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Down on the Farm - Art Gallery of Alberta

Down on the Farm - Art Gallery of Alberta

Down on the Farm - Art Gallery of Alberta

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The <strong>Alberta</strong> Foundati<strong>on</strong> for <strong>the</strong> <strong>Art</strong>s Travelling Exhibiti<strong>on</strong> Program<strong>Art</strong> History: Photography as <strong>Art</strong>c<strong>on</strong>tinued: The Picturesque in PhotographyLike all genre in <strong>the</strong> visual arts, photography can be divided am<strong>on</strong>gst various modes <strong>of</strong>expressi<strong>on</strong>. Almost from <strong>the</strong> beginnings <strong>of</strong> its inventi<strong>on</strong> a philosophical debatec<strong>on</strong>cerning <strong>the</strong> use <strong>of</strong> photography came to <strong>the</strong> fore am<strong>on</strong>gst <strong>the</strong> mediums earliestpractiti<strong>on</strong>ers. On <strong>the</strong> <strong>on</strong>e hand, certain photographers believed that photography shouldaspire to <strong>the</strong> artistic and <strong>the</strong> ’exercise <strong>of</strong> individual genius’. Those who believed in thismode <strong>of</strong> photographic expressi<strong>on</strong> took <strong>the</strong>ir inspirati<strong>on</strong> from <strong>the</strong> Picturesque LandscapeTraditi<strong>on</strong> in painting. In <strong>the</strong> exhibiti<strong>on</strong> <str<strong>on</strong>g>Down</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Farm</strong>, this pictorial approach is bestexemplified in <strong>the</strong> work <strong>of</strong> David Bowering.In <strong>the</strong> early days <strong>of</strong> photography, many photographers believed that if <strong>the</strong>ir work was tobe taken seriously as a new art form <strong>the</strong> medium had to compete with painting and, to doso, adopt <strong>the</strong> methodology <strong>of</strong> <strong>the</strong> painting styles <strong>of</strong> <strong>the</strong> period. In painting <strong>the</strong> c<strong>on</strong>ceps <strong>of</strong><strong>the</strong> sublime and <strong>the</strong> picturesque were dominant and so photographers began tomanipulate images, to retouch negatives, and even to paint over <strong>the</strong> prints to create apictorial effect. Many also used s<strong>of</strong>t focus, special filters, gel and later combinati<strong>on</strong> printing -using several negatives to make <strong>on</strong>e picture - to create allegorical compositi<strong>on</strong>s. Suchmanipulati<strong>on</strong>s, which were major tools in <strong>the</strong> genre <strong>of</strong> Pictorial Photography or Pictorialism,were meant to allow photographers to achieve ‘pers<strong>on</strong>al artistic expressi<strong>on</strong>’ and ‘atmosphere’ in<strong>the</strong>ir works.David BoweringAttic Room, 2009/2011Digital photographCollecti<strong>on</strong> <strong>of</strong> <strong>the</strong> artistAFA Travelling Exhibiti<strong>on</strong> Program, Edm<strong>on</strong>t<strong>on</strong>, AB. Ph: 780.428.3830 Fax: 780.421.0479youraga.ca

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