Nakamura, Digitizing Race, Introduction, chapter 5, Epilogue

More documents

Recommendations

Info

Index Abercrombie and Fitch controversy, 186–87, 194, 199 Abu Ghraib photographs, 115–16, 167–68 Achebe, Chinua, 87, 90 acronyms, 153 Active Worlds (3-D space), 39 addiction, Internet, 205 advanced reproductive technologies (ART), 140 African Americans: and computer use, 97–98; as cool, 100, 103, 112–13, 116, 128; in film, 98–100, 103; in gaming, 18–19; and Internet, 175, 179, 181–84, 200, 224n13; in literature, 108 Aidoo, Ama Ata, 90 AIM buddies: defined, 42; ethnic, 53, 69; and identity, 30–31, 56, 63; as liminal, 45; loading time, 43–44; purpose, 42, 44; and selfrepresentation, 52; as tacky, 68–69; term, 213n5; types, 42–43 Alexander, Donnell, 112 Alkalimat, Abdul, 224n13 alllooksame.com, 31, 70–94, 206; home page, 79; popularity of, 82–83, 94; postings on, 80–82; and race, 80, 82; responses to, 78–80; test questions, 79, 81, 83, 86–87 American Girl dolls, 139–41 Anderson, Benedict, 129 Ang, Ien, 77, 83, 177 Ansen, David, 119 Anzaldúa, Gloria, 90, 125, 216–17n41 AOL Instant Messenger. See AIM buddies Aoyogi, Caroline, 186 APIHR (Asian Pacific Islanders for Human Rights), 191 Apple iPod. See iPod commercials Apter, Emily, 6–8 Armstrong, Carol, 6–8 ART (advanced reproductive technologies), 140 art history: and visual culture studies, 6–8, 11 ASCII art, 43, 221n12 241
Page 2:
Digitizing Race
Page 6:
Digitizing Race Visual Cultures of
Page 10:
Contents Acknowledgments vii Introd
Page 14:
Acknowledgments I have many people
Page 18:
Acknowledgments ix My biggest intel
Page 22:
Introduction Digital Racial Formati
Page 26:
Introduction 3 project [that] avoid
Page 30:
Introduction 5 ship as well as in n
Page 34:
Introduction 7 at the prospect of c
Page 38:
Introduction 9 industrial, technolo
Page 42:
Introduction 11 the matrix of power
Page 46:
Introduction 13 because socially co
Page 50:
Introduction 15 out, illusory, espe
Page 54:
Introduction 17 cultural capital an
Page 58:
Introduction 19 digital bodies in b
Page 62:
Introduction 21 Manovich’s semina
Page 66:
Introduction 23 Figure I.3. Male sp
Page 70:
Introduction 25 media, like films,
Page 74:
Introduction 27 interactivity, just
Page 78:
Introduction 29 television and film
Page 82:
Introduction 31 as it develops in i
Page 86:
Introduction 33 signatures are far
Page 90:
Introduction 35 media practices tha
Page 94:
1 “Ramadan Is Almoast Here!” Th
Page 98:
“Ramadan Is Almoast Here!” 39 o
Page 102:
“Ramadan Is Almoast Here!” 41 i
Page 106:
“Ramadan Is Almoast Here!” 43 a
Page 110:
“Ramadan Is Almoast Here!” 45 I
Page 114:
“Ramadan Is Almoast Here!” 47 o
Page 118:
“Ramadan Is Almoast Here!” 49 r
Page 122:
Page 126:
“Ramadan Is Almoast Here!” 53 p
Page 130:
Page 134:
“Ramadan Is Almoast Here!” 57 g
Page 138:
Slide 4 Slide 5 Slide 6 Slide 1 Sli
Page 142:
Figure 1.3. Animated GIF AIM buddy
Page 146:
“Ramadan Is Almoast Here!” 63 A
Page 150:
“Ramadan Is Almoast Here!” 65 b
Page 154:
“Ramadan Is Almoast Here!” 67 f
Page 158:
“Ramadan Is Almoast Here!” 69 p
Page 162:
Alllooksame? 71 been the victims of
Page 166:
Alllooksame? 73 (such as the Univer
Page 170:
Alllooksame? 75 nese, Filipinos, Vi
Page 174:
Alllooksame? 77 in doorways, their
Page 178:
Alllooksame? 79 Figure 2.1. Alllook
Page 182:
Alllooksame? 81 Figure 2.2. A test
Page 186:
Alllooksame? 83 racial oppression,
Page 190:
Alllooksame? 85 the alllooksame.com
Page 194:
Alllooksame? 87 suck at HTML :( If
Page 198:
Alllooksame? 89 popular culture has
Page 202:
Alllooksame? 91 cal conviction that
Page 206:
Alllooksame? 93 both start from the
Page 210:
3 The Social Optics of Race and Net
Page 214:
The Social Optics of Race 97 techni
Page 218:
The Social Optics of Race 99 Figure
Page 222:
The Social Optics of Race 101 cated
Page 226:
The Social Optics of Race 103 Baudr
Page 230:
The Social Optics of Race 105 bazoo
Page 234:
The Social Optics of Race 107 to th
Page 238:
The Social Optics of Race 109 rave
Page 242:
The Social Optics of Race 111 Thus
Page 246:
The Social Optics of Race 113 The m
Page 250:
The Social Optics of Race 115 of da
Page 254:
The Social Optics of Race 117 what
Page 258:
The Social Optics of Race 119 race
Page 262:
The Social Optics of Race 121 of la
Page 266:
The Social Optics of Race 123 Minor
Page 270:
The Social Optics of Race 125 cant,
Page 274:
The Social Optics of Race 127 a vat
Page 278:
The Social Optics of Race 129 Lieut
Page 282:
4 Avatars and the Visual Culture of
Page 286:
Avatars and the Visual Culture of R
Page 290:
Page 294:
Page 298:
Page 302:
Page 306:
Page 310:
Page 314:
Page 318:
Page 322:
Figure 4.4. Tattie’s signature on
Page 326:
Page 330:
Page 334:
Page 338:
Page 342:
Page 346:
Page 350:
Page 354:
Page 358:
Page 362:
5 Measuring Race on the Internet: U
Page 366:
Measuring Race on the Internet 173
Page 370:
Page 374:
Page 378:
Page 382:
Page 386:
Page 390:
Page 394:
Page 398:
Page 402:
Page 406:
Page 410:
Page 414:
Page 418:
Page 422:
Page 426:
Epilogue 203 of digital bodies with
Page 430:
Epilogue 205 the self online. The p
Page 434:
Epilogue 207 freely given to all; a
Page 438:
Epilogue 209 not the case in film c
Page 442:
Notes Introduction 1. Shaviro, Conn
Page 446:
Notes to Chapter 1 213 1. “Ramada
Page 450: Notes to Chapter 2 215 3. Cruz, “
Page 454: Notes to Chapter 3 217 places where
Page 458: Notes to Chapter 3 219 to create th
Page 462: Notes to Chapter 4 221 to legitimat
Page 466: Notes to Chapter 5 223 46. Cartrigh
Page 470: Notes to Chapter 5 225 36. See Mark
Page 474: Bibliography Aaseng, Nathan. Navajo
Page 478: Bibliography 229 Chun, Wendy. Contr
Page 482: Bibliography 231 Gilroy, Paul. Agai
Page 486: Bibliography 233 Lowe, Lisa. Immigr
Page 490: Bibliography 235 Sardar, Ziauddin.
Page 494: Bibliography 237 Walker, John A., a
Page 498: Publication History Earlier version
Page 504: 242 Index Asian Americans: alllooks
Page 508: 244 Index GIFs, 31-32, 44, 53, 65-6
Page 512: 246 Index Novak, Thomas P., 179 NTI
Page 516: 248 Index Webcam images: history of
show all

Nakamura, Digitizing Race, Introduction, chapter 5, Epilogue

Create successful ePaper yourself

Delete template?

Save as template?