only logical to add an event to the festival agenda:<br />
Oscar ® -w<strong>in</strong>ner Volker Schloendorff will hold a Masterclass “German C<strong>in</strong>ema and its Political Memory”.<br />
Hold<strong>in</strong>g tradition high, the German Screen<strong>in</strong>gs will present five new German <strong>films</strong> <strong>in</strong> the Bus<strong>in</strong>ess Street.<br />
This year’s German project <strong>in</strong> the New C<strong>in</strong>ema Network, FOR A FOREIGN COUNTRY, is written by Niels<br />
Laupert and Tobias Engelmeier. Niels Laupert’s first feature film SEVEN DAYS SUNDAY will screen on this<br />
occasion.<br />
After a remarkable number of German showcases at various festivals <strong>in</strong> Italy <strong>in</strong> the past few months, the<br />
presentation of the GERMAN DAYS at the 3rd Rome International Film Festival is this year’s German<br />
c<strong>in</strong>ema highlight <strong>in</strong> Italy!<br />
preface 3
Scene from “Long Shadows” (photo © Olaf Aue)<br />
Schattenwelt LONG SHADOWS<br />
After two decades <strong>in</strong> prison, Widmer, a former German RAF-terrorist, is released. He meets<br />
Valerie, his next door neighbor. The young woman tries to get her life back on track after she lost<br />
custody of her little son. She shows some <strong>in</strong>terest <strong>in</strong> Widmer, the two of them seem to have<br />
someth<strong>in</strong>g <strong>in</strong> common. They discreetly enter <strong>in</strong>to the secrets of their lives. Until the truth comes<br />
between them.<br />
Genre Drama Year of Production 2008 Director Connie Walther Screenplay Uli Herrmann, <strong>in</strong><br />
cooperation with Connie Walther and Peter-Juergen Boock Director of Photography Birgit<br />
Gudjonsdottir Producers Clement<strong>in</strong>a Hegewisch, Michael Jungfleisch Production Companies Next<br />
Film/Berl<strong>in</strong>, Gambit Film/Ludwigsburg, <strong>in</strong> co-production with BR/Munich, ARTE/Strasbourg Pr<strong>in</strong>cipal<br />
Cast Franziska Petri, Ulrich Noethen, Tatja Seibt, Uwe Kockisch, Christoph Bach, Mehdi Nebbou, Eva<br />
Mattes Length 92 m<strong>in</strong> Format 35 mm, color, 1:1.85, DTS Digital Orig<strong>in</strong>al Version German<br />
Subtitled Version English World Sales Sola Media GmbH, Solveig Langeland, Osumstrasse 17,<br />
70599 Stuttgart/Germany, phone +49-7 11-4 79 36 66, fax +49-7 11-4 79 26 58, email: post@solamedia.net,<br />
www.sola-media.net<br />
Connie Walther studied Sociology and Spanish before switch<strong>in</strong>g over to Photography. After gather<strong>in</strong>g<br />
experience as a light<strong>in</strong>g gaffer and production and direct<strong>in</strong>g assistant, she studied at the German Film &<br />
Television Academy (dffb) <strong>in</strong> Berl<strong>in</strong> and landed her first success with her graduation film Das erste Mal<br />
(1996), which was named Best Graduation Film from a German film academy <strong>in</strong> that year. S<strong>in</strong>ce then, she<br />
has demonstrated her talents with various genres and formats with <strong>films</strong> such as: Boersday Blues (short,<br />
1992), Der Clown II (TV, 1997), Tic Tac Toe (TV documentary, 1998), Hauptsache Leben<br />
(1998), Offene Rechnung (TV, 1999), Never M<strong>in</strong>d the Wall (Wie Feuer und Flamme, 2001),<br />
Im falschen Leben (TV, 2001), Und Tschuess, ihr lieben (TV, 2002), Ei <strong>in</strong> Japan (documentary,<br />
2005), Mord <strong>in</strong> aller Unschuld (TV, 2006), 12 Means: I Love You (TV, 2007), and Long<br />
Shadows (Schattenwelt, 2008).<br />
Screen<strong>in</strong>gs: Friday, 24 October, 19:00 h, Sala S<strong>in</strong>opoli<br />
Screen<strong>in</strong>gs: Saturday, 25 October, 15:00 h, Salac<strong>in</strong>ema Lotto<br />
Screen<strong>in</strong>gs: Sunday, 26 October, 19:30 h, Metropolitan Sala 2<br />
C<strong>in</strong>ema 2008 Competition<br />
c<strong>in</strong>ema 2008 competition 5
Scene from “The Baader Me<strong>in</strong>hof Complex” (photo © Constant<strong>in</strong> Film Verleih 2008)<br />
Der Baader Me<strong>in</strong>hof Komplex<br />
THE BAADER MEINHOF COMPLEX<br />
Germany <strong>in</strong> the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the<br />
enemy <strong>in</strong>side are rock<strong>in</strong>g the very foundations of the yet fragile German democracy. The radicalized<br />
children of the Nazi generation led by Andreas Baader, Ulrike Me<strong>in</strong>hof and Gudrun Enssl<strong>in</strong><br />
are fight<strong>in</strong>g a violent war aga<strong>in</strong>st what they perceive as the new face of fascism: American imperialism<br />
supported by the German establishment, many of whom have a Nazi past. Their aim is<br />
to create a more human society, but by employ<strong>in</strong>g <strong>in</strong>human means they not only spread terror<br />
and bloodshed, they also lose their own humanity. The man who understands them is also their<br />
hunter: the head of the German police force Horst Herold. And while he succeeds <strong>in</strong> his relentless<br />
pursuit of the young terrorists, he knows he’s only deal<strong>in</strong>g with the tip of the iceberg.<br />
Genre Drama Year of Production 2008 Director Uli Edel Screenplay Bernd Eich<strong>in</strong>ger, based on<br />
the book by and <strong>in</strong> consultation with Stefan Aust, <strong>in</strong> cooperation with Uli Edel Director of Photography<br />
Ra<strong>in</strong>er Klausmann Producer Bernd Eich<strong>in</strong>ger Production Company Constant<strong>in</strong> Film Produktion/Munich,<br />
<strong>in</strong> co-production with Les Nouvelles Editions de Films/Paris, G.T. Film Production/<br />
Prague, NDR/Hamburg, BR/Munich, WDR/Cologne, Degeto Film/Frankfurt Pr<strong>in</strong>cipal Cast Mart<strong>in</strong>a<br />
Gedeck, Moritz Bleibtreu, Johanna Wokalek, Nadja Uhl, He<strong>in</strong>o Ferch, Bruno Ganz Length 149 m<strong>in</strong><br />
Format 35 mm, color, 1:1.85, Dolby Digital Orig<strong>in</strong>al Version German Subtitled Version English<br />
World Sales Summit Enterta<strong>in</strong>ment Group, 1601 Cloverfield Boulevard, Suite 200, South Tower, Santa<br />
Monica, California 90404/USA, www.summit-ent.com<br />
Uli Edel was born <strong>in</strong> 1947 and studied German Lanugage Studies and Theater Sciences before enroll<strong>in</strong>g<br />
at the Munich University of Television & Film, where he first met Bernd Eich<strong>in</strong>ger, whom he worked with<br />
on numerous <strong>films</strong>. A selection of his award-w<strong>in</strong>n<strong>in</strong>g <strong>films</strong> <strong>in</strong>clude: Christiane F – Wir K<strong>in</strong>der vom<br />
Bahnhof Zoo (1981), Letzte Ausfahrt Brooklyn (1989), an episode of the series Tw<strong>in</strong> Peaks<br />
(1990) and numerous other US event movies and m<strong>in</strong>i-series, Body of Evidence (1993), Der kle<strong>in</strong>e<br />
Vampir (2000), Die Nebel von Avalon, (TV, 2001), K<strong>in</strong>g of Texas (2002), Julius Caesar (TV,<br />
2003), Die Nibelungen (TV, 2004), and The Baader Me<strong>in</strong>hof Complex (2008), among others.<br />
Screen<strong>in</strong>gs: Friday, 24 October, 19:30 h, Sala Santa Cecilia<br />
Screen<strong>in</strong>gs: Saturday, 25 October, 20:00 h, Salac<strong>in</strong>ema Lotto<br />
Screen<strong>in</strong>gs: Sunday, 26 October, 22:00 h, Metropolitan Sala 2<br />
Anteprima-Premiere<br />
anteprima-premiere 7
Scene from “Seven Days Sunday” (photo © Bartl Laupert Dierbach Filmproduktion)<br />
Sieben Tage Sonntag SEVEN DAYS SUNDAY<br />
New C<strong>in</strong>ema Network<br />
The idea just was there. Like it happens with ideas, with good and with bad ones. Just a pla<strong>in</strong> sentence:<br />
I bet you cannot kill a human be<strong>in</strong>g.<br />
On a Sunday like any other Sunday <strong>in</strong> 1996, actually an ord<strong>in</strong>ary Sunday <strong>in</strong> a small town, Adam<br />
and Tommek meet their friends at the square <strong>in</strong> their neighborhood. But this Sunday will end<br />
differently than any other. Out of their boredom comes a bet. The stakes? A human life.<br />
Seven Days Sunday is a feature film based on true facts. A film tell<strong>in</strong>g the story of two 16-yearold<br />
boys who commit a murder on an <strong>in</strong>nocent human be<strong>in</strong>g.<br />
Genre Drama Year of Production 2007 Director Niels Laupert Screenplay Niels Laupert<br />
Director of Photography Christoph Dammast Producers Thomas Bartl, Alexander Dierbach,<br />
Niels Laupert Production Company Bartl Laupert Dierbach Filmproduktion/Munich Pr<strong>in</strong>cipal Cast<br />
Ludwig Trepte, Mart<strong>in</strong> Kiefer, Jil Funke, Kar<strong>in</strong> Baal, Jennifer Ulrich, Lenn Kudrjawizki, Andreas Schmidt-<br />
Schaller Length 80 m<strong>in</strong> Format Super 35, color, cs, Dolby Digital Orig<strong>in</strong>al Version German<br />
Subtitled Version English World Sales ARRI Media Worldsales, Antonio Exacoustos, Tuerkenstrasse<br />
89, 80799 Munich/Germany, phone +49-89-38 09 12 88, fax +49-89-38 09 16 19, email: aexacoustos@<br />
arri.de, www.arri-mediaworldsales.de<br />
Niels Laupert was born <strong>in</strong> 1975 <strong>in</strong> Frankfurt am Ma<strong>in</strong>. He studied Production and Film & Television<br />
Direct<strong>in</strong>g at the University of Television & Film <strong>in</strong> Munich. He is also active as a producer. After direct<strong>in</strong>g<br />
numerous music videos, Seven Days Sunday (Sieben Tage Sonntag, 2007) was his feature directorial<br />
debut.<br />
Screen<strong>in</strong>g: Saturday, 25 October, 19:00 h, Sala de Luxe (Casa del C<strong>in</strong>ema)<br />
new c<strong>in</strong>ema network 9
Scene from “Colour Test.6” (photo © Gerd Conradt)<br />
Farbtest.6 COLOUR TEST.6<br />
Berl<strong>in</strong> 1968, a film experiment <strong>in</strong> the style of Earweard Muybridge, Andy Warhol and the New<br />
American C<strong>in</strong>ema: young men do a relay race pass<strong>in</strong>g a red flag <strong>in</strong> the midst of the traffic along<br />
a busy street, the last one carries the flag <strong>in</strong>to City Hall. Inspired by this “study of movement and<br />
a symbol”, remakes ensue <strong>in</strong> Stockholm, Sulmona and Hong Kong.<br />
Colour Test.6 is a synthesis of these four relays <strong>in</strong>to one film – the “Colour Test of the<br />
Revolution” is carried on, with a prospect <strong>in</strong> Beij<strong>in</strong>g.<br />
Genre Experimental Category Short Year of Production 2008 Director Gerd Conradt Screenplay<br />
Gerd Conradt Directors of Photography Charles Voelsen, Svante Larsson, Sergio Recchia,<br />
Franky Lung Producers Gerd Conradt, Daniela Schulz Production Companies Mandala.Vision/<br />
Berl<strong>in</strong>, ds-<strong>films</strong>/Berl<strong>in</strong> Length 21 m<strong>in</strong> Format Video, color Orig<strong>in</strong>al Version no dialogue World<br />
Sales (please contact) Gerd Conradt, email: mandala.vision@gmx.de, www.gerdconradt.de<br />
Gerd Conradt was born <strong>in</strong> 1941 <strong>in</strong> Thur<strong>in</strong>gia. After study<strong>in</strong>g Photography, he started his film career at<br />
the German Film & Television Academy (dffb) <strong>in</strong> Berl<strong>in</strong> <strong>in</strong> 1966. After lectur<strong>in</strong>g for about seven years at different<br />
Berl<strong>in</strong> universities, he directed a series of German poems for the Berl<strong>in</strong> broadcaster SFB. S<strong>in</strong>ce this<br />
time he has been work<strong>in</strong>g as a director and author for documentary <strong>films</strong> for television and c<strong>in</strong>ema. His <strong>films</strong><br />
<strong>in</strong>clude: About Holger Me<strong>in</strong>s (1982), The Video-Pioneer (1984), TV-Greet<strong>in</strong>gs from West<br />
to East (1985), Heavy User (1989), Hold Me – Love Me: Tempodrom <strong>in</strong> Berl<strong>in</strong> (1995),<br />
Dyngyldai (1996), People and Stones (1998), Starbuck – Holger Me<strong>in</strong>s (2001), Mount<br />
Ever-Red (2005), The Spree – Symphony of a River (2007), and Colour Test.6 (2008).<br />
Screen<strong>in</strong>gs: Sunday, 26 October, 20:00 h, Teatro Studio<br />
Screen<strong>in</strong>gs: Monday, 27 October, 15:00 h, Teatro Studio<br />
L’Altro C<strong>in</strong>ema / Extra<br />
l’altro c<strong>in</strong>ema / extra 11
Masterclass with Volker Schloendorff<br />
Political Memory<br />
German c<strong>in</strong>ema re-opens the history books<br />
Masterclass by the Oscar ® -w<strong>in</strong>ner Volker Schloendorff on<br />
the relations between German c<strong>in</strong>ema of yesterday and<br />
today, and the tragic events of terrorism <strong>in</strong> the 70s. The<br />
encounter is co-organized with German Films with<strong>in</strong> the<br />
framework of the German Days.<br />
One of the strong characteristics of German c<strong>in</strong>ema is its<br />
<strong>in</strong>terest for historic subjects and situations. Traditionally,<br />
World War II and the fall of the Berl<strong>in</strong> Wall have been<br />
reflected upon recently. However, 40 years after 1968,<br />
the RAF and its implications on German society are currently<br />
<strong>in</strong> the focus of many filmmakers. The awaken<strong>in</strong>g of<br />
the <strong>in</strong>terest for the subject, which was an important issue<br />
for many filmmakers <strong>in</strong> the 70s and 80s, gives the spectator<br />
the possibility to reflect this part of German history<br />
from a new perspective.<br />
Saturday, 25 October, 10:00 h, Casa del C<strong>in</strong>ema<br />
12 masterclass with volker schloendorff<br />
Volker Schloendorff (photo © Tom Faehrmann)
Edgar Reitz (photo courtesy of Reitz & Reitz Medien Production)<br />
Extraord<strong>in</strong>ary Filmmak<strong>in</strong>g<br />
German filmmakers and their view on film<br />
Saturday, 25 October, t.b.c., Green House<br />
C<strong>in</strong>eCampus: Masterclass with Edgar Reitz<br />
Masterclass by Edgar Reitz (Heimat 1, 2, 3 & 4) on the<br />
perception filmmakers presently have of film <strong>in</strong> Germany.<br />
The sem<strong>in</strong>ar, organized by the Roma & Lazio Film Commission<br />
<strong>in</strong> cooperation with the InFWA (International<br />
Film Workshop Academy), the Bus<strong>in</strong>ess Street and the<br />
Goethe-Institut, gives 15 participants the opportunity to<br />
meet with some of the most renowned filmmakers.<br />
c<strong>in</strong>ecampus: masterclass with edgar reitz 13
German Screen<strong>in</strong>gs / The Bus<strong>in</strong>ess Street<br />
<strong>Anonyma</strong> – <strong>E<strong>in</strong>e</strong> <strong>Frau</strong> <strong>in</strong> Berl<strong>in</strong><br />
A WOMAN IN BERLIN<br />
April 1945. The Red Army is <strong>in</strong>vad<strong>in</strong>g Berl<strong>in</strong>. Women fall victim to rape <strong>in</strong> a half-destroyed house.<br />
One of them is <strong>Anonyma</strong>, who had been a journalist and photographer. In her desperation she<br />
decides to look for an officer who can protect her. What happens is what she had least been prepared<br />
for. A relationship develops with the Russian officer Andrej that would feel like love were<br />
it not for the barrier that keeps them enemies till the end.<br />
Genre Drama Year of Production 2008 Director Max Faerberboeck Screenplay Max<br />
Faerberboeck Director of Photography Benedict Neuenfels Producer Guenter Rohrbach<br />
Production Company Constant<strong>in</strong> Film Produktion/Munich, <strong>in</strong> co-production with Tempus Film/Lodz,<br />
<strong>in</strong> cooperation with ZDF/Ma<strong>in</strong>z Pr<strong>in</strong>cipal Cast N<strong>in</strong>a Hoss, Evgeny Sidikh<strong>in</strong>, Irm Herrmann, Ruediger<br />
Vogler, Ulrike Krumbiegel, Rolf Kanies, Joerdis Triebel, Roman Gribkow, Juliane Koehler Length 131 m<strong>in</strong><br />
Format 35 mm, color, cs, Dolby Digital Orig<strong>in</strong>al Version German Subtitled Version English<br />
World Sales Beta C<strong>in</strong>ema/Dept. of Beta Film GmbH, Andreas Rothbauer, Gruenwalder Weg 28 d,<br />
82041 Oberhach<strong>in</strong>g/Germany, phone +49-89-67 34 69 80, fax +49-89-6 73 46 98 88, email: ARothbauer<br />
@betac<strong>in</strong>ema.com www.betac<strong>in</strong>ema.com<br />
Max Faerberboeck produced plays at theaters <strong>in</strong> Hamburg, Heidelberg, and Cologne before writ<strong>in</strong>g<br />
and direct<strong>in</strong>g several episodes of the TV series Der Fahnder. He then wrote and directed four award-w<strong>in</strong>n<strong>in</strong>g<br />
TV <strong>films</strong> (Schlafende Hunde, <strong>E<strong>in</strong>e</strong>r zahlt immer, Bella Block – Die Kommissar<strong>in</strong>, and<br />
Bella Block – Liebestod) before mak<strong>in</strong>g his feature film debut with Aimée & Jaguar, which was<br />
nom<strong>in</strong>ated for the Golden Globe Award 2000. His other <strong>films</strong> <strong>in</strong>clude: Jenseits (2002), September<br />
(2003), and A Woman <strong>in</strong> Berl<strong>in</strong> (<strong>Anonyma</strong> – <strong>E<strong>in</strong>e</strong> <strong>Frau</strong> <strong>in</strong> Berl<strong>in</strong>, 2008).<br />
Screen<strong>in</strong>g: Saturday, 25 October, 15:00 h, C<strong>in</strong>ema Barber<strong>in</strong>i 3<br />
14 <strong>german</strong> screen<strong>in</strong>gs / the bus<strong>in</strong>ess street Scene from “A Woman <strong>in</strong> Berl<strong>in</strong>” (photo © 2008 Constant<strong>in</strong> Film Verleih GmbH)
German Screen<strong>in</strong>gs / The Bus<strong>in</strong>ess Street<br />
Die <strong>Frau</strong> des Anarchisten THE ANARCHIST’S WIFE<br />
Over a million people lost their lives <strong>in</strong> the Spanish Civil War, two million were taken prisoner<br />
and half a million expulsed from Spa<strong>in</strong>. Set dur<strong>in</strong>g these harrow<strong>in</strong>g years between Franco’s putsch<br />
and the end of World War II, this is the story of a couple and their undy<strong>in</strong>g love. Lawyer Justo<br />
Calderón is a glow<strong>in</strong>g Republican who fights Franco both <strong>in</strong> the trenches and on the radio as the<br />
"Voice of the Revolution." His elegant young wife Manuela is spoiled, non-political, but a lov<strong>in</strong>g<br />
mother to their daughter Paloma and <strong>in</strong>tensely <strong>in</strong> love with her husband. The young family<br />
undergoes all the horrors of the Civil War, all the pa<strong>in</strong> of betrayal, imprisonment and torture, all<br />
the anguish of separation. When Franco’s troops w<strong>in</strong>, Manuela loses all contact with Justo. Alone,<br />
without money, she and Paloma struggle to survive. Yet Manuela never gives up believ<strong>in</strong>g that<br />
she will f<strong>in</strong>d Justo aga<strong>in</strong> one day. In her tireless search for her husband, she sees a photo <strong>in</strong> a<br />
magaz<strong>in</strong>e article on former concentration camp prisoners and becomes conv<strong>in</strong>ced that it is Justo.<br />
Her search now takes on a new urgency …<br />
Genre Drama Year of Production 2008 Directors Marie Noëlle, Peter Sehr Screenplay Marie<br />
Noëlle Director of Photography Jean-Francois Rob<strong>in</strong> Producers Peter Sehr, Marie Noëlle<br />
Production Company P’Artisan Filmproduktion/Munich, <strong>in</strong> co-production with ZIP Films/Barcelona,<br />
C<strong>in</strong>é Boissière/Jo<strong>in</strong>ville-le-Pont Pr<strong>in</strong>cipal Cast Maria Valverde, Juan Diego Botto, N<strong>in</strong>a Hoss, Ivana<br />
Baquero, Jean-Marc Barr, Laura Morante, Irene Visedo Length 112 m<strong>in</strong> Format 35 mm, color, 1:1.85,<br />
Dolby SRD Orig<strong>in</strong>al Version Spanish/French Subtitled Version English World Sales Bavaria Film<br />
International/Dept. of Bavaria Media GmbH, Thorsten Ritter, Bavariafilmplatz 7, 82031 Geiselgasteig/<br />
Germany, phone +49-89-64 99 26 86, fax +49-89-64 99 37 20, email: <strong>in</strong>ternational@bavaria-film.de,<br />
www.bavaria-film-<strong>in</strong>ternational.com<br />
Marie Noëlle and Peter Sehr have been work<strong>in</strong>g together s<strong>in</strong>ce 1979, when Marie Noëlle began edit<strong>in</strong>g<br />
and writ<strong>in</strong>g many of Peter Sehr’s <strong>films</strong>. In 1988, they founded P’Artisan Filmproduktion and together they<br />
have co-directed Und nicht e<strong>in</strong> Tohuwabohu (1988) and The Anarchist’s Wife (Die <strong>Frau</strong><br />
des Anarchisten, 2008). Her other <strong>films</strong> <strong>in</strong>clude: Ich erzaehle mir e<strong>in</strong>en Mann (1995), Komm<br />
doch an den Tisch (1998), U-Store It, U-Lock It, U-Keep the Key (2001), 30 años al<br />
servicio del amor (2002), K<strong>in</strong>der suchen Eltern (2003). His other <strong>films</strong> <strong>in</strong>clude: Serbian Girl<br />
(Das Serbische Maedchen, 1991), Kaspar Hauser: Crime Aga<strong>in</strong>st a Man’s Soul (1993),<br />
Obsession (1997), and Love the Hard Way (2001).<br />
Film)<br />
P’Artisan © (photo Wife” Anarchist’s<br />
Screen<strong>in</strong>g: Saturday, 25 October, 09:00 h, C<strong>in</strong>ema Barber<strong>in</strong>i 3<br />
“The from<br />
16 <strong>german</strong> screen<strong>in</strong>gs / the bus<strong>in</strong>ess street Scene
German Screen<strong>in</strong>gs / The Bus<strong>in</strong>ess Street<br />
Friedliche Zeiten PEACEFUL TIMES<br />
Germany <strong>in</strong> the 1960s: Peaceful times <strong>in</strong> the West can start at last, if only Irene Striesow could<br />
manage to shake off the past. She is homesick for East Germany, mistrustful of the cease fire, and<br />
most of all, distraught about her husband Dieter’s other women. She would rather die young and<br />
she doesn’t make any efforts to hide it from Dieter and her three children Ute, Wasa and Flori.<br />
As their liv<strong>in</strong>g room beg<strong>in</strong>s to look more like a war zone, her children decide to take matters <strong>in</strong><br />
their own hands. They want their mother to f<strong>in</strong>ally be happy, that Dieter can crack light-hearted<br />
jokes about East Germany aga<strong>in</strong>, and that, if possible, the third world war doesn’t happen after<br />
all …<br />
Genre Drama Year of Production 2008 Director Neele Leana Vollmar Screenplay Ruth Toma<br />
Director of Photography Pascal Schmit Producer Carol<strong>in</strong>e Daube Production Company<br />
Royal Pony Film/Geiselgasteig, <strong>in</strong> co-production with BR/Munich, ARTE/Strasbourg, Odeon<br />
Pictures/Geiselgasteig, Lunaris Film- & Fernsehproduktion/Munich, Neue K<strong>in</strong>owelt Filmproduktion/Berl<strong>in</strong><br />
Pr<strong>in</strong>cipal Cast Kathar<strong>in</strong>a Schubert, Oliver Stokowski, N<strong>in</strong>a Monka, Leonie Brill, Tam<strong>in</strong>o Wecker, Axel<br />
Prahl Length 98 m<strong>in</strong> Format 35 mm, color, 1:1.85, Dolby SRD Orig<strong>in</strong>al Version German<br />
Subtitled Version English World Sales The Match Factory GmbH, Michael Weber, Balthasarstrasse<br />
79-81, 50670 Cologne/Germany, phone +49-2 21-5 39 70 90, fax +49-2 21-5 39 70 910, email:<br />
<strong>in</strong>fo@matchfactory.de, www.the-match-factory.com<br />
Neele Leana Vollmar was born <strong>in</strong> 1978 <strong>in</strong> Bremen and studied at the Film Academy Baden-Wuerttemberg<br />
from 2000-2005. In 2003 she also participated <strong>in</strong> the Berl<strong>in</strong>ale Talent Campus and the Hollywood<br />
Masterclass. Her <strong>films</strong> <strong>in</strong>clude: the shorts Wattenmeer (1999), Zu Zweit (1999), <strong>E<strong>in</strong>e</strong> Reise (2000),<br />
Sans une parole (2001), Weiss (2001), Tote Fische schwimmen oben (2002), My Parents<br />
(Me<strong>in</strong>e Eltern, 2003), and the features Vacation from Life (Urlaub vom Leben, 2004), and<br />
Peaceful Times (Friedliche Zeiten, 2008).<br />
Keller/Ostlicht)<br />
Hagen ©<br />
Screen<strong>in</strong>g: Saturday, 25 October, 13:00 h, C<strong>in</strong>ema Barber<strong>in</strong>i 3<br />
(photo Times” “Peaceful from<br />
18 <strong>german</strong> screen<strong>in</strong>gs / the bus<strong>in</strong>ess street Scene
German Screen<strong>in</strong>gs / The Bus<strong>in</strong>ess Street<br />
Krabat<br />
The Thirty Years’ War has brought much death and destruction to central Europe, and has left 14year-old<br />
Krabat an orphan. Lost and devastated, Krabat’s keen survival <strong>in</strong>st<strong>in</strong>cts lead him to a<br />
remote valley, where he f<strong>in</strong>ds a mysterious mill run by an om<strong>in</strong>ous figure known as the Master.<br />
The lure of a safe haven, hot meals and an apprenticeship under the Master is hard to resist …<br />
But gradually Krabat uncovers a horrify<strong>in</strong>g secret: the mill is <strong>in</strong> fact a school of black magic and<br />
the Master is <strong>in</strong> league with satanic powers. While Krabat and his young colleagues revel <strong>in</strong> the<br />
teach<strong>in</strong>gs of the Master, they realize there is a price to pay: complete submission to the Master<br />
and even death. After Krabat witnesses Tonda, his closest friend at the mill, perish at the Master’s<br />
hands, the fire of rebellion starts rag<strong>in</strong>g with<strong>in</strong> the young boy. Krabat is able to f<strong>in</strong>d strength<br />
through the lovely Kantorka. Armed with noth<strong>in</strong>g but courage and their united love, together the<br />
young couple brave the Master …<br />
Genre Com<strong>in</strong>g-of-Age Story, Fantasy Year of Production 2008 Director Marco Kreuzpa<strong>in</strong>tner<br />
Screenplay Michael Gutmann, Marco Kreuzpa<strong>in</strong>tner Director of Photography Daniel Gottschalk<br />
Producers Uli Putz, Thomas Woebke, Jakob Claussen, Bernd W<strong>in</strong>tersperger, Nick Hamson, Lars Sylvest<br />
Production Companies Claussen+Woebke+Putz Filmproduktion/Munich, Krabat Filmproduktion/<br />
Munich, <strong>in</strong> co-production with SevenPictures Film/Munich, B.A. Produktion/Munich, <strong>in</strong> association with<br />
Brass Hat Films/London Pr<strong>in</strong>cipal Cast David Kross, Daniel Bruehl, Christian Redl, Robert Stadlober,<br />
Paula Kalenberg, Anna Thalbach, Hanno Koffler Length 120 m<strong>in</strong> Format 35 mm, color, cs, Dolby<br />
Digital/SRD/DTS Orig<strong>in</strong>al Version German Subtitled Version English World Sales Bavaria Film<br />
International/Dept. of Bavaria Media GmbH, Thorsten Ritter, Bavariafilmplatz 7, 82031 Geiselgasteig/<br />
Germany, phone +49-89-64 99 26 86, fax +49-89-64 99 37 20, email: <strong>in</strong>ternational@bavaria-film.de,<br />
www.bavaria-film-<strong>in</strong>ternational.com<br />
Marco Kreuzpa<strong>in</strong>tner was born <strong>in</strong> Rosenheim <strong>in</strong> 1977. After study<strong>in</strong>g Art History, he worked as an<br />
assistant to Edgar Reitz and Peter Lilienthal. His <strong>films</strong> <strong>in</strong>clude: Enter<strong>in</strong>g Reality (short, 1998), Der<br />
Atemkuenstler (short, 2000), REC – Kassettenmaedchen/Kassettenjungs (TV, 2001),<br />
Break<strong>in</strong>g Loose (Ganz und Gar, 2003), Summer Storm (Sommersturm, 2004), Trade<br />
(2007), and Krabat (2008).<br />
Screen<strong>in</strong>g: Saturday, 25 October, 12:30 h, C<strong>in</strong>ema Barber<strong>in</strong>i 5<br />
20 <strong>german</strong> screen<strong>in</strong>gs / the bus<strong>in</strong>ess street Scene from “Krabat” (photo © CWP-Film/Marco Nagel)
German Screen<strong>in</strong>gs / The Bus<strong>in</strong>ess Street<br />
Wolke 9 CLOUD 9<br />
She didn’t ask for it. It just happened. There were steal<strong>in</strong>g glances, attraction. But this was never<br />
supposed to happen.<br />
Inge is <strong>in</strong> her mid-60s. She has been married for 30 years and loves her husband. But Inge is<br />
drawn to this older man Karl, already 76. It’s passion. It’s sex. And she suddenly feels like a young<br />
girl aga<strong>in</strong> …<br />
Genre Drama Year of Production 2008 Director Andreas Dresen Story Development<br />
Andreas Dresen, Cooky Ziesche, Laila Stieler, Joerg Hauschild Director of Photography Michael<br />
Hammon Producer Peter Rommel Production Company Rommel Film/Berl<strong>in</strong>, <strong>in</strong> co-production<br />
with RBB/Potsdam-Babelsberg, <strong>in</strong> cooperation with ARTE/Strasbourg Pr<strong>in</strong>cipal Cast Ursula Werner,<br />
Horst Rehberg, Horst Westphal, Steffi Kuehnert Length 98 m<strong>in</strong> Format 35 mm, color, 1:1.85 Orig<strong>in</strong>al<br />
Version German Subtitled Versions English, French World Sales The Match Factory GmbH,<br />
Michael Weber, Balthasarstrasse 79-81, 50670 Cologne/Germany, phone +49-2 21-5 39 70 90, fax +49-2<br />
21-5 39 70 910, email: <strong>in</strong>fo@matchfactory.de, www.the-match-factory.com<br />
Andreas Dresen was born <strong>in</strong> 1963 and started shoot<strong>in</strong>g amateur <strong>films</strong> <strong>in</strong> 1979. From 1984 to 1985 he<br />
worked as a sound technician at the theater <strong>in</strong> Schwer<strong>in</strong>, and then apprenticed at the DEFA studios, work<strong>in</strong>g<br />
as an assistant director with Guenter Reisch. He then studied Direction at the “Konrad Wolf" Academy<br />
of Film & Television <strong>in</strong> Potsdam. S<strong>in</strong>ce 1992, he has been work<strong>in</strong>g as a writer and director for television,<br />
c<strong>in</strong>ema, and theater. A selection of his award-w<strong>in</strong>n<strong>in</strong>g <strong>films</strong> <strong>in</strong>cludes: Silent Country (Stilles Land,<br />
1992), Night Shapes (Nachtgestalten, 1998), The Policewoman (Die Polizist<strong>in</strong>, 2000),<br />
Grill Po<strong>in</strong>t (Halbe Treppe, 2001), Vote for Henryk! (Herr Wichmann von der CDU,<br />
2003), Willenbrock (2004), Summer <strong>in</strong> Berl<strong>in</strong> (Sommer vorm Balkon, 2005), and Cloud 9<br />
(Wolke 9, 2008).<br />
Screen<strong>in</strong>g: Saturday, 25 October, 11:00 h, C<strong>in</strong>ema Barber<strong>in</strong>i 3<br />
2008)<br />
RF © (photo 9” “Cloud from<br />
22 <strong>german</strong> screen<strong>in</strong>gs / the bus<strong>in</strong>ess street Scene