QWERTY Caster - Universitat Pompeu Fabra

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From the “do-everything-yourself” to the “one-button-does-it-all” We will start by studying the left paradigm, i.e. when computers behave like traditional instruments, leaving everything to the musician responsibility… Sergi Jordà, Music Technology Group IUA, UPF – Barcelona, 2008
Sergi Jordà, Music Technology Group IUA, UPF – Barcelona, 2008 Part II: Music Controllers
Page 1 and 2: Interpretació amb Mitjans Electrò
Page 3 and 4: Traditional Music Instruments / Con
Page 5 and 6: Traditional Music Instruments / Res
Page 7 and 8: Digital Music Instruments Controll
Page 9: AUTOMATED CONTROL PROCESSES Hammond
Page 13 and 14: Controllers’ Summary (1/2) THE EA
Page 15 and 16: Interaction Coherence ? The disapp
Page 17 and 18: Timbre navigation The voice, the d
Page 19 and 20: Hugh Le Caine’s electronic sackbu
Page 21 and 22: Music controllers & MIDI Despit
Page 23 and 24: Sensing data Sensors and microcont
Page 25 and 26: Part III: Design Issues Jeff Press
Page 27 and 28: Dimensionality / Degrees of Freedom
Page 29 and 30: The 11 dimensions of a Data Glove
Page 31 and 32: The hyperhuman controller ! From th
Page 33 and 34: Human control bandwidth (2) How m
Page 35 and 36: Continuous / discrete Not all d
Page 37 and 38: Dimension coupling “To draw freeh
Page 39 and 40: y and Vertegaal SenSorg cockpit ! S
Page 41 and 42: Hold / return / bypass /skip Ret
Page 43 and 44: Acoustic Musical Instruments Exampl
Page 45 and 46: The Joystick Sergi Jordà, Music Te
Page 47 and 48: The Voicer (Kessus, Arfib) Amplitud
Page 49 and 50: Some Joystick (and other bimanual),
Page 51 and 52: AUTOMATED CONTROL PROCESSES Hammond
Page 53 and 54: Multithreaded instruments & shared
Page 55 and 56: Dimensionality and Multiplexing Pro
Page 57 and 58: “Air” Music Short BBC Theremi
Page 59 and 60: “Traditional” Controllers !! Mo
Page 61:
Recommended Readings Arfib, D., Co
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