strong desire to protect and promote the unique culture ofhis people, the Abasuba, led him to build a small communitymuseum on the plot. He began to collect artefacts, and tocarry out research on Abasuba culture; he also liaised withlocal elders and the youth to encourage the protection of thenearby rock art sites. Jack officially transferred ownershipof his plot to the Suba County Council in 2007, therebyconfirming his commitment to the community.Jack, through the museum, mobilised the communities livingaround the rock art sites and helped them to organise sitemanagement committees that would be responsible <strong>for</strong> management of each site. Jack’senthusiasm and determination were infectious. Within months of meeting Jack, AmoloNg’weno, then TARA’s Chief Operations Officer, visited the ACPM and the Suba rock artsites. Amolo then sought funding from the US State Department through the US Embassyin Kenya <strong>for</strong> development of basic tourism infrastructure around the Mfangano rock artsites. The US Embassy granted TARA US$ 29,500 <strong>for</strong> the promotion of rock art tourism inKenya, including Suba District.14In August 2005, a high-powered delegation including the Minister <strong>for</strong> Heritage, Hon. NajibBalala, US Ambassador to Kenya, William Belamy, the US Embassy Cultural Attaché,Aruna Amirthanayagam, and the chairman of the Kenya Tourism Board, Jack Grieves-Cook, visited Mfangano Island to officially open the rock art sites to the public.After opening of the rock art sites to the public, there was a need <strong>for</strong> more resources todevelop a larger museum and community centre, signage, as well as piers and docks inorder to enhance visitors’ experiences at the sites. At the time, the Kenyan Government wasmaking ef<strong>for</strong>ts to develop a Western Circuit <strong>for</strong> tourism, so TARA saw this as an opportunityand subsequently submitted a proposal to the Tourism <strong>Trust</strong> Fund (TTF) <strong>for</strong> a communityproject with five interrelated objectives.The news of approval of a 14.5 million Kenya shilling (US$ 210,000) grant by the TTFwas received with great excitement at TARA and within the Suba community. Finally thetreasures of Suba District would be made available and marketed <strong>for</strong> tourism! Anticipationand expectation were high among the community members as TARA prepared toimplement, together with the Abasuba Community Peace Museum, its biggest communityproject ever.
Jack’s StoryThe ACPM is a community-based museum that I initiated and founded. I was motivated byan article in one of the local newspapers in July 2000. The article was about a UNESCOreport on endangered languages, and the Abasuba language was topping the list. I realisedthat my community, the Government and the private sector needed to do something inorder to preserve this dying, unique language. I also realised that there was a need to comeup with a place where the material culture of the community could be kept, documented,exhibited and stored <strong>for</strong> future generations.After having the idea, I found out about the Mennonite Central Committee of Kenya(MCCK), a Canadian organisation that promotes the use of <strong>African</strong> peace traditions. Oneof its programmes, the Community Peace Museum Programme (CPMP), has as its mainobjective to encourage local communities in Kenya to use their traditional ways of solvingconflict rather than the modern ways that often seem not to work. This programme wasbeing spearheaded by Dr Sultan Somjee, <strong>for</strong>merly of the National Museums of Kenya.My small museum was humbled to receive the support of about US$600 through thisprogramme. Back on Mfangano Island, I started mobilising the community through thehelp of the area Chief, Mr. Patrick Lumumba, and clan elders. I visited all parts of SubaDistrict to record an accurate history of the Abasuba people. Through the help of the localadministration, I registered the museum as a self-help group with a membership of eightelders. At the same time, my father decided to give me the land at Ramba Village that hehad put aside <strong>for</strong> me to settle my family when the time came.15Jack Obonyo (left) withcommunity members duringthe commissioning of thepier at Wakula Beach