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Nakamura, Digitizing Race, Introduction, chapter 5, Epilogue

Nakamura, Digitizing Race, Introduction, chapter 5, Epilogue

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226 Notes to <strong>Epilogue</strong><br />

<strong>Epilogue</strong><br />

1. Poster, “Visual Studies as Media Studies,” 67.<br />

2. Ibid., 68.<br />

3. See Sterne, “The Computer <strong>Race</strong> Goes to Class.”<br />

4. Mirzoeff, The Visual Culture Reader, 6.<br />

5. Ibid., 3.<br />

6. See Bolter, Grusin, and NetLibrary Inc., Remediation, for an example of new<br />

media criticism and theory that stresses the foundations of new media in old media<br />

practices, concepts, and vocabularies.<br />

7. Steve Jones, Cybersociety 2.0.<br />

8. Yoshino, Covering, 183.<br />

9. Courtney, Hollywood Fantasies of Miscegenation, 113.<br />

10. Yoshino, Covering, 173.<br />

11. The wide popularity of YouTube, blogs, and digital zines attest to the ways<br />

that cinema and the literary and journalistic arts have come to include amateur or<br />

nonprofessional content, thus transforming the notion of the media professional.

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