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Schirmer Encyclopedia of Film

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Internet<br />

visited Star Wars fan Websites, other fans deluged<br />

Lucasfilm with angry emails, prompting Lucasfilm to<br />

apologize to its fans for the "miscommunication" in a<br />

letter posted on the Web. Lucasfilm has since created an<br />

<strong>of</strong>ficial partnership with the Website Atom<strong>Film</strong>s.com to<br />

distribute the many Star Wars videos and films produced<br />

by fans.<br />

MOVIE DISTRIBUTION AND THE INTERNET<br />

The Internet quickly became a significant retail outlet for<br />

the distribution or sale <strong>of</strong> DVD releases, and by 2001 all<br />

<strong>of</strong> the major film companies had partnered with the<br />

Internet Movie Database, or IMDb (www.imdb.com),<br />

and leading online retailer Amazon.com to promote<br />

new theatrical films, personalize movie showtimes, and<br />

sell DVDs. In October 1990, IMDb started as the<br />

Usenet newsgroup bulletin board rec.arts.movies to<br />

which volunteers would post information about films<br />

and discuss movies with other fans. With the advent <strong>of</strong><br />

the Web, the bulletin board was transformed into one <strong>of</strong><br />

the most visited sites on the Internet, averaging over 30<br />

million visitors each month and containing over 6 million<br />

individual film credits, including information on<br />

over 400,000 films, 1 million actors and actresses, and<br />

100,000 directors. The IMDb has also built a strong<br />

sense <strong>of</strong> community among its almost 9 million registered<br />

users, who can post to the public discussion forum<br />

available for each film and rate a film between 1 and 10.<br />

All <strong>of</strong> this information lends itself to the customized links<br />

available for celebrity news and gossip, images <strong>of</strong> stars,<br />

box-<strong>of</strong>fice and sales statistics, and Amazon.com for DVD<br />

purchases.<br />

In addition to providing easy access to detailed<br />

information about films and convenient ways for consumers<br />

to purchase DVDs, the Internet also provides a<br />

distribution method for alternative or independent fictional<br />

films and documentaries. The technical and economic<br />

advantages <strong>of</strong> digitization and online distribution<br />

have benefited academics and researchers through the<br />

availability <strong>of</strong> digitized film archives like the Library <strong>of</strong><br />

Congress Paper Print Collection and the Internet<br />

Archive’s Movie Archive, which includes the Prelinger<br />

Archives. The Internet also serves as a significant medium<br />

<strong>of</strong> distribution for multimedia art, Flash movies, film<br />

parodies, home movies or videos, and animated political<br />

cartoons. In addition, the distribution and sale <strong>of</strong> pornographic<br />

films and videos online totaled over $1 billion in<br />

2005 and comprised a large portion <strong>of</strong> total Internet filesharing<br />

volume.<br />

Due to technical limitations <strong>of</strong> bandwidth and connection<br />

speeds as well as legal obstacles surrounding the<br />

Internet rights to distribute Hollywood films, the independent<br />

‘‘short’’ has become one <strong>of</strong> the most common<br />

categories <strong>of</strong> film distributed online, including a large<br />

selection <strong>of</strong> animated shorts. One <strong>of</strong> the most popular<br />

sites for viewing online films is Atom<strong>Film</strong>s.com, which<br />

launched ‘‘Atom<strong>Film</strong>s Studio’’ in January 2006 to fund<br />

independent producers looking to create short films specifically<br />

for Internet broadband distribution. In 2005, in<br />

addition to streaming content, Atom<strong>Film</strong>s.com’s major<br />

competitor, IFILM.com, expanded its distribution methods<br />

to deliver video-on-demand (VOD) to cellular smartphones<br />

and personal digital assistants (PDAs).<br />

In 2001 BMW premiered its eight-part online promotional<br />

series <strong>of</strong> big-budget, short action films titled<br />

The Hire, made by such established international film<br />

directors as David Fincher, John Frankenheimer, Ang<br />

Lee, Guy Ritchie, Kar Wai Wong, Alejandro González<br />

Iñárritu, and John Woo, and such stars as Clive Owen,<br />

Stellan Skarsga˚rd, Madonna, Forest Whitaker, and Gary<br />

Oldman. On its Website, BMW boasted that the films<br />

had been viewed over 100 million times before they were<br />

removed from the site in 2005, despite the fact that the<br />

films were released on DVD in 2003.<br />

Although technical and infrastructural obstacles<br />

related to bandwidth and video quality and size may be<br />

overcome, Internet copyright issues, Internet distribution<br />

rights, and Internet release time ‘‘windows’’—which traditionally<br />

go from theaters, video/DVD, pay-per-view,<br />

premium cable, network television, and basic cable—<br />

have also complicated online distribution. For instance,<br />

the major rights holders (that is, Hollywood studios and<br />

entertainment conglomerates) have prevented companies<br />

like Netflix from shifting their distribution and rental<br />

methods to on-demand streaming and downloading over<br />

the Web, although the online DVD-by-mail rental service<br />

is still one <strong>of</strong> the more pr<strong>of</strong>itable Web ventures,<br />

ending 2005 with about 4.2 million subscribers and sales<br />

approaching $1 billion.<br />

Responding to increased consumer demand, and in<br />

response to the fact that only 15 percent <strong>of</strong> worldwide<br />

Hollywood film revenues come from box-<strong>of</strong>fice pr<strong>of</strong>its,<br />

and that two-thirds <strong>of</strong> the income for the six major<br />

studios now comes from the home theater divisions, the<br />

majors have begun to pursue their own online distribution<br />

options by <strong>of</strong>fering feature-length films already<br />

available on DVD for legal downloading, including<br />

MovieLink (http://www.movielink.com), a joint venture<br />

<strong>of</strong> MGM, Paramount, Sony, Universal, and Warner<br />

Bros.; and CinemaNow (http://www.cinemanow.com),<br />

financed in part by Lions Gate and Cisco Systems. In<br />

December 2005, Apple Computer also began to distribute<br />

animated short films from Pixar (co-owned by Apple<br />

CEO Steve Jobs), Disney-ABC television programs, and<br />

music videos through its popular iTunes music download<br />

service. While no feature-length films are included in<br />

26 SCHIRMER ENCYCLOPEDIA OF FILM

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