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soundcraft spirit live 4.pdf - Free Pro Audio Schematics

soundcraft spirit live 4.pdf - Free Pro Audio Schematics

soundcraft spirit live 4.pdf - Free Pro Audio Schematics

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INPUTGETTING TO KNOW YOUR CONSOLERefer to the fold-out front panel diagram which shows thecontrol functions on the SPIRIT LIVE 4. Each facility isdescribed below, and is identified by the reference number.FAC ILITIESINPUT CHANNEL1. MICROPHONE INPUT2. DIRECT OUTPUTThe Microphone input is via a standard female XLR-3connector and is available when the LINE -20dB switch isreleased. It is designed to accept a wide range of balanced orunbalanced low impedance input signals.+48V Phantom Power is available on each input microphonesocket. This is switched on globally from the power supply inthe case of the 12, 16 and 24 channel desks, or from a rockerswitch adjacent to the d.c. power connector at the top right ofthe 32 channel desk. Should you wish to configure inputswithout +48V power, see Selectable Options on Page 27 fordetails of this modification.Transformer-coupled dynamic microphones may be usedwithout causing damage, even when the +48V power isconnected, but care must be taken when using unbalancedsources, because of the voltage present on pins 2 and 3 of theXLR connector. Microphone input level is set by the GAINcontrol(6).NOTE: Phantom powered mics should not be plugged inwith the +48V switched on. Also you should be aware thatsome microphones draw an unusually large current whichmay overload the power supply, resulting in distortion.Consult your microphone supplier for guidance if necessary.A ground compensated DIRECT output is provided, fed fromthe output of the fader buffer, which is therefore unaffectedby the position of the ROUTING switches or PAN control.This provides an ideal source for external processing units,the output of which may be brought back to the consolethrough the STEREO sections or group RETURNS, or todirectly send to the tracks of a tape machine for multitrackrecording. This provides as many Tape Sends as there aremixer channels, without using the group or mix outputs.Pa g e 10

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