QWERTY Caster - Universitat Pompeu Fabra

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Outputs: everything is possible (??) Any parameter variation can now be implemented as desired; continuously, discreetly, or as a combination of both Timbre does not have to be left out anymore. Any imaginable timbre can be rendered theoretically; it can change abruptly or evolve continuously, and even smooth transitions between any set of distinct timbres can be achieved (e.g. Grey 1975; Wessel 1979; Wessel et al. 1998) Small periodic changes can still be applied to anything, with unlimited and precise control over all of the oscillation parameters (frequency, amplitude and shape of the oscillation), and these modulations do not have to be permanently addressed by the performer anymore since separate threads in the machine are taking charge of them The performer, who no longer needs to control all the smaller details, can control instead the processes that control these details Sergi Jordà, Music Technology Group IUA, UPF – Barcelona, 2008
AUTOMATED CONTROL PROCESSES Hammond+Leslie Analog modular synthesizer NON-HUMAN EXCITATION ENERGY Sergi Jordà, Music Technology Group IUA, UPF – Barcelona, 2008
Page 1 and 2: Interpretació amb Mitjans Electrò
Page 3 and 4: Traditional Music Instruments / Con
Page 5 and 6: Traditional Music Instruments / Res
Page 7: Digital Music Instruments Controll
Page 11 and 12: Sergi Jordà, Music Technology Grou
Page 13 and 14: Controllers’ Summary (1/2) THE EA
Page 15 and 16: Interaction Coherence ? The disapp
Page 17 and 18: Timbre navigation The voice, the d
Page 19 and 20: Hugh Le Caine’s electronic sackbu
Page 21 and 22: Music controllers & MIDI Despit
Page 23 and 24: Sensing data Sensors and microcont
Page 25 and 26: Part III: Design Issues Jeff Press
Page 27 and 28: Dimensionality / Degrees of Freedom
Page 29 and 30: The 11 dimensions of a Data Glove
Page 31 and 32: The hyperhuman controller ! From th
Page 33 and 34: Human control bandwidth (2) How m
Page 35 and 36: Continuous / discrete Not all d
Page 37 and 38: Dimension coupling “To draw freeh
Page 39 and 40: y and Vertegaal SenSorg cockpit ! S
Page 41 and 42: Hold / return / bypass /skip Ret
Page 43 and 44: Acoustic Musical Instruments Exampl
Page 45 and 46: The Joystick Sergi Jordà, Music Te
Page 47 and 48: The Voicer (Kessus, Arfib) Amplitud
Page 49 and 50: Some Joystick (and other bimanual),
Page 51 and 52: AUTOMATED CONTROL PROCESSES Hammond
Page 53 and 54: Multithreaded instruments & shared
Page 55 and 56: Dimensionality and Multiplexing Pro
Page 57 and 58: “Air” Music Short BBC Theremi
Page 59 and 60:
“Traditional” Controllers !! Mo
Page 61:
Recommended Readings Arfib, D., Co
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QWERTY Caster - Universitat Pompeu Fabra

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