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Svibanj / May 2010 - Maistra

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Kultura | Culture<br />

Piše | Text by: Barbara Grabušić<br />

Arhitektonska baština u Europi je odavno<br />

našla novu namjenu, u Hrvatskoj tek čeka<br />

novi život<br />

Architectural heritage in Europe found its<br />

purpose a long time ago, while in Croatia it<br />

is still waiting for a new life<br />

Ovako bi mogao u budućnosti izgledati pogled na Rijeku / This is how a view of Rijeka could look like in the future<br />

Novi život svjedoka prošlosti<br />

A New Life Is a Witness of the Past<br />

Tate Modern, London<br />

U postindustrijsko doba prerađuje se voda, energija,<br />

papir ili plastika. Prerađuju se i zgrade. Primjera je<br />

bezbroj jer je mijenjanje funkcija arhitektonskih zdanja<br />

kroz povijest jedino nepromjenjivo.<br />

U Hrvatskoj je prenamjena baštine industrijske<br />

arhitekture, kao i u većini tranzicijskih zemalja, tek<br />

na početku. U zapadnoj Europi takvi su procesi već<br />

gotovo završeni.<br />

„Vjerojatno najznačajniji i najimpresivniji primjer jest<br />

prenamjena bivše termoelektrane Bankside nasuprot<br />

Londona u muzej moderne i suvremene umjetnosti<br />

Tate Modern, rad švicarskih arhitekata Herzoga i de<br />

Meurona. Nadam se da će i grad Rijeka dobiti svoj<br />

pandan toj izvanrednoj kombinaciji tradicionalnog<br />

i novog u budućem prostoru riječkog MMSU-a u<br />

“T-zgradi” u sklopu kompleksa “Rikard Benčić“,<br />

projektu arhitekata Saše Randića i Idisa Turata“, kaže<br />

poznati teoretičar arhitekture Maroje Mrduljaš.<br />

Rijeka u Hrvatskoj prednjači po broju arhitektonski<br />

vrijednih, uglavnom napuštenih, industrijskih<br />

kompleksa i objekata. Od kompleksa bivše Tvornice<br />

papira (popularna “Hartera“), kompleksa tvornice<br />

“Torpedo” i torpedne lansirne rampe do lučkih<br />

skladišta i željezničke remize. Zagreb ima, spomenimo,<br />

kompleks nekadašnjeg Paromlina i bivšu Gradsku<br />

klaonicu kao jedne od najatraktivnijih i najkvalitetnijih<br />

gradskih prostora.<br />

In the post-industrial era, water, energy, paper and<br />

plastics are being recycled. So are buildings. There<br />

are numerous examples, because the change in the<br />

functions of architectural edifices is the only thing<br />

that has not changed through history.<br />

In Croatia the conversion of our industrial architectural<br />

heritage, just like in most ‘transitional’ countries, is<br />

just starting. In western Europe such processes are<br />

almost over.<br />

“Probably the most significant and the most<br />

impressive example is the conversion of the former<br />

thermal electric power plant Bankside in London into<br />

the museum of modern and contemporary art, the<br />

Tate Modern, the work of Swiss architects Herzog<br />

and de Meuron. I hope that city of Rijeka will get<br />

its counterpart to this extraordinary combination<br />

of traditional and new in the new future site of<br />

Rijeka’s Museum of Modern and Contemporary Art,<br />

the “T-building”, within the ex factory Rikard Benčić<br />

complex, as a result of the project by architects Saša<br />

Randić and Idis Turato”, as the famous theoretician of<br />

architecture Maroje Mrduljaš, has said.<br />

In Croatia city of Rijeka is at the forefront according<br />

to the number of architecturally valuable, mostly<br />

abandoned industrial complexes and buildings, from<br />

the former Paper Mill complex, the Torpedo factory<br />

complex and torpedo launch ramp, to port warehouses<br />

and the railway depot. Just by way of a mention,<br />

Zagreb has the former Paromlin complex, and the<br />

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