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QWERTY Caster - Universitat Pompeu Fabra

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“Traditional” Controllers !!<br />

Most of the music controllers being developed prolong the traditional<br />

instrument paradigm. Trying perhaps to exorcise forty years of tape<br />

music, researchers in the field of new musical interfaces tend to<br />

conceive new musical instruments highly inspired by traditional ones,<br />

most often designed to be ‘worn’ and played all the time, and offering<br />

continuous, synchronous and precise control over a few dimensions.<br />

An intimate, sensitive and not necessarily highly dimensional interface<br />

of this kind (i.e. more like a violin bow, a mouthpiece or a joystick,<br />

than like a piano) will be ideally suited for direct microcontrol (i.e.<br />

sound, timbre, articulation). However, for macrostructural, indirect or<br />

higher level control, a non-wearable interface distributed in space and<br />

allowing intermittent access (i.e. more like a piano or a drum) should<br />

be undeniably preferred (Jordà 2005).<br />

Sergi Jordà, Music Technology Group<br />

IUA, UPF – Barcelona, 2008

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