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OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music

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Egypt Noir: Nubian Soul<br />

Treasures – Various Artists<br />

(pIrANHA)<br />

Another Mahmoud Fadl (a Nubian drummer<br />

based in germany) project of swinging, driving<br />

southern Egyptian/Sudanese music, featuring the<br />

late Ali Hassan kuban, Abou Saleh, and others.<br />

Next Stop Soweto 2 – Various<br />

Artists (STrUT)<br />

One would have to buy this compilation for<br />

the Heroes’ “Funky Message” as well as other<br />

groovy South African underground tracks from<br />

the ’70s. Not much mbaqanga or jazz here (as<br />

on the other comps on the same label) but soul<br />

& funk.<br />

dj yAyA<br />

International DJ since 1996…<br />

Lykke Li – Little Bit EP<br />

(LL rECOrDINgS)<br />

Kanye West – My Beautiful<br />

Dark Twisted Fantasy (DEF JAM)<br />

Nicki Minaj – Pink Friday<br />

(CASH MONEY)<br />

Crystal Castles – Crystal<br />

Castles (II) (FICTION rECOrDS)<br />

M.I.A. – Maya (INTErSCOpE)<br />

Mi Vida Loca/My Crazy Life<br />

(1994) – Directed by Allison<br />

Anders<br />

Tip:<br />

Check out ILHAME PARIS, her voice is poignant, sultry,<br />

spirited & rich. She mourns of love lost, offers hope & sings<br />

with candor. Check out her world tour!<br />

www.ILhame-Paris.com<br />

Check out BEAUTY IS PAIN BOUTIQUE & RECORDS AD<br />

NAUSEAM, 1443 N. Highland in Hollywood. They have<br />

one of a kind & rare merchandise from records & band<br />

tees, to sequins dresses & art. Incredible original clothing<br />

designs by Rio Warner. In-store theme parties with the best<br />

DJs & bands. Open 12-10pm everyday.<br />

Check out LIVE FOOTAGE, a Brooklyn-based band, with<br />

Topu Lyo (electric cello) & Mike Thies (drums, synth). I saw<br />

them perform at a hip-hop show in Brooklyn. Check out<br />

their California tour! www.livefootagebrooklyn.com<br />

90 <strong>MUSIC</strong> WE LIKE H Spring/Summer 2011<br />

If you’re a new “DJ,“ please read this book…How To DJ<br />

right:The Art & Science of playing records, by Frank<br />

Broughton & Bill Brewster.<br />

DJ YaYa presents.. NO SEGREGATION IN <strong>MUSIC</strong>!<br />

ANYTHING GOES! JAM SESSIONS @ BEAUTY IS PAIN<br />

BOUTIQUE, 1443 N. Highland in Hollywood. Every<br />

Tuesday with Guests DJs from around the globe. To benefit<br />

Autism Charities, dedicated to my brother Michael.<br />

Free DJ YaYa Mix-tapes:<br />

www.percussionlab.com/sets/dj_ya_ya/mixtape_2010<br />

www.soundcloud.com/djyayamix<br />

www.myspace.com/djyayamix<br />

zAC bOUVION<br />

Jazz Room / Freeway<br />

Abner Jay – Last Ole Minstrel<br />

Man 10” (MISSISSIppI)<br />

This is a ten-inch addendum to Mississippi’s already<br />

stellar documentation of Jay’s howling ’60s<br />

& ’70s one man band set-up, recorded near the<br />

end of his life, with the barest of accompaniment.<br />

Sounding far more frail and ghostly than<br />

the blustery stomp & shout of his early works,<br />

there’s a gorgeous rendition of Delta staple, “Sitting<br />

On Top of the World.”<br />

Daphne Oram – Oramics<br />

(YOUNg AMErICANS Uk)<br />

Fascinating 4-Lp overview of this unsung heroine<br />

of electronic composition. Oram was the first<br />

director of the BBC radiophonic Workshop,<br />

and created a large and diverse canon of material<br />

using techniques developed in her own studio.<br />

Like Delia Derbyshire and raymond Scott,<br />

many of her experiments were put to commercial<br />

work in radio/TV pitches — some are<br />

contained here, alongside concrete forays & film<br />

score material. Oram should definitely be added<br />

to the list of great Ladies of Early Electronics<br />

(here’s looking at you, Derbyshire/Oliveros/radigue).<br />

Sadly there’s no historical documentation<br />

to accompany the four discs of bleeps & bloops,<br />

but there’s tons of info online.<br />

Ramases – Space Hymns<br />

(MExICAN SUMMEr)<br />

Mexican Summer has really had my number<br />

in the reissue department lately. Lots of stuff<br />

I’ve hunted for/known on disc (Fraction/Beausoliel),<br />

now dressed up in gorgeous packaging<br />

for another chance at infamy. This 1971 oddity<br />

was originally released on Vertigo, and features<br />

the familiar mix of astral prog, raga, and plucky<br />

acoustic hymnal found on classic albums of many<br />

contemporaries & labelmates. Space Hymns tells<br />

a warped tale that encompasses Egyptian &<br />

Christian mythology, and a unique concoction<br />

of Astro-spiritual otherness. Druggy and obtuse,<br />

but not exclusionary, ramases’ voice bears some<br />

resemblance to Bolan circa Tyrannosaurus rex,<br />

but replacing the playful whimsy with brooding<br />

mysticism. kitchen-sink percussion & chanting<br />

like Incredible String Band — Twink’s legendary<br />

Think Pink album also comes to mind.<br />

Aguaturbia – Aguaturbia/<br />

Volumen 2 (LION prODUCTIONS)<br />

ripping femme-fronted psych pop from Chile.<br />

Apart from some Latin percussion, there is<br />

nothing to give away its origin musically —<br />

these records are every bit as “turned on” as<br />

any parallel American or Brit traveler circa ’69.<br />

Heavy West Coast psych vibes (Jefferson Airplane<br />

en Espanol), rambling downer moments,<br />

Yoko-esque treated vocals, interesting takes on<br />

American pop, and very forward sexuality. The<br />

second album (1970) is slightly darker in tone<br />

and harsher in orchestration — swinging from<br />

mournful, to full-on screaming and fuzz riffs.<br />

Valhalla Rising (2009) –<br />

Directed by Nicolas Winding<br />

Refn<br />

Breathtaking in its bleak austerity, and savage<br />

brutality. Uniformly grim, until the drugs kick in.<br />

The stunning lack of a score in crucial parts adds<br />

so much to the film’s environment. The New<br />

World is indeed Hell.<br />

Street and Gangland Rhythms<br />

– Beats & Improvisations by<br />

Six Boys in Trouble (SMITHSONIAN<br />

FOLkWAYS)<br />

Another doozy from Folkways. 1959 field recordings<br />

documenting day-to-day life for kids in<br />

New York’s worst slums. pre-teen street-corner<br />

percussion bands banging on whatever they can<br />

get their hands on, and boastful proto-rap that is<br />

as much nursery rhyme, as beat-speak. Most of<br />

the lyrical content is playful, but you can already<br />

hear the violence seeping in. Utterly unique, but<br />

recalling some indirect Haitian or Jamaican influence<br />

in the paint-bucket Voodoo drums and<br />

Calypso cadence. (I hope they reissue my record<br />

of Native American Mushroom Ceremonies<br />

next…)<br />

Tip:<br />

- Seeing Jandek perform was an honor and a privilege<br />

(and the music was fucking stellar too). Mike Watt was<br />

right-on and the gentleman himself seemed to be enjoying<br />

the volume and propulsion of the set — hope we’ll be<br />

seeing him around more.<br />

- Check out Marc Maron’s WTF Podcast.<br />

- RIP - Captain Beefheart<br />

KAREN<br />

there were a whole lot of great records<br />

to choose from this time around....<br />

Daniel Martin Moore –<br />

In the Cool of the Day (SUB pOp)<br />

i LOVE this record. maybe my favorite of the<br />

bunch. it struck me at the right time — being<br />

joyful and reflective and simmering and spiritual<br />

all at once. there is a warmth here, with the<br />

gospel songs and the originals laced seamlessly<br />

between each other. the echoes of the piano and<br />

the mandolin are nothing but soulful. the sound<br />

and the production is… well…sweet. it is<br />

soothing. and mystical. My Morning Jacket’s Jim<br />

James is on banjo. moore's voice is really comforting.<br />

if you like iron and wine, joshua james,<br />

ray lamontagne — you’ll like this record.<br />

Jose James & Jef Neve –<br />

For All We Know (VErVE)<br />

another amazing soulful voice. jose james’ voice<br />

is SO lovely and SO understated that it seeps<br />

into you long after hearing it. this is a straightup-jazz<br />

record. vocals and piano — and that’s<br />

it. jazz standards that you will know well. jose<br />

was the vocalist for gilles peterson’s electronic<br />

records, but this is nothing like those. and even<br />

with a bit of a pacing problem (most of the songs<br />

<strong>MUSIC</strong> WE LIKE H Spring/Summer 2011 91

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