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OUR FAVORITE NEW MUSIC & MOVIES! - Amoeba Music

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Dimitri Coats that plays real deal 1981 style bottle<br />

in a cops face hardcore. Originally released<br />

as a boxed set of four 7” Eps & now available as<br />

a CD this is corrosive balls out raging jams to<br />

skate & vandalize to. Each song is a killer but the<br />

leadoff “Black Thoughts” & the thrashing “I Don’t<br />

Belong” & “Upside Down”(the last two available<br />

for your video viewing pleasure on YouTube) are<br />

among the standouts. The sound of a veteran<br />

punker like Morris delivering bile like “Now I’m<br />

pissed” & “Fuck people” calls out all the kids to<br />

get back to the garage & get it right. They even<br />

get in a nice name check to fallen L.A. punk casualty<br />

Jeffrey Lee pierce on the song of the same<br />

name. Classic L.A. punk artist raymond pettibon<br />

does all the cover & booklet art to lend that<br />

cryptic darkness only he can encapsulate visually,<br />

a perfect foil for the music. At an age when<br />

most sellouts are telling the kids to turn down<br />

the noise or get off their lawn nice to see a true<br />

believer not afraid to grow old hatefully.<br />

The Fresh & Onlys – Play It<br />

Strange (IN THE rED)<br />

The first studio Lp from the ever prolific, previously<br />

home recorded, Onlys builds on all the<br />

strengths of myriad earlier releases while pushing<br />

things in exciting new directions. rather than<br />

simply cleaning up the usual lo-fi sound, producer<br />

Tim green (The Nation Of Ulysses/The Fucking<br />

Champs) adds punch to the grittier material<br />

while enabling the more subtle, elusive elements<br />

of songs like the lilting opener “Summer<br />

Of Love” to have a delicacy the Onlys had never<br />

achieved before. Stompers like “Until The End Of<br />

Time,” “Be My Hooker” & “plague Of Frogs” have<br />

as much punch as the home recorded releases,<br />

while more complex tracks like the incredible<br />

single “Waterfall” & “Tropical Island Suite”<br />

are able to be fully realized creations. “Tropical<br />

Island” is particularly notable for combining a<br />

rampaging opening section that is the hardest hit-<br />

38 <strong>MUSIC</strong> WE LIKE H Spring/Summer 2011<br />

ting part of the album before descending out of<br />

a feedback haze into a lazy calypso piano coda<br />

dream finish. The band also incorporates acoustic<br />

guitar textures into the finger snapping “Red<br />

Light,green Light” & the ultra catchy live favorite<br />

“Fascinated,” as well as keyboard strings on the<br />

beautiful closer “I’m a Thief,” a song that marries<br />

a tough heartbreaker lyric to a sweet melody that<br />

recalls Little peggy March’s 1963 chart topper, “I<br />

Will Follow Him.” The finest pure pop record of<br />

2010 is the result.<br />

Ariel Pink’s Haunted Graffiti –<br />

Before Today (4AD)<br />

The mercurial Ariel pink’s previous releases have<br />

often felt like an inconsistent hodge-podge due<br />

to being mostly compiled from various home<br />

recorded sessions from — in some cases —<br />

several years apart. For his 4AD debut, Ariel has<br />

assembled a real band & finally conceived a recording<br />

designed to be an Lp. The results encapsulate<br />

the best aspects of his previous material<br />

(offhand melodies, a loose casual feel & a playful<br />

exuberance vocally) while inching ever closer to<br />

real songcraft. A funky mostly instrumental intro<br />

track leads into the joyous super catchy cover<br />

of the 1966 obscurity, “Bright Lit Blue Skies” by<br />

the rockin’ ramrods, a perfect instrument for<br />

pink’s talents. The albums’ centerpiece is the<br />

back-to-back John Travolta fucking his reflection<br />

in the mirror disco anthems “round & round”<br />

& “Beverly kills,” with Tim koh’s basslines front<br />

and center to give you that cocaine drip in your<br />

throat feeling. He even throws in a yacht rockin’<br />

slow jam like “Can’t Hear My Eyes” to keep the<br />

party going. All in all a near perfect step up from<br />

the underground to the spotlight.<br />

Who Is Harry Nilsson & Why<br />

Is Everybody Talking About<br />

Him? (2010) – Directed by<br />

John Scheinfeld<br />

A beautiful, loving portrait of the incredibly talented<br />

& troubled singer-songwriter traces his<br />

rise from a troubled, impoverished childhood<br />

to a grammy-winning, chart-topping performer<br />

and his subsequent descent into alcohol & drug<br />

induced self sabotage through questionable artistic<br />

and business decisions. His surviving contemporaries<br />

& collaborators offer their insights<br />

amid mindblowing rare performance footage<br />

from TV appearances. Nilsson’s incredible voice<br />

is best known as an interpreter of other songwriters’<br />

work (his classic rendition of Fred Neil’s<br />

“Everybody’s Talkin” from the Midnight Cowboy<br />

soundtrack & No. 1 single version of Badfinger’s<br />

“Without You”) but his own twisted & artful<br />

compositions survive as a timeless riff on Tin<br />

pan Alley traditions informed by his own unique<br />

sense of humor & the absurd. Nilsson’s often<br />

booze-sodden friendship with John Lennon ultimately<br />

led to his leaving music behind to become<br />

a gun control advocate following Lennon’s<br />

tragic murder in 1980. If you are only familiar<br />

with his hits you owe it to yourself to get the<br />

broader picture of a unique talent.<br />

Sound Of Siam: Leftfield<br />

Luk-Thung, Jazz & Molam in<br />

Thailand 1964-1975 –<br />

Various Artists (SOUNDWAY)<br />

The kind folks at Soundway have been providing<br />

adventurous listeners with unusual and revelatory<br />

treats from all over the world for several<br />

years and this collection stands with the finest.<br />

Nineteen killer tracks from the politically repressive<br />

’60s & ’70s Far East nation of Thailand<br />

that run the gamut from funky grooves, skanking<br />

reggae guitars & wild jazzy elements while also<br />

incorporating traditional roots of Thai classical<br />

music. Some tracks also recall the mournful<br />

sounds going on in both revolutionary Africa &<br />

South America during the same period. This is all<br />

the more fascinating due to the fact that political<br />

oppression in all three regions made it impossible<br />

for them to be familiar with each others<br />

music. All killer & zero filler on this captivating<br />

document.<br />

Tip:<br />

If you care about what becomes a permanent mark upon<br />

your body, go to Clifton Carter’s LIGHTHOUSE TATTOO.<br />

RObERTO’S 2010<br />

REVISIT<br />

There wasn’t a whole lot that got me excited<br />

music or movie wise in 2010. In fact, besides<br />

my nephew being born and our local team<br />

finally winning baseball’s world championship,<br />

last year as a whole is definitely on the<br />

backburner. Therefore, while these aren’t my<br />

all-time favorite albums, this list is a handful of<br />

titles you might have missed which are worth at<br />

least a listen and should still be readily available by<br />

the time this booklet hits our shelves.<br />

Cee-Lo Green – The Lady<br />

Killer (ELEkTrA rECOrDS)<br />

I first knew of this dude when I heard him rappin’<br />

on the goodie Mob single, “Cell Therapy.”<br />

Many of you have heard him as a singer on the<br />

song “Crazy,” as a part of the award-winning<br />

group gnarls Barkley. This solo project continues<br />

down the singing path, with standout tracks<br />

like “Bodies” and “Old Fashioned.”<br />

The Roots – How I Got Over<br />

(DEF JAM rECOrDINgS)<br />

Celph Titled & Buckwild<br />

(of D.I.T.C.) – Nineteen Ninety<br />

Now (NO SLEEp rECOrDINgS)<br />

If understood correctly, Celph Titled was able<br />

to pick from Buckwild’s original production<br />

from back in the day for the tracks on this project.<br />

guests include well-known MCs like A.g.,<br />

grand puba, Vinnie paz, and Chino xL.<br />

Ras Kass & DJ Rhettmatic –<br />

A.D.I.D.A.S. (All Day I Dream<br />

About Spittin)<br />

(rE-Up ENTErTAINMENT)<br />

JR & PH7 – The Update<br />

(SOULSpAzM rECOrDS)<br />

This album spans a good chunk of the globe,<br />

with the two producers hailing from germany<br />

and the MCs from places like Michigan and<br />

California. Evidence, Edo. g and Sean price are<br />

among some the voices you might recognize on<br />

this record.<br />

Tip:<br />

Although not all of them are hip-hop, the mix tape area<br />

located in the Hip-hop section of the SF store has a wide<br />

variety of treats new and old. If you’re looking for a new<br />

take on some classic soul, obscure beats, or a blend of local<br />

MC’s material you haven’t heard yet, chances are you’ll<br />

find it here. Sayonara!<br />

STACEy<br />

Just tell me what you want.<br />

Ariel Pink’s Haunted<br />

Graffiti – Before Today (4AD)<br />

The Bye Bye Blackbirds –<br />

Tour E.P. 2010 (BYE BYE BLACkBIrDS)<br />

Limited Edition of 100<br />

Kathryn Calder – Are You My<br />

Mother? (FILE UNDEr: <strong>MUSIC</strong>)<br />

member of New pornographers and former<br />

member of Immaculate Machine<br />

<strong>MUSIC</strong> WE LIKE H Spring/Summer 2011 39

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