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OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music

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credited to Strachwitz. The film starts off in in<br />

Oakland with footage of Jesse Fuller and travels<br />

cross country ending up in Nashville with stops<br />

along the way in Arizona, Texas and Louisiana.<br />

Included are performances by over two dozen<br />

musicians including Mance Lipscomb, Lightnin’<br />

Hopkins, george Lewis and J.E. Mainer. There’s<br />

a sequence of religious performances featuring<br />

rev. Louis Overstreet amongst others that’s<br />

worth the price of the entire disc. Because it<br />

was originally produced as a documentary there<br />

are a few segments that have some german narration<br />

over them — with recently added English<br />

sub-titles — but these are few and far between.<br />

There’s also a second audio track of commentary<br />

by Strachwitz that adds some wonderful<br />

insight to the music and musicians.<br />

Hear Me Howling! Blues, Ballads & Beyond compiles<br />

six dozen tracks by nearly 40 musicians<br />

recorded by Strachwitz in and around the Bay<br />

Area. While some of this material has shown up<br />

on previous Arhoolie albums, the majority have<br />

never been released or are showing up on CD<br />

for the first time. Housed in a 136-page book<br />

that includes extensive text and photographs,<br />

Hear Me Howling is an amazing document of<br />

some of the musicians, both local and traveling,<br />

who performed in the Bay Area from the<br />

mid-’50s through 1971. Besides some of the<br />

same artists featured on the Down Home DVD,<br />

there are also selections from blues men Lonnie<br />

Johnson, Sonny Terry, rev. gary Davis, Big<br />

Mama Thorton and Skip James, folk singers<br />

Debbie green, Bob Neuwirth, Alice Stuart and<br />

Barbara Dane, zydeco king Clifton Chenier and<br />

Bluegrass performers Vern & ray to name a few.<br />

Considering Strachwitz’s reputation as a roots<br />

music purist there’s a surprising amount of material<br />

that falls outside the usual Arhoolie M.O.<br />

including five cuts of jazz that ranges from postbop<br />

to free as well as “The Beatles are in Town”<br />

from an ad hoc group called The Fondettes. And<br />

of course no historic Arhoolie collection would<br />

be complete without Country Joe and the Fish’s<br />

“I Feel Like I’m Fixin to Die rag” that ended<br />

up help making most of the last forty years of<br />

Arhoolie releases possible when it showed up<br />

in the film and soundtracks for the Woodstock<br />

festival. Both of these releases are highly recommended.<br />

18 <strong>MUSIC</strong> WE LIKE H Spring/Summer 2011<br />

jIM NASTIC<br />

BEHIND THE TIMES/34/ARIES<br />

Getatchew Mekuria & The Ex<br />

– Moa Anbessa (TErp)<br />

The Fall – This Nation’s<br />

Saving Grace/The Wonderful<br />

and Frightening World of<br />

The Fall (Re-issues) (BEggArS U.k.)<br />

Golden Triangle –<br />

Double Jointer (SUB pOp)<br />

Dara Puspita – The Garage<br />

Years (grOOVIE)<br />

Hugh Cornwell – Live in S.F.<br />

THIS SHOW TOTALLY rULED!<br />

Kleenex/LiLiPuT –<br />

Live Recordings, TV Clips &<br />

Roadmovie (kILL rOCk STArS)<br />

Billy Childish – Archive from<br />

1959 (Triple LP) (DAMAgED gOODS)<br />

Black Books – Series 1 & 2<br />

(BBC)<br />

Flux of Pink Indians – Strive to<br />

Survive Causing Least Suffering<br />

Possible (LP Re-issue)<br />

(ONE LITTLE INDIAN)<br />

Subhumans UK –<br />

The Re-Issues (BLUrrg)<br />

Crass – The Crassical<br />

Collection (CrASS rECOrDS)<br />

Breaking Bad – Seasons 1& 2<br />

The Cure – Pillbox Tales<br />

1977-79 (ArkAIN FILLOUx)<br />

Tyvek – Nothing Fits (IN THE rED)<br />

Wire – Red Barked Tree<br />

(pINkFLAg)<br />

Scott Walker – The Drift (4AD)<br />

Nick Cave and the Bad Seeds<br />

– The Re-Issues (MUTE rECOrDS)<br />

Tip:<br />

DON’T SMOKE FROM A CAN! SEND GIFTS TO: PO BOX<br />

11273 OAKLAND, CALIFORNIA 94611. R.I.P. ARI UP , R.I.P.<br />

GREGORY SLAY & R.I.P. ROWLAND S. HOWARD…<br />

PS.RE-ISSUE pragVEC. And Kill Sokol.<br />

jIM KAISER<br />

Berkeley Boomerang,<br />

of the noisy variety.<br />

Swans – My Father Will Guide<br />

Me Up a Rope To the Sky<br />

(YOUNg gOD rECOrDS)<br />

The return of the Westberg guitar sound! Actually<br />

more so like the last couple Swans releases<br />

as filtered through Angels of Light than<br />

a complete departure from the recent sound<br />

of gira’s Angels. But still, who’s going to argue<br />

with that? And the limited edition 2xCD version<br />

with a white-hot 45-min piece that could be the<br />

last part of the Body Lovers/Haters trilogy? Yow!<br />

Catch them on tour if you can and witness the<br />

songs drawn out to epic duration and volume!<br />

The Ex – Catch My Shoe<br />

(Ex rECOrDS)<br />

Amsterdam’s finest send their next wave of<br />

agit-punk-ethno-stutter your way. Takes a bit to<br />

get used to the new vocalist, but the spirit of<br />

the band did not depart with g.W. Sok. Terrie<br />

and Andy are both on baritone guitars, and new<br />

singer Arnold de Boer adds a third guitar to the<br />

mix with kat laying down the backbone in her<br />

idiosyncratic way. Highly recommended, as is<br />

their entire catalog.<br />

Rowland S. Howard –<br />

Pop Crimes (LIBErATION <strong>MUSIC</strong>)<br />

The swansong for departed rowland, the original<br />

Six Strings That Drew Blood from the Birthday<br />

party. guest vocal on the opening track<br />

duet with HTrk’s Jonnine has the best back and<br />

forth lines in recent memory: “She’s my narcotic<br />

lollipop/I put my fingers in his mouth.” Covers<br />

of both Talk Talk and Townes Vandt rendered as if<br />

originals, and a new recording of the older solo<br />

live song “Shut Me Down” that’s simply beautiful.<br />

rest now, rowland. Thank you for all the glorious,<br />

cutting sounds from that Fender Jag, and the<br />

songs they adorned.<br />

Pan Sonic & Keiji Haino –<br />

Shall I Download A Blackhole<br />

And Offer It To You, Live In<br />

Berlin 15.11.2007 (BLAST FIrST pETITE)<br />

The live recording of this monstrous meeting<br />

between minimal electronic sound artists pan<br />

Sonic and the Japanese lord and master of most<br />

anything related to sound, keiji Haino serves a<br />

thrilling ride of the best of both artists. Haino’s<br />

guitar and vocals soar over the electronics of<br />

pan Sonic like a terrifying spectre, inviting you<br />

in and then dragging you through an existential<br />

hell. What is there to not like about this? Even<br />

if you’re only vaguely familiar with the works of<br />

either of these giants, this is a must have!<br />

Pan Sonic & Keiji Haino –<br />

In the Studio/Synergy Between<br />

Mercy/Self-Annihilation<br />

Overturned (BLAST FIRST [peTITe])<br />

This is the result of what you get when you<br />

throw the shamanistic Japanese overlord of<br />

sound into a studio with the Finnish masters<br />

of warm and oscillating electronic beats &<br />

noise. Light the fuse and run for it. Then try<br />

to wrap your mind around the song titles that<br />

Haino pulls from the ether, or just lay back<br />

and enjoy the devastation. Either way, you win<br />

in the end.<br />

Tip:<br />

Suggested read? The Fallen by Dave Simpson - The dubious<br />

goal of tracking down each and every former member<br />

of Mark E Smith’s The Fall. Both ridiculous and insightful<br />

while being a great light read.<br />

jp AKA Rpg<br />

Does percussion, conceptual analysis, and<br />

wears silent slippers. He is originally from<br />

Lake Vostok, Antarctica.<br />

Collapse (2010) – Directed<br />

by Chris Smith<br />

One of the most important documentaries<br />

I have seen in a while. From filmmaker Chris<br />

Smith (The Yes Men, American Movie) comes<br />

the story of former Los Angeles police officer<br />

turned investigative journalist and social critic,<br />

Michael ruppert. In 1978, ruppert resigned<br />

from the LApD after discovering possible CIA<br />

involvement in drug smuggling in the greater Los<br />

Angeles area. Three decades later, ruppert discusses<br />

and analyzes the current global economic<br />

crisis, how we got here, and what’s coming.<br />

<strong>MUSIC</strong> WE LIKE H Spring/Summer 2011 19

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