GFQ 2-2007 - german films
GFQ 2-2007 - german films
GFQ 2-2007 - german films
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FFF Bayern’s Dr. Klaus Schaefer, Florian Henckel von Donnersmarck<br />
will hold a reception to create a meeting point for the short film scene<br />
in Cannes. On May 19th at 6pm, industry professionals and film -<br />
makers are invited to a Short Film Lounge on the boat El Bravo.<br />
Additionally, with the support of German Films, international buyers<br />
and festivals once again have the opportunity to access German short<br />
<strong>films</strong> in the Short Film Corner. This year’s selection includes some of<br />
the most recent German short film productions: the short fictions<br />
Duel in Griesbach (Duell in Griesbach) by Olaf Held and Moonman<br />
(Mondmann) by Fritz Boehm, as well as the short documentary<br />
Chainsaw Woodcarver (Der Holzmenschbauer) by Katrin Jaeger. To provide<br />
an additional service for industry professionals, the short <strong>films</strong><br />
presented in the Short Film Corner are available on the fourth volume<br />
of the German Short Films DVD edition.<br />
FFF BAYERN AND THE OSCAR:<br />
A DECADE’S STORY …<br />
After having won all important German Film Awards as well as three<br />
European Film Awards, Florian Henckel von Donnersmarck’s drama The<br />
Lives of Others finally achieved the ultimate success in the film busi -<br />
ness: In February, the FFF-funded production by Wiedemann & Berg,<br />
BR, ARTE and creado film won the OSCAR as “Best Foreign Language<br />
Film”. The OSCAR-nomination for a supported film has become a<br />
pleasant routine for FFF Bayern: This year’s success was the 15th<br />
nomination since the Bavarian film fund’s foundation in 1996. In 1997,<br />
Caroline Link first entered OSCAR territory with her debut feature<br />
Beyond Silence.<br />
In 2001 Florian Gallenberger’s Quiero Ser won an OSCAR for Best Short<br />
Film, and Steffen Schaeffler’s The Periwig Maker received a nomination<br />
for Best Animated Short. Two years later, two FFF-supported <strong>films</strong><br />
won Academy Awards: Nowhere in Africa by Caroline Link and The<br />
Pianist by Roman Polanski, which won three OSCARS and had four<br />
further nominations. In 2005, Luigi Falorni and Byambasuren Davaa<br />
were short-listed for their documentary The Story of the Weeping<br />
Camel, accompanied by Oliver Hirschbiegel for The Downfall as Best<br />
Foreign Language Film. Marc Rothemund followed the year after:<br />
Sophie Scholl – The Last Days was nominated in 2006.<br />
GERMAN SHORT FILMS IN ABU DHABI<br />
From 7 – 13 March <strong>2007</strong>, the Cultural Foundation of Abu Dhabi/<br />
United Arab Emirates organized the 6th edition of the Emirates Film<br />
Competition. Last year, the competition for filmmakers from Arab<br />
countries was complemented by a non-competitive section for international<br />
short <strong>films</strong>.<br />
This year’s topic, Road Cinema, dealt not only with the classic perception<br />
of “the road”, but also with its philosophical, social and professional<br />
dimension, i.e. changes in life and the crossing of real or imagined<br />
borders. 18 German short <strong>films</strong> were screened at the festival,<br />
including Stay Like This (Einfach so bleiben) by Sven Taddicken, Subway<br />
Score by Alexander Isert, and The Raft (Das Floss) by Jan Thuering.<br />
FILMSTIFTUNG NRW’S INTERNATIONAL<br />
FILM CONGRESS: “LIMITLESS” IN COLOGNE<br />
Where does it work well, and where are there still problems with<br />
international co-productions? This is just one of the topics to be discussed<br />
during the Filmstiftung NRW’s International Film Congress<br />
from 16 – 19 June <strong>2007</strong>. Under the motto “Limitless”, the North<br />
Rhine Westphalia-based film funder invites the international film industry<br />
to the Cologne Exhibition for the Medienforum NRW to examine<br />
the possibilities of transnational cooperation and the current situation<br />
of European <strong>films</strong> in the individual neighboring countries. In addition<br />
to the top-class panels, which will also present the new German<br />
Federal Film Fund, the event will serve as the German premiereground<br />
and preview forum for NRW-funded <strong>films</strong> and offer a co-production<br />
meeting, organized this year in cooperation with ACE.<br />
More information about the International Film Congress is available<br />
on the Filmstiftung’s website www.<strong>films</strong>tiftung.de or contact<br />
filmkongress@<strong>films</strong>tiftung.de.<br />
<strong>german</strong> <strong>films</strong> quarterly news<br />
2 · <strong>2007</strong> 29<br />
Scene from “Stay Like This”<br />
(photo © Filmakademie Baden-Wuerttemberg)