OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music
OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music
OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music
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credited to Strachwitz. The film starts off in in<br />
Oakland with footage of Jesse Fuller and travels<br />
cross country ending up in Nashville with stops<br />
along the way in Arizona, Texas and Louisiana.<br />
Included are performances by over two dozen<br />
musicians including Mance Lipscomb, Lightnin’<br />
Hopkins, george Lewis and J.E. Mainer. There’s<br />
a sequence of religious performances featuring<br />
rev. Louis Overstreet amongst others that’s<br />
worth the price of the entire disc. Because it<br />
was originally produced as a documentary there<br />
are a few segments that have some german narration<br />
over them — with recently added English<br />
sub-titles — but these are few and far between.<br />
There’s also a second audio track of commentary<br />
by Strachwitz that adds some wonderful<br />
insight to the music and musicians.<br />
Hear Me Howling! Blues, Ballads & Beyond compiles<br />
six dozen tracks by nearly 40 musicians<br />
recorded by Strachwitz in and around the Bay<br />
Area. While some of this material has shown up<br />
on previous Arhoolie albums, the majority have<br />
never been released or are showing up on CD<br />
for the first time. Housed in a 136-page book<br />
that includes extensive text and photographs,<br />
Hear Me Howling is an amazing document of<br />
some of the musicians, both local and traveling,<br />
who performed in the Bay Area from the<br />
mid-’50s through 1971. Besides some of the<br />
same artists featured on the Down Home DVD,<br />
there are also selections from blues men Lonnie<br />
Johnson, Sonny Terry, rev. gary Davis, Big<br />
Mama Thorton and Skip James, folk singers<br />
Debbie green, Bob Neuwirth, Alice Stuart and<br />
Barbara Dane, zydeco king Clifton Chenier and<br />
Bluegrass performers Vern & ray to name a few.<br />
Considering Strachwitz’s reputation as a roots<br />
music purist there’s a surprising amount of material<br />
that falls outside the usual Arhoolie M.O.<br />
including five cuts of jazz that ranges from postbop<br />
to free as well as “The Beatles are in Town”<br />
from an ad hoc group called The Fondettes. And<br />
of course no historic Arhoolie collection would<br />
be complete without Country Joe and the Fish’s<br />
“I Feel Like I’m Fixin to Die rag” that ended<br />
up help making most of the last forty years of<br />
Arhoolie releases possible when it showed up<br />
in the film and soundtracks for the Woodstock<br />
festival. Both of these releases are highly recommended.<br />
18 <strong>MUSIC</strong> WE LIKE H Spring/Summer 2011<br />
jIM NASTIC<br />
BEHIND THE TIMES/34/ARIES<br />
Getatchew Mekuria & The Ex<br />
– Moa Anbessa (TErp)<br />
The Fall – This Nation’s<br />
Saving Grace/The Wonderful<br />
and Frightening World of<br />
The Fall (Re-issues) (BEggArS U.k.)<br />
Golden Triangle –<br />
Double Jointer (SUB pOp)<br />
Dara Puspita – The Garage<br />
Years (grOOVIE)<br />
Hugh Cornwell – Live in S.F.<br />
THIS SHOW TOTALLY rULED!<br />
Kleenex/LiLiPuT –<br />
Live Recordings, TV Clips &<br />
Roadmovie (kILL rOCk STArS)<br />
Billy Childish – Archive from<br />
1959 (Triple LP) (DAMAgED gOODS)<br />
Black Books – Series 1 & 2<br />
(BBC)<br />
Flux of Pink Indians – Strive to<br />
Survive Causing Least Suffering<br />
Possible (LP Re-issue)<br />
(ONE LITTLE INDIAN)<br />
Subhumans UK –<br />
The Re-Issues (BLUrrg)<br />
Crass – The Crassical<br />
Collection (CrASS rECOrDS)<br />
Breaking Bad – Seasons 1& 2<br />
The Cure – Pillbox Tales<br />
1977-79 (ArkAIN FILLOUx)<br />
Tyvek – Nothing Fits (IN THE rED)<br />
Wire – Red Barked Tree<br />
(pINkFLAg)<br />
Scott Walker – The Drift (4AD)<br />
Nick Cave and the Bad Seeds<br />
– The Re-Issues (MUTE rECOrDS)<br />
Tip:<br />
DON’T SMOKE FROM A CAN! SEND GIFTS TO: PO BOX<br />
11273 OAKLAND, CALIFORNIA 94611. R.I.P. ARI UP , R.I.P.<br />
GREGORY SLAY & R.I.P. ROWLAND S. HOWARD…<br />
PS.RE-ISSUE pragVEC. And Kill Sokol.<br />
jIM KAISER<br />
Berkeley Boomerang,<br />
of the noisy variety.<br />
Swans – My Father Will Guide<br />
Me Up a Rope To the Sky<br />
(YOUNg gOD rECOrDS)<br />
The return of the Westberg guitar sound! Actually<br />
more so like the last couple Swans releases<br />
as filtered through Angels of Light than<br />
a complete departure from the recent sound<br />
of gira’s Angels. But still, who’s going to argue<br />
with that? And the limited edition 2xCD version<br />
with a white-hot 45-min piece that could be the<br />
last part of the Body Lovers/Haters trilogy? Yow!<br />
Catch them on tour if you can and witness the<br />
songs drawn out to epic duration and volume!<br />
The Ex – Catch My Shoe<br />
(Ex rECOrDS)<br />
Amsterdam’s finest send their next wave of<br />
agit-punk-ethno-stutter your way. Takes a bit to<br />
get used to the new vocalist, but the spirit of<br />
the band did not depart with g.W. Sok. Terrie<br />
and Andy are both on baritone guitars, and new<br />
singer Arnold de Boer adds a third guitar to the<br />
mix with kat laying down the backbone in her<br />
idiosyncratic way. Highly recommended, as is<br />
their entire catalog.<br />
Rowland S. Howard –<br />
Pop Crimes (LIBErATION <strong>MUSIC</strong>)<br />
The swansong for departed rowland, the original<br />
Six Strings That Drew Blood from the Birthday<br />
party. guest vocal on the opening track<br />
duet with HTrk’s Jonnine has the best back and<br />
forth lines in recent memory: “She’s my narcotic<br />
lollipop/I put my fingers in his mouth.” Covers<br />
of both Talk Talk and Townes Vandt rendered as if<br />
originals, and a new recording of the older solo<br />
live song “Shut Me Down” that’s simply beautiful.<br />
rest now, rowland. Thank you for all the glorious,<br />
cutting sounds from that Fender Jag, and the<br />
songs they adorned.<br />
Pan Sonic & Keiji Haino –<br />
Shall I Download A Blackhole<br />
And Offer It To You, Live In<br />
Berlin 15.11.2007 (BLAST FIrST pETITE)<br />
The live recording of this monstrous meeting<br />
between minimal electronic sound artists pan<br />
Sonic and the Japanese lord and master of most<br />
anything related to sound, keiji Haino serves a<br />
thrilling ride of the best of both artists. Haino’s<br />
guitar and vocals soar over the electronics of<br />
pan Sonic like a terrifying spectre, inviting you<br />
in and then dragging you through an existential<br />
hell. What is there to not like about this? Even<br />
if you’re only vaguely familiar with the works of<br />
either of these giants, this is a must have!<br />
Pan Sonic & Keiji Haino –<br />
In the Studio/Synergy Between<br />
Mercy/Self-Annihilation<br />
Overturned (BLAST FIRST [peTITe])<br />
This is the result of what you get when you<br />
throw the shamanistic Japanese overlord of<br />
sound into a studio with the Finnish masters<br />
of warm and oscillating electronic beats &<br />
noise. Light the fuse and run for it. Then try<br />
to wrap your mind around the song titles that<br />
Haino pulls from the ether, or just lay back<br />
and enjoy the devastation. Either way, you win<br />
in the end.<br />
Tip:<br />
Suggested read? The Fallen by Dave Simpson - The dubious<br />
goal of tracking down each and every former member<br />
of Mark E Smith’s The Fall. Both ridiculous and insightful<br />
while being a great light read.<br />
jp AKA Rpg<br />
Does percussion, conceptual analysis, and<br />
wears silent slippers. He is originally from<br />
Lake Vostok, Antarctica.<br />
Collapse (2010) – Directed<br />
by Chris Smith<br />
One of the most important documentaries<br />
I have seen in a while. From filmmaker Chris<br />
Smith (The Yes Men, American Movie) comes<br />
the story of former Los Angeles police officer<br />
turned investigative journalist and social critic,<br />
Michael ruppert. In 1978, ruppert resigned<br />
from the LApD after discovering possible CIA<br />
involvement in drug smuggling in the greater Los<br />
Angeles area. Three decades later, ruppert discusses<br />
and analyzes the current global economic<br />
crisis, how we got here, and what’s coming.<br />
<strong>MUSIC</strong> WE LIKE H Spring/Summer 2011 19