Nakamura, Digitizing Race, Introduction, chapter 5, Epilogue

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Lisa Nakamura is associate professor in the Institute of Communication Research with a joint appointment in Asian American studies at the University of Illinois, Urbana-Champaign. She is author of Cybertypes: Race, Ethnicity, and Identity on the Internet and coeditor of Race in Cyberspace.
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Digitizing Race
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Digitizing Race Visual Cultures of
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Contents Acknowledgments vii Introd
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Acknowledgments I have many people
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Acknowledgments ix My biggest intel
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Introduction Digital Racial Formati
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Introduction 3 project [that] avoid
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Introduction 5 ship as well as in n
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Introduction 7 at the prospect of c
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Introduction 9 industrial, technolo
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Introduction 11 the matrix of power
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Introduction 13 because socially co
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Introduction 15 out, illusory, espe
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Introduction 17 cultural capital an
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Introduction 19 digital bodies in b
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Introduction 21 Manovich’s semina
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Introduction 23 Figure I.3. Male sp
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Introduction 25 media, like films,
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Introduction 27 interactivity, just
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Introduction 29 television and film
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Introduction 31 as it develops in i
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Introduction 33 signatures are far
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Introduction 35 media practices tha
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1 “Ramadan Is Almoast Here!” Th
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“Ramadan Is Almoast Here!” 39 o
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“Ramadan Is Almoast Here!” 41 i
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“Ramadan Is Almoast Here!” 43 a
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“Ramadan Is Almoast Here!” 45 I
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“Ramadan Is Almoast Here!” 47 o
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“Ramadan Is Almoast Here!” 49 r
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“Ramadan Is Almoast Here!” 53 p
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“Ramadan Is Almoast Here!” 57 g
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Slide 4 Slide 5 Slide 6 Slide 1 Sli
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Figure 1.3. Animated GIF AIM buddy
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“Ramadan Is Almoast Here!” 63 A
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“Ramadan Is Almoast Here!” 65 b
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“Ramadan Is Almoast Here!” 67 f
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“Ramadan Is Almoast Here!” 69 p
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Alllooksame? 71 been the victims of
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Alllooksame? 73 (such as the Univer
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Alllooksame? 75 nese, Filipinos, Vi
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Alllooksame? 77 in doorways, their
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Alllooksame? 79 Figure 2.1. Alllook
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Alllooksame? 81 Figure 2.2. A test
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Alllooksame? 83 racial oppression,
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Alllooksame? 85 the alllooksame.com
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Alllooksame? 87 suck at HTML :( If
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Alllooksame? 89 popular culture has
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Alllooksame? 91 cal conviction that
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Alllooksame? 93 both start from the
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3 The Social Optics of Race and Net
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The Social Optics of Race 97 techni
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The Social Optics of Race 99 Figure
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The Social Optics of Race 101 cated
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The Social Optics of Race 103 Baudr
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The Social Optics of Race 105 bazoo
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The Social Optics of Race 107 to th
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The Social Optics of Race 109 rave
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The Social Optics of Race 111 Thus
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The Social Optics of Race 113 The m
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The Social Optics of Race 115 of da
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The Social Optics of Race 117 what
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The Social Optics of Race 119 race
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The Social Optics of Race 121 of la
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The Social Optics of Race 123 Minor
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The Social Optics of Race 125 cant,
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The Social Optics of Race 127 a vat
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The Social Optics of Race 129 Lieut
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4 Avatars and the Visual Culture of
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Avatars and the Visual Culture of R
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Figure 4.4. Tattie’s signature on
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5 Measuring Race on the Internet: U
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Measuring Race on the Internet 173
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Epilogue 203 of digital bodies with
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Epilogue 205 the self online. The p
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Epilogue 207 freely given to all; a
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Epilogue 209 not the case in film c
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Notes Introduction 1. Shaviro, Conn
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Notes to Chapter 1 213 1. “Ramada
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Notes to Chapter 2 215 3. Cruz, “
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Notes to Chapter 3 217 places where
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Notes to Chapter 3 219 to create th
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Notes to Chapter 4 221 to legitimat
Page 466: Notes to Chapter 5 223 46. Cartrigh
Page 470: Notes to Chapter 5 225 36. See Mark
Page 474: Bibliography Aaseng, Nathan. Navajo
Page 478: Bibliography 229 Chun, Wendy. Contr
Page 482: Bibliography 231 Gilroy, Paul. Agai
Page 486: Bibliography 233 Lowe, Lisa. Immigr
Page 490: Bibliography 235 Sardar, Ziauddin.
Page 494: Bibliography 237 Walker, John A., a
Page 498: Publication History Earlier version
Page 502: Index Abercrombie and Fitch controv
Page 506: Index 243 Currier, Dianne, 161-62 c
Page 510: Index 245 languages, 78, 89-92, 180
Page 514: Index 247 Sassen, Saskia, 190 Schep
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