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GFQ 2-2007 - german films

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FFF Bayern’s Dr. Klaus Schaefer, Florian Henckel von Donnersmarck<br />

will hold a reception to create a meeting point for the short film scene<br />

in Cannes. On May 19th at 6pm, industry professionals and film -<br />

makers are invited to a Short Film Lounge on the boat El Bravo.<br />

Additionally, with the support of German Films, international buyers<br />

and festivals once again have the opportunity to access German short<br />

<strong>films</strong> in the Short Film Corner. This year’s selection includes some of<br />

the most recent German short film productions: the short fictions<br />

Duel in Griesbach (Duell in Griesbach) by Olaf Held and Moonman<br />

(Mondmann) by Fritz Boehm, as well as the short documentary<br />

Chainsaw Woodcarver (Der Holzmenschbauer) by Katrin Jaeger. To provide<br />

an additional service for industry professionals, the short <strong>films</strong><br />

presented in the Short Film Corner are available on the fourth volume<br />

of the German Short Films DVD edition.<br />

FFF BAYERN AND THE OSCAR:<br />

A DECADE’S STORY …<br />

After having won all important German Film Awards as well as three<br />

European Film Awards, Florian Henckel von Donnersmarck’s drama The<br />

Lives of Others finally achieved the ultimate success in the film busi -<br />

ness: In February, the FFF-funded production by Wiedemann & Berg,<br />

BR, ARTE and creado film won the OSCAR as “Best Foreign Language<br />

Film”. The OSCAR-nomination for a supported film has become a<br />

pleasant routine for FFF Bayern: This year’s success was the 15th<br />

nomination since the Bavarian film fund’s foundation in 1996. In 1997,<br />

Caroline Link first entered OSCAR territory with her debut feature<br />

Beyond Silence.<br />

In 2001 Florian Gallenberger’s Quiero Ser won an OSCAR for Best Short<br />

Film, and Steffen Schaeffler’s The Periwig Maker received a nomination<br />

for Best Animated Short. Two years later, two FFF-supported <strong>films</strong><br />

won Academy Awards: Nowhere in Africa by Caroline Link and The<br />

Pianist by Roman Polanski, which won three OSCARS and had four<br />

further nominations. In 2005, Luigi Falorni and Byambasuren Davaa<br />

were short-listed for their documentary The Story of the Weeping<br />

Camel, accompanied by Oliver Hirschbiegel for The Downfall as Best<br />

Foreign Language Film. Marc Rothemund followed the year after:<br />

Sophie Scholl – The Last Days was nominated in 2006.<br />

GERMAN SHORT FILMS IN ABU DHABI<br />

From 7 – 13 March <strong>2007</strong>, the Cultural Foundation of Abu Dhabi/<br />

United Arab Emirates organized the 6th edition of the Emirates Film<br />

Competition. Last year, the competition for filmmakers from Arab<br />

countries was complemented by a non-competitive section for international<br />

short <strong>films</strong>.<br />

This year’s topic, Road Cinema, dealt not only with the classic perception<br />

of “the road”, but also with its philosophical, social and professional<br />

dimension, i.e. changes in life and the crossing of real or imagined<br />

borders. 18 German short <strong>films</strong> were screened at the festival,<br />

including Stay Like This (Einfach so bleiben) by Sven Taddicken, Subway<br />

Score by Alexander Isert, and The Raft (Das Floss) by Jan Thuering.<br />

FILMSTIFTUNG NRW’S INTERNATIONAL<br />

FILM CONGRESS: “LIMITLESS” IN COLOGNE<br />

Where does it work well, and where are there still problems with<br />

international co-productions? This is just one of the topics to be discussed<br />

during the Filmstiftung NRW’s International Film Congress<br />

from 16 – 19 June <strong>2007</strong>. Under the motto “Limitless”, the North<br />

Rhine Westphalia-based film funder invites the international film industry<br />

to the Cologne Exhibition for the Medienforum NRW to examine<br />

the possibilities of transnational cooperation and the current situation<br />

of European <strong>films</strong> in the individual neighboring countries. In addition<br />

to the top-class panels, which will also present the new German<br />

Federal Film Fund, the event will serve as the German premiereground<br />

and preview forum for NRW-funded <strong>films</strong> and offer a co-production<br />

meeting, organized this year in cooperation with ACE.<br />

More information about the International Film Congress is available<br />

on the Filmstiftung’s website www.<strong>films</strong>tiftung.de or contact<br />

filmkongress@<strong>films</strong>tiftung.de.<br />

<strong>german</strong> <strong>films</strong> quarterly news<br />

2 · <strong>2007</strong> 29<br />

Scene from “Stay Like This”<br />

(photo © Filmakademie Baden-Wuerttemberg)

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