We Will Not Go Quietly - Centre Against Sexual Assault
We Will Not Go Quietly - Centre Against Sexual Assault
We Will Not Go Quietly - Centre Against Sexual Assault
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for that. He and I didn’t see much more of each other after that night. You<br />
see, he had gained some insight, so I went to Europe to ind some other hiding<br />
places. David was gone when I returned to Melbourne nine months later. I<br />
didn’t miss him, we never really got that close.<br />
Instead I met up again with Sam. He came back into my life at my request.<br />
He looked the same even though it had been seven years since I irst met him.<br />
His hair is long and blond and frayed at the ends. He stoops a little to try to<br />
hide his height, though it does not work. You can see the Dutch heritage in<br />
him, just like ours; the shapely jaw line and the strong cheek bones.<br />
Sam came over to my white weatherboard home. My housemates were out<br />
and we had the place to ourselves. The heater was turned on to shed the<br />
brisk air outside from us. He took of his black ingerless gloves and scarf and<br />
for a moment we glowed together. He had been back in Melbourne for some<br />
time now, two or three months. <strong>We</strong> were somewhere between friends and<br />
lovers and strangers. Playfully he pulled me across his lap, like a father would<br />
his child. In cradling position he began singing Rock-A-Bye-Baby. As he did this<br />
my insides snapped frozen. My face screwed up into a tight ugly scrunch and<br />
my emotional faculties bolted into the of position.<br />
Do you remember that song, Papa? Of course you do, you sang it to me a<br />
thousand times. I was a lot smaller then, and my hair was golden brown and<br />
long. My whole slender body would drape across your lap and you could<br />
actually rock me from side to side. Remember how you changed the words? In<br />
the last line, instead of singing “when the bough breaks the cradle will fall, and<br />
down will come baby cradle and all” you would substitute the last cradle and<br />
sing my name instead while you tickled me all over.<br />
It’s such a loving memory dada. Such a pity that the recalling of that image<br />
can make me fall over and graze my heart. I guess every fond memory of<br />
you does that these days. There are so few fond memories; most of them<br />
64<br />
65<br />
are tainted by the fear and ugliness that pervaded our lives. Those memories<br />
have a much worse consequence.<br />
Sam has left now. He’s gone to California. I can imagine him itting in there,<br />
with his handsome looks, muscular body and his bourgonese ways. He’s left<br />
again. He leaves to escape me. It is dificult. I understand his reasons for<br />
going. He aches for stability, for a love that says ‘I will always be there’, for<br />
commitment; for all the relationship wonders I cannot give him.<br />
Sam’s relationship ideals are everything that I resist. I resist commitment. I<br />
resist monogamy. I resist anything that is ixed. And still, after all the years of<br />
counselling, I do not recognise if this strong sense of resistance is a rebellion<br />
or a liberation. Either way, my ways are not Sam’s ways and the diference<br />
between us tortures the love that brings us back together again and again.<br />
I live for freedom – giving and receiving afection whichever way it comes.<br />
Sam craves commitment strummed with monogamous strings. Sam feels<br />
threatened by my luidity of afection, I feel stiled by a sense of duty to<br />
obey a commitment. It appears there is no way out for us, no way to share<br />
love without hurting each other or without wishing that the relationship was<br />
something other than it is.<br />
I read a line in a book about forgiveness and a howl from my heart gallops<br />
out into the loungeroom air – and it’s you Papa I am crying for, it’s you that<br />
I hate and love and am angry at and grieve. But it is the walls that hear the<br />
moans, and the loorboards that soak up the tears. And you sleep in the<br />
country, the walls stony cold, the carpets dry.<br />
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