QWERTY Caster - Universitat Pompeu Fabra

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Some multithread & shared control corollaries These systems (instruments) tend to surpass the one gesture to one acoustic event’ paradigm go beyond the sound and note control level run multiple and parallel musical processes in a shared control between the instrument and the performer the possibility to have multiple performers seems as a logical and promising extension Sergi Jordà, Music Technology Group IUA, UPF – Barcelona, 2008
Dimensionality and Multiplexing Problems (1/2) (Jordà 2005) 1. Analog devices (incl. acoustic instrument) tend to be space multiplexed 2. Traditional instrument tend to have a low dimensionality 3. Digital controllers can have a higher dimensionality 4. Interactive music systems tend to have a still higher (output) dimensionality (i.e. many parameters to control, not only related to sound, but possibly to “form”…) 5. They thus tend to need some temporal multiplexing (e.g. secondary buttons that change the behavior of primary controllers) Sergi Jordà, Music Technology Group IUA, UPF – Barcelona, 2008
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Interpretació amb Mitjans Electrò
Page 3 and 4: Traditional Music Instruments / Con
Page 5 and 6: Traditional Music Instruments / Res
Page 7 and 8: Digital Music Instruments Controll
Page 9 and 10: AUTOMATED CONTROL PROCESSES Hammond
Page 11 and 12: Sergi Jordà, Music Technology Grou
Page 13 and 14: Controllers’ Summary (1/2) THE EA
Page 15 and 16: Interaction Coherence ? The disapp
Page 17 and 18: Timbre navigation The voice, the d
Page 19 and 20: Hugh Le Caine’s electronic sackbu
Page 21 and 22: Music controllers & MIDI Despit
Page 23 and 24: Sensing data Sensors and microcont
Page 25 and 26: Part III: Design Issues Jeff Press
Page 27 and 28: Dimensionality / Degrees of Freedom
Page 29 and 30: The 11 dimensions of a Data Glove
Page 31 and 32: The hyperhuman controller ! From th
Page 33 and 34: Human control bandwidth (2) How m
Page 35 and 36: Continuous / discrete Not all d
Page 37 and 38: Dimension coupling “To draw freeh
Page 39 and 40: y and Vertegaal SenSorg cockpit ! S
Page 41 and 42: Hold / return / bypass /skip Ret
Page 43 and 44: Acoustic Musical Instruments Exampl
Page 45 and 46: The Joystick Sergi Jordà, Music Te
Page 47 and 48: The Voicer (Kessus, Arfib) Amplitud
Page 49 and 50: Some Joystick (and other bimanual),
Page 51 and 52: AUTOMATED CONTROL PROCESSES Hammond
Page 53: Multithreaded instruments & shared
Page 57 and 58: “Air” Music Short BBC Theremi
Page 59 and 60: “Traditional” Controllers !! Mo
Page 61: Recommended Readings Arfib, D., Co
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QWERTY Caster - Universitat Pompeu Fabra

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