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The Museum of Modern Art<br />

Department of Architecture and Design<br />

11 West 53 Street<br />

New York, NY 10019<br />

T: (212) 708-9539<br />

F (212) 708-9419<br />

Andres_lepik@moma.org<br />

Employment<br />

Education<br />

<strong>ANDRES</strong> <strong>LEPIK</strong><br />

<strong>CURRICULUM</strong> <strong>VITAE</strong><br />

From July 2007 Curator Architecture and Design Department, The<br />

Museum of Modern Art, New York<br />

Jul 2004 – July 2007 Chief Curator, Architectural Collection 20. / 21. Century<br />

Kunstbibliothek, Staatliche Museen zu Berlin<br />

2000 - 2004 Head, Publications and Professional Development<br />

Directorate-General, Staatliche Museen zu Berlin<br />

1998 - 2000: Research assistant and delegate to the Director<br />

General<br />

Staatliche Museen zu Berlin<br />

1996 - 1998: Managing Director<br />

Exhibition „Das XX. Jahrhundert. Ein Jahrhundert<br />

Kunst in Deutschland“ Neue Nationalgalerie, Berlin<br />

1994 - 1996 Curatorial Internship<br />

Staatliche Museen zu Berlin<br />

Since 1992 Freelance Contributor<br />

Neue Zürcher Zeitung (Switzerland)<br />

1990 -1991 Editor<br />

PR Agentur Giel und Partner, Frankfurt/Main (Germ.)<br />

1990 Ph.D. University of Augsburg (Germany)<br />

„The Renaissance Architectural Model: 1353-1500“<br />

1987-1990 Dissertation Fellowship at the Bibliotheca Hertziana,<br />

Max-Planck-Institut (Rome, Italy)<br />

1987 M. A. University of Augsburg<br />

1981 – 1987 University of Augsburg, Augsburg (Germany)<br />

Ludwig-Maximilians University, Munich (Germany)


Exhibitions<br />

10. 05.07 - 01.07.07 Reflect. Building in the Digital Media City, Seoul,<br />

Korea. Barkow/Leibinger Architekten. Kulturforum<br />

26.10.06 - 07.01.07 O. M. Ungers. Cosmos of Architecture.<br />

Neue Nationalgalerie. (Curator and managerial head.<br />

Editor of exhibition catalogue)<br />

07.06.06 - 07.10.06 Berlin – Tokyo/Tokyo – Berlin. The art of two cities.<br />

(Curator for architectural department and for exhibition<br />

architecture by Toyo Ito.)<br />

11.05.06 - 30.06.06 Inventioneering architecture. Switzerland.<br />

Kulturforum (Managerial head for installation of<br />

exhibition organised by Faculty of Architecture ETH<br />

Zurich)<br />

29.09.05 - 05.11.05 Jürgen Mayer H.: Metropol/Parasol, Plaza de la<br />

Encarnación in Sevilla, Kulturforum (Curator and<br />

managerial head; fundraising, and exhibition catalog)<br />

2005 Jan Kleihues und Klaus Schuwerk: Museo dell’<br />

Industria e del lavoro „Eugenio Battisti“ Brescia<br />

Kulturforum (Curator and managerial head)<br />

2004/2005 Mailand und Lombardei. Architekturen der Zukunft,<br />

Kulturforum (Managerial head for installation of<br />

exhibition organised by the Pavillon de l’Arsenal, Paris)<br />

2004 Kulturforum, Kulturforum (Curator and managerial<br />

head in collaboration with the Federal Office for<br />

Building and Regional Planning und the University of<br />

the Arts, Berlin)<br />

2003/2004 Content / Rem Koolhaas und OMA/AMO,<br />

Neue Nationalgalerie (Curator for Berlin venue and<br />

managerial head)<br />

2003 Josef Paul Kleihues, Stadt – Bau – Kunst,<br />

Hamburger Bahnhof, Museum für Gegenwart<br />

(Curator and managerial head in collaboration with P.<br />

Kahlfeldt and A. Schätzke)<br />

2002 Rethinking: Space, time & architecture<br />

Events at c. 50 galleries throughout Berlin on the<br />

occasion of the UIA Congress. (Conception, budget,<br />

and catalog in collaboration with St. Lehmann and C.<br />

Raspé.)<br />

2001/2002 Ludwig Mies van der Rohe. Die Berliner Jahre 1907-<br />

1938, Altes Museum (Managerial head for installation<br />

of exhibition organised by the Museum of Modern Art,<br />

New York.)<br />

2000 Renzo Piano: Architekturen des Lebens, Neue<br />

Nationalgalerie. (Curator and managerial head)<br />

1999/2000 Das XX. Jahrhundert. Ein Jahrhundert Kunst in<br />

Deutschland, Neue Nationalgalerie<br />

(Curator and managerial head of the section<br />

„Architecture“ in collaboration with A. Schmedding)


Publications<br />

I. Books<br />

1998/1999 Masterplan Museumsinsel, Neues Museum<br />

(Curator and managerial head in collaboration with the<br />

Federal Office for Building and Regional Planning,<br />

Berlin)<br />

1995/1996 Architekturmodelle der Renaissance,<br />

Altes Museum (Managerial head for exhibition venue in<br />

Berlin. Tour organised by the Palazzo Grassi, Venice)<br />

Reflect. Barkow Leibinger Architects.<br />

Building in the Digital Media City, Seoul, Korea. Ostfildern 2007 (ed.)<br />

O. M. Ungers. Cosmos of architecture.<br />

Ostfildern, Hatje Cantz, 2006 (ed.)<br />

Raymund Abraham: Austrian Cultural Institute in New York<br />

Ostfildern: Hatje Cantz, 2006 (in print)<br />

Metropol Parasol. Redesigning of Plaza de la Encarnación in Sevilla.<br />

Berlin: Staatliche Museen, 2005 (ed.)<br />

Architektur in Berlin. Das XX. Jahrhundert, Cologne: DuMont, 2005<br />

(Reedition, edited with A. Schmedding).<br />

SKYSCRAPERS, Munich: Prestel, 2004 (engl.).<br />

(German edition: Wolkenkratzer, Munich: Prestel 2005).<br />

Josef Paul Kleihues, Stadt-Bau-Kunst,<br />

(edited with P. Kahlfeldt and A. Schätzke), Berlin: Nicolai, 2003.<br />

Nr. 109. Franka Hörnschemeyer (Werkraum 12)<br />

Berlin: Staatliche Museen, 2002 (ed.)<br />

Masterplan Museumsinsel - Ein europäisches Projekt<br />

Berlin: Staatliche Museen, 2000 (ed.)<br />

Renzo Piano - Architekturen des Lebens<br />

Stuttgart-Ostfildern: Hatje Cantz, 2000 (ed.)<br />

Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland.<br />

Architektur in Berlin, Cologne: DuMont, 1999 (edited with A. Schmedding).<br />

Der Herr der Bauten<br />

Festschrift Wolf-Dieter Dube, Berlin: Nicolai, 1999 (edited with G. Schauerte).<br />

Neue Nationalgalerie, Dreissig Jahre.<br />

Berlin 1998 (edited with Paul Kahlfeldt. Reprint: 2001).<br />

Das Architekturmodell in Italien: 1353-1500, Römische Forschungen der<br />

Bibliotheca Hertziana. Worms: Wernersche Verlagsgesellschaft, 1994.


II. Selected Articles<br />

Mehr als mehr. Rem Koolhaas and his exhibition „Content“ in Neue<br />

Nationalgalerie, Berlin. In: Der Architekt, 7-88, 2006<br />

Eine geistige Akropolis. Die Museumsprojekte. in: O.M. Ungers, Kosmos der<br />

Architektur, Ostfildern 2006, S. 82-95<br />

“The Museum Island, Berlin” Museums in the 21 st Century, Concepts<br />

Projects Buildings, Munich 2006, pp. 144-157.<br />

“Searching for the limits: The Building Type Skyscraper at the Beginning of<br />

21 st Century,” A & U, October 2005, pp.16-25.<br />

„In kluger Balance: Hafengebäude Rohner.“ Baumschlager/Eberle. Hafengebäude<br />

Rohner, Ostfildern: Hatje Cantz: 2005, pp. 22-27.<br />

„Sammeln, Bewahren, Ausstellen. Die Museumsprojekte. Josef Paul<br />

Kleihues.“ Stadt-Bau-Kunst, Berlin: Nicolai, 2003, pp. 43-54.<br />

„Neue Nationalgalerie,“ Die Nationalgalerie, Ed. Peter-Klaus Schuster,<br />

Cologne: DuMont, 2001, pp. 64-69.<br />

„Die Berliner Museumsinsel,“ Weltkulturerbe in Deutschland, Cologne:<br />

DuMont 2001, pp. 394-405 (Reprint Cologne 2003).<br />

“Mies van der Rohe and Photomontage,” Mies van der Rohe 1907-1938, Exh.<br />

Cat. Museum of Modern Art. New York 2001, pp. 324-329.<br />

„Die Zurückführung der Kunst ins Leben. Karl Ernst Osthaus und das<br />

Museum Folkwang,“ Manet bis van Gogh, Hugo von Tschudi und der Kampf<br />

um die Moderne. Exh. Cat. Berlin, 1996, pp. 302-306.<br />

„Das Kunstmuseum,“ Der Kulturbetrieb, Dreißig Annäherungen, Ed. A.<br />

Breitenstein, Frankfurt a.M. : Suhrkamp, 1996, pp. 141-145.<br />

„Das Architekturmodell der frühen Renaissance. Die Erfindung eines<br />

Mediums,“ Architekturmodelle der Renaissance. München 1995, pp. 12-20.<br />

„Verlust der Mitte? George Grosz und die Moderne,“ George Grosz: Berlin –<br />

New York. Exh. Cat. Berlin: Nicolai 1994, pp. 202-210.<br />

„U-Bahn-Station, Bergen Enkheim (Architekt Christoph Mäckler),“ DAM<br />

Architektur Jahrbuch 1993, pp. 122-125.<br />

„Schwerelos. Zum Sport- und Freizeitzentrum in Frankfurt am Main/Kalbach,“<br />

Bauwelt 1992/37, pp. 2126-28.<br />

„Docklands für Frankfurt am Main,“ Bauwelt 26, 1992, pp. 1508-1510.<br />

„Die Architekturmodelle,“ Elias Holl und das Augsburger Rathaus, Exh. Cat.,<br />

Regensburg 1985, pp. 325-333.<br />

„Das Geometrie und Messbuch von Elias Holl (with Hanno-Walter Kruft),“<br />

architectura, 1985, pp. 1-12.<br />

III. Newspaper Reviews and Articles<br />

03.01.07 Hier wird die Kunst zur Nebensache. (New ICA by<br />

Diller&Scofidio + Renfro in Boston) Die WELT<br />

15.03.06 „Grösser aber besser“ (Hearst Tower, New York by Norman<br />

Foster) DIE WELT<br />

27.04.05 „Einsame Musiker.“ (review of Rem Koolhaas’ Casa da Música<br />

in Porto. Die Welt (Germany)<br />

Since 1990 c. 200 articles concerning art and architecture in the<br />

„Neue Zürcher Zeitung“ (Switzerland)


Select Conferences, Presentations, Colloquia (since 2002)<br />

Academic Positions<br />

12. 10. 2006 “Detlef Schreiber – Ein Münchner Architekt 1930-2003“<br />

(Lecture at Bayerische Architektenkammer, Munich)<br />

05. 09. 2006 Tempo 2006, (Guest Critic at workshop with Riken Yamamoto,<br />

Tokyo and Labor für Integrative Architektur, Finn Geipel, Berlin. (With<br />

Matthias Sauerbruch, Frank Barkow)<br />

04. 09. 2006 “EIne geistige Akropolis. Die Museumsprojekte von O. M.<br />

Ungers“ (Colloquium: „Das Haus im Haus. Zur Wirkungsgeschichte einer<br />

Entwurfsidee“ in: Deutsches Architekturmuseum, Frankfurt)<br />

21. 06. 2006 „Architektur ausstellen“ (Opening speech for „1 2 3 4. – the<br />

architecture of Sauerbruch Hutton, Munich, Pinakothek der Moderne)<br />

17.03. 2006 “La nueva arquitectura Espanola. New architecture in Spain”<br />

(Moderator for Insituto Cervantes, Berlin)<br />

28. 04. 2005 „Displaying Architecture or: Architectural Exhibitions in Mies’<br />

Neue Nationalgalerie, Berlin.“ (Speaker at a colloquium organised by the Mies<br />

van der Rohe Foundation und the Elisava Design School, Barcelona)<br />

17.12. 2004 „Museumsinsel Berlin“ (Critic at the Harvard Design School,<br />

Instructor: Thomas Müller)<br />

21.10. 2004 „Mies und Gropius: Berlin – Weimar – Amerika. Stationen einer<br />

Beziehung.“ (Speaker at the Kunstfest Weimar, Neues Museum).<br />

15. 01. 2004 „Städtebau in Holland und Deutschland.“ (Moderator, Event in<br />

collaboration with the Federal Agency for Civic Education, Bonn).<br />

29. 06. 2002 „Berliner Plätze in ihrer Geschichte und Zukunft.“ (Lecture and<br />

tour for the Gesellschaft für Moderne Kunst, Cologne).<br />

14. 02. 2002 „Revolutionierung des Denkens - Zur Selbstdarstellung der<br />

Architektur Mies van der Rohes in Ausstellungen.“ (Lecture at the Technical<br />

University, Berlin).<br />

09. 02. 2002 „Mies und Berlin.“ (Moderation of colloquium at the Academy<br />

of the Arts, Berlin).<br />

Winter Semester 1996/1997 and Summer Semester 1997: Guest Professor at<br />

the Art Historial Institute of the Humboldt-University, Berlin.<br />

Winter Semester 2003/2004 and Summer Semester 2006: Guest Professor at<br />

the Institute for History and Art History at the Technical University, Berlin.<br />

Memberships<br />

2004-2006: Extraordinary Member of the BDA Berlin (Bund Deutscher<br />

Architekten)<br />

Since 1996: Member of International Council of Museums (ICOM)<br />

Languages<br />

Fluency in English (speaking, reading, and writing); Italian (speaking and<br />

reading; competency in writing); French (competency in reading)

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