OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music
OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music
OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music
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Egypt Noir: Nubian Soul<br />
Treasures – Various Artists<br />
(pIrANHA)<br />
Another Mahmoud Fadl (a Nubian drummer<br />
based in germany) project of swinging, driving<br />
southern Egyptian/Sudanese music, featuring the<br />
late Ali Hassan kuban, Abou Saleh, and others.<br />
Next Stop Soweto 2 – Various<br />
Artists (STrUT)<br />
One would have to buy this compilation for<br />
the Heroes’ “Funky Message” as well as other<br />
groovy South African underground tracks from<br />
the ’70s. Not much mbaqanga or jazz here (as<br />
on the other comps on the same label) but soul<br />
& funk.<br />
dj yAyA<br />
International DJ since 1996…<br />
Lykke Li – Little Bit EP<br />
(LL rECOrDINgS)<br />
Kanye West – My Beautiful<br />
Dark Twisted Fantasy (DEF JAM)<br />
Nicki Minaj – Pink Friday<br />
(CASH MONEY)<br />
Crystal Castles – Crystal<br />
Castles (II) (FICTION rECOrDS)<br />
M.I.A. – Maya (INTErSCOpE)<br />
Mi Vida Loca/My Crazy Life<br />
(1994) – Directed by Allison<br />
Anders<br />
Tip:<br />
Check out ILHAME PARIS, her voice is poignant, sultry,<br />
spirited & rich. She mourns of love lost, offers hope & sings<br />
with candor. Check out her world tour!<br />
www.ILhame-Paris.com<br />
Check out BEAUTY IS PAIN BOUTIQUE & RECORDS AD<br />
NAUSEAM, 1443 N. Highland in Hollywood. They have<br />
one of a kind & rare merchandise from records & band<br />
tees, to sequins dresses & art. Incredible original clothing<br />
designs by Rio Warner. In-store theme parties with the best<br />
DJs & bands. Open 12-10pm everyday.<br />
Check out LIVE FOOTAGE, a Brooklyn-based band, with<br />
Topu Lyo (electric cello) & Mike Thies (drums, synth). I saw<br />
them perform at a hip-hop show in Brooklyn. Check out<br />
their California tour! www.livefootagebrooklyn.com<br />
90 <strong>MUSIC</strong> WE LIKE H Spring/Summer 2011<br />
If you’re a new “DJ,“ please read this book…How To DJ<br />
right:The Art & Science of playing records, by Frank<br />
Broughton & Bill Brewster.<br />
DJ YaYa presents.. NO SEGREGATION IN <strong>MUSIC</strong>!<br />
ANYTHING GOES! JAM SESSIONS @ BEAUTY IS PAIN<br />
BOUTIQUE, 1443 N. Highland in Hollywood. Every<br />
Tuesday with Guests DJs from around the globe. To benefit<br />
Autism Charities, dedicated to my brother Michael.<br />
Free DJ YaYa Mix-tapes:<br />
www.percussionlab.com/sets/dj_ya_ya/mixtape_2010<br />
www.soundcloud.com/djyayamix<br />
www.myspace.com/djyayamix<br />
zAC bOUVION<br />
Jazz Room / Freeway<br />
Abner Jay – Last Ole Minstrel<br />
Man 10” (MISSISSIppI)<br />
This is a ten-inch addendum to Mississippi’s already<br />
stellar documentation of Jay’s howling ’60s<br />
& ’70s one man band set-up, recorded near the<br />
end of his life, with the barest of accompaniment.<br />
Sounding far more frail and ghostly than<br />
the blustery stomp & shout of his early works,<br />
there’s a gorgeous rendition of Delta staple, “Sitting<br />
On Top of the World.”<br />
Daphne Oram – Oramics<br />
(YOUNg AMErICANS Uk)<br />
Fascinating 4-Lp overview of this unsung heroine<br />
of electronic composition. Oram was the first<br />
director of the BBC radiophonic Workshop,<br />
and created a large and diverse canon of material<br />
using techniques developed in her own studio.<br />
Like Delia Derbyshire and raymond Scott,<br />
many of her experiments were put to commercial<br />
work in radio/TV pitches — some are<br />
contained here, alongside concrete forays & film<br />
score material. Oram should definitely be added<br />
to the list of great Ladies of Early Electronics<br />
(here’s looking at you, Derbyshire/Oliveros/radigue).<br />
Sadly there’s no historical documentation<br />
to accompany the four discs of bleeps & bloops,<br />
but there’s tons of info online.<br />
Ramases – Space Hymns<br />
(MExICAN SUMMEr)<br />
Mexican Summer has really had my number<br />
in the reissue department lately. Lots of stuff<br />
I’ve hunted for/known on disc (Fraction/Beausoliel),<br />
now dressed up in gorgeous packaging<br />
for another chance at infamy. This 1971 oddity<br />
was originally released on Vertigo, and features<br />
the familiar mix of astral prog, raga, and plucky<br />
acoustic hymnal found on classic albums of many<br />
contemporaries & labelmates. Space Hymns tells<br />
a warped tale that encompasses Egyptian &<br />
Christian mythology, and a unique concoction<br />
of Astro-spiritual otherness. Druggy and obtuse,<br />
but not exclusionary, ramases’ voice bears some<br />
resemblance to Bolan circa Tyrannosaurus rex,<br />
but replacing the playful whimsy with brooding<br />
mysticism. kitchen-sink percussion & chanting<br />
like Incredible String Band — Twink’s legendary<br />
Think Pink album also comes to mind.<br />
Aguaturbia – Aguaturbia/<br />
Volumen 2 (LION prODUCTIONS)<br />
ripping femme-fronted psych pop from Chile.<br />
Apart from some Latin percussion, there is<br />
nothing to give away its origin musically —<br />
these records are every bit as “turned on” as<br />
any parallel American or Brit traveler circa ’69.<br />
Heavy West Coast psych vibes (Jefferson Airplane<br />
en Espanol), rambling downer moments,<br />
Yoko-esque treated vocals, interesting takes on<br />
American pop, and very forward sexuality. The<br />
second album (1970) is slightly darker in tone<br />
and harsher in orchestration — swinging from<br />
mournful, to full-on screaming and fuzz riffs.<br />
Valhalla Rising (2009) –<br />
Directed by Nicolas Winding<br />
Refn<br />
Breathtaking in its bleak austerity, and savage<br />
brutality. Uniformly grim, until the drugs kick in.<br />
The stunning lack of a score in crucial parts adds<br />
so much to the film’s environment. The New<br />
World is indeed Hell.<br />
Street and Gangland Rhythms<br />
– Beats & Improvisations by<br />
Six Boys in Trouble (SMITHSONIAN<br />
FOLkWAYS)<br />
Another doozy from Folkways. 1959 field recordings<br />
documenting day-to-day life for kids in<br />
New York’s worst slums. pre-teen street-corner<br />
percussion bands banging on whatever they can<br />
get their hands on, and boastful proto-rap that is<br />
as much nursery rhyme, as beat-speak. Most of<br />
the lyrical content is playful, but you can already<br />
hear the violence seeping in. Utterly unique, but<br />
recalling some indirect Haitian or Jamaican influence<br />
in the paint-bucket Voodoo drums and<br />
Calypso cadence. (I hope they reissue my record<br />
of Native American Mushroom Ceremonies<br />
next…)<br />
Tip:<br />
- Seeing Jandek perform was an honor and a privilege<br />
(and the music was fucking stellar too). Mike Watt was<br />
right-on and the gentleman himself seemed to be enjoying<br />
the volume and propulsion of the set — hope we’ll be<br />
seeing him around more.<br />
- Check out Marc Maron’s WTF Podcast.<br />
- RIP - Captain Beefheart<br />
KAREN<br />
there were a whole lot of great records<br />
to choose from this time around....<br />
Daniel Martin Moore –<br />
In the Cool of the Day (SUB pOp)<br />
i LOVE this record. maybe my favorite of the<br />
bunch. it struck me at the right time — being<br />
joyful and reflective and simmering and spiritual<br />
all at once. there is a warmth here, with the<br />
gospel songs and the originals laced seamlessly<br />
between each other. the echoes of the piano and<br />
the mandolin are nothing but soulful. the sound<br />
and the production is… well…sweet. it is<br />
soothing. and mystical. My Morning Jacket’s Jim<br />
James is on banjo. moore's voice is really comforting.<br />
if you like iron and wine, joshua james,<br />
ray lamontagne — you’ll like this record.<br />
Jose James & Jef Neve –<br />
For All We Know (VErVE)<br />
another amazing soulful voice. jose james’ voice<br />
is SO lovely and SO understated that it seeps<br />
into you long after hearing it. this is a straightup-jazz<br />
record. vocals and piano — and that’s<br />
it. jazz standards that you will know well. jose<br />
was the vocalist for gilles peterson’s electronic<br />
records, but this is nothing like those. and even<br />
with a bit of a pacing problem (most of the songs<br />
<strong>MUSIC</strong> WE LIKE H Spring/Summer 2011 91