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Down on the Farm - Art Gallery of Alberta

Down on the Farm - Art Gallery of Alberta

Down on the Farm - Art Gallery of Alberta

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The <strong>Alberta</strong> Foundati<strong>on</strong> for <strong>the</strong> <strong>Art</strong>s Travelling Exhibiti<strong>on</strong> Program<strong>Art</strong>ist Biographies/StatementsAar<strong>on</strong> FalkenbergThe Photographer:Aar<strong>on</strong> Falkenberg is a photographer with numerous influences shaping his growth and visi<strong>on</strong>.Inspired by <strong>the</strong> works <strong>of</strong> masters like Ansel Adams and Edward West<strong>on</strong>, Aar<strong>on</strong> brings to <strong>the</strong>traditi<strong>on</strong> his own unique and powerful renderings <strong>of</strong> <strong>the</strong> luminosity <strong>of</strong> place. Simple form andsubtle t<strong>on</strong>ality complement intricate compositi<strong>on</strong>s. Aar<strong>on</strong> is immediately drawn to bold patternsand <strong>the</strong> rhythms <strong>of</strong> <strong>the</strong> spaces that surround him. Feeling a deep res<strong>on</strong>ance with <strong>the</strong>topography, Aar<strong>on</strong> scouts locales, revisiting some frequently, watching and waiting for <strong>the</strong>c<strong>on</strong>diti<strong>on</strong>s and <strong>the</strong> elements to come toge<strong>the</strong>r in just <strong>the</strong> right way.Statement:My first real strides towards an artistic understanding <strong>of</strong> my work and what I feel <strong>the</strong> landscapesaround me express came after reading Margaret Atwood’s Survival. Many representati<strong>on</strong>s <strong>of</strong><strong>the</strong> Canadian landscape are ei<strong>the</strong>r ridiculously bleak, or holdovers <strong>of</strong> a Romantic perspective,nei<strong>the</strong>r <strong>of</strong> which correlated with my experiences and percepti<strong>on</strong>s <strong>of</strong> it. Growing up <strong>on</strong> a farmduring my formative years gave me a unique perspective that is nei<strong>the</strong>r naïvely romantic, norlimited entirely by <strong>the</strong> necessities <strong>of</strong> <strong>the</strong> everyday. C<strong>on</strong>veyed through <strong>the</strong> lens <strong>of</strong> a camera, Ihope to express a beauty that is nei<strong>the</strong>r pristine nature, nor <strong>the</strong> utility <strong>of</strong> traditi<strong>on</strong>al humanincursi<strong>on</strong>s, but ra<strong>the</strong>r <strong>the</strong> space between <strong>the</strong> two: <strong>the</strong> rural. In highlighting <strong>the</strong>se landscapes, myphotography can be c<strong>on</strong>strued as a means <strong>of</strong> displaying nature’s beauty as it c<strong>on</strong>tinually existsal<strong>on</strong>g side us. Though we may shape <strong>the</strong> land and indeed change <strong>the</strong> very essences <strong>of</strong> a placeitself, nature is always ready to reclaim.Aar<strong>on</strong> FalkenbergAFA Travelling Exhibiti<strong>on</strong> Program, Edm<strong>on</strong>t<strong>on</strong>, AB. Ph: 780.428.3830 Fax: 780.421.0479youraga.ca

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