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Photo: Jaclyn Campanaro<br />

Desert Noises<br />

To SXSW and Beyond<br />

Over the p<strong>as</strong>t 18 months, Desert<br />

Noises have put over 84,000 miles on<br />

their trusty tour van, which will take<br />

them to SXSW this March.<br />

By Jesse Thom<strong>as</strong> / mazda8u@gmail.com<br />

esert Noises are a band that were born to<br />

Dperform. While some local bands are content<br />

with an occ<strong>as</strong>ional show at Kilby or Velour, these<br />

guys have been traveling from one corner of the<br />

country to another, loading and unloading their<br />

mini-van for shows they booked themselves. Just look<br />

at their Tumblr and see how riddled it is with tour<br />

announcements, updates from the road and “dates<br />

added.”<br />

The four-piece plays folk-inspired indie rock with<br />

enough rhythm, reverb and harmony to fill v<strong>as</strong>t, open<br />

spaces. After some changes in the p<strong>as</strong>t, the band’s<br />

current lineup is Kyle Henderson (vocals/guitar),<br />

Tyler Osmond (b<strong>as</strong>s), Patrick Boyer (guitar)<br />

and Brennan Allen (drums). All four are bonafide<br />

Utah Valley boys who came together after playing in<br />

separate bands for some time. They rele<strong>as</strong>ed an EP<br />

(2009) and their excellent first album, Mountain Sea<br />

(2011), on Northplatte Records.<br />

For all four members, growing up around the Provo<br />

music scene h<strong>as</strong> been the biggest motivator to<br />

become musicians themselves. “You could e<strong>as</strong>ily go<br />

to any show down here and you’ll find someone<br />

that will inspire you,” Osmond says, “or you would<br />

see something that would just blow your mind—<br />

there’s so many good musicians around here.” All<br />

throughout high school, they would hit up the venues<br />

for shows over the weekend. Allen ponders the<br />

scene’s influence: “All of [the venues] were really<br />

good stomping grounds, good places to be almost<br />

raised by live music. It probably h<strong>as</strong> something to do<br />

with why we love touring so much and playing live<br />

shows—we’ve always been around that,” he says.<br />

Desert Noises have made touring their Number One<br />

priority for a long time now. Until their most recent<br />

tour, they had been booking all of their own shows,<br />

too. Their first tour came <strong>as</strong> a risk, says Allen: “We<br />

quit our jobs, moved out of our houses, took out a<br />

loan, got a van and went.” Because they didn’t know<br />

anyone in the cities they played, they were forced<br />

to meet and hang out with new people, which h<strong>as</strong><br />

made subsequent tours much e<strong>as</strong>ier to book because<br />

most venues want them back, and they have friends<br />

to reconnect with at each stop. Since that first tour,<br />

they haven’t slowed down. Just in the p<strong>as</strong>t year<br />

and a half, they have put 84,000 miles on their<br />

Chevy Venture. They calculated it out: That’s more<br />

than three times around the earth’s equator. The<br />

van actually brought them to notoriety. Henderson<br />

says, “It is what we were known for. It’s your typical<br />

Mormon-mom car.” They traveled with the maybea-little-too-cozy<br />

arrangement of five guys plus all<br />

of their gear in the van, without a trailer. To some<br />

relief, they recently were able to upgrade to a new,<br />

11-seater van.<br />

L<strong>as</strong>t November, the band rele<strong>as</strong>ed a raw, three-song<br />

mini-EP called I Won’t See You. In describing how<br />

the recording came together, Henderson says, “I<br />

don’t think it w<strong>as</strong> necessarily supposed to happen.<br />

We recorded some demos and liked them, and it<br />

w<strong>as</strong> something to represent the four of us because<br />

nothing we had written together had ever come out.”<br />

They hand-packaged and stamped<br />

the recordings <strong>as</strong> a 7” themselves,<br />

seeing it <strong>as</strong> a souvenir for fans to<br />

take something home after seeing their show. It w<strong>as</strong><br />

rele<strong>as</strong>ed on the band’s newly created record label,<br />

Kid Canv<strong>as</strong> Records, and the title track, “I Won’t<br />

See You,” w<strong>as</strong> featured on MTV Hive. The beautifully<br />

rough, rock n’ roll sound of the EP is a t<strong>as</strong>te of what<br />

is to come from a new record. The band says that<br />

they have enough songs written for a new album, but<br />

are waiting for the right time.<br />

The big news of late is that the band got an invite to<br />

play at SXSW this March. SXSW takes over Austin,<br />

Tex<strong>as</strong> each spring and is one of the nation’s largest<br />

music festivals. Brennan looks forward to the event.<br />

“It sounds like it’s going to be pretty wild from what<br />

everybody tells us. Just busy—busy playing shows.<br />

We’ll be probably playing, like, 10 shows in three<br />

days,” he says. They are excited to be playing so<br />

much there, but are probably more excited to meet<br />

up with friends they have met out on the road who<br />

will also be playing there. “Tons of different bands<br />

that we have met on the road are going to be there.<br />

So it’s like a giant gathering place of bands that we<br />

know, and, hopefully, we’ll run into them and meet<br />

some of their friends,” says Henderson.<br />

To the band, the opportunity to play at SXSW, which<br />

takes place March 12-17, is much appreciated and<br />

exciting, but they are also almost nonchalant about<br />

it. After all, it comes in the middle of yet another of<br />

their tours. Henderson shrugs it off—“It’s just one of<br />

the stops,” he says.<br />

34 SaltLakeUnderGround slugmag.com 35

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