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Creating Prosperity: the role of higher education in ... - Universities UK

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<strong>Creat<strong>in</strong>g</strong> <strong>Prosperity</strong>: <strong>the</strong> <strong>role</strong> <strong>of</strong> <strong>higher</strong> <strong>education</strong><strong>in</strong> driv<strong>in</strong>g <strong>the</strong> <strong>UK</strong>’s creative economy184.8 An example <strong>of</strong> research with a clear economic and social impact is <strong>the</strong> work <strong>of</strong> <strong>the</strong> Design Aga<strong>in</strong>stCrime Research Centre at Central Sa<strong>in</strong>t Mart<strong>in</strong>s College <strong>of</strong> Art and Design, an exemplar <strong>in</strong> <strong>in</strong>novative,practice-led design solutions that help reduce crime <strong>in</strong> society. Through a series <strong>of</strong> AHRC-fundedresearch projects, <strong>the</strong> Centre, toge<strong>the</strong>r with a range <strong>of</strong> <strong>in</strong>dustrial partners, developed a new baghold<strong>in</strong>gclip to prevent bag <strong>the</strong>ft and secure cycle park<strong>in</strong>g stands to reduce bicycle <strong>the</strong>ft. Bothproducts have not only contributed to <strong>the</strong> reduction <strong>of</strong> crime, but are also <strong>in</strong> <strong>the</strong> process <strong>of</strong> successfulcommercialisation (AHRC, 2009).4.9 In <strong>the</strong> creative and perform<strong>in</strong>g arts, practice-based research has ga<strong>in</strong>ed considerable currency andauthority over <strong>the</strong> last decade, and is help<strong>in</strong>g to advance <strong>the</strong> development <strong>of</strong> pr<strong>of</strong>essional practice.A recent report published by <strong>the</strong> Cultural Industries Development Agency (CIDA) highlights a number<strong>of</strong> case studies to illustrate <strong>the</strong> ways <strong>in</strong> which academic research is contribut<strong>in</strong>g to <strong>the</strong> advancement<strong>of</strong> artistic practice (Devl<strong>in</strong>, 2010).4.10 For example, ResCen, <strong>the</strong> Centre for Research <strong>in</strong>to Creation <strong>in</strong> <strong>the</strong> Perform<strong>in</strong>g Arts at MiddlesexUniversity, collaborated with <strong>the</strong> Beij<strong>in</strong>g Dance Academy on a practice-based research projectto explore <strong>the</strong> ways <strong>in</strong> which creative performances can be seen as agents <strong>of</strong> change, help<strong>in</strong>gus to make sense <strong>of</strong> an <strong>in</strong>creas<strong>in</strong>gly complex world. The outputs <strong>of</strong> <strong>the</strong> project (a series <strong>of</strong> shortperformance pieces) found a wide audience, and this <strong>in</strong>tercultural exchange has cascaded new ideasand new practices not only with<strong>in</strong> <strong>the</strong> participat<strong>in</strong>g <strong>in</strong>stitutions, but more widely across <strong>the</strong> artisticcommunities <strong>in</strong> <strong>the</strong> <strong>UK</strong> and Ch<strong>in</strong>a, highlight<strong>in</strong>g <strong>the</strong> <strong>in</strong>ternal impact <strong>of</strong> <strong>the</strong> work (Devl<strong>in</strong>, 2010).4.11 Higher <strong>education</strong> research also contributes to <strong>the</strong> development <strong>of</strong> <strong>the</strong> creative economy <strong>in</strong> o<strong>the</strong>rways, for example by develop<strong>in</strong>g understand<strong>in</strong>g <strong>of</strong> how creative bus<strong>in</strong>esses create value, and how<strong>the</strong>ir markets operate. Social science and humanities research centres at <strong>the</strong> universities <strong>of</strong> Warwick,Glasgow and Leeds and City University London, among o<strong>the</strong>rs, are actively engaged <strong>in</strong> this k<strong>in</strong>d <strong>of</strong>research, <strong>in</strong>fluenc<strong>in</strong>g and <strong>in</strong>form<strong>in</strong>g policy that can better encourage creative economy growth.4.12 The grow<strong>in</strong>g importance <strong>of</strong> <strong>the</strong> digital environment to <strong>the</strong> creative economy has meant that EPSRCis now an <strong>in</strong>creas<strong>in</strong>gly important player <strong>in</strong> <strong>the</strong> research fund<strong>in</strong>g environment for <strong>the</strong> sector. With abudget <strong>in</strong> excess <strong>of</strong> £750 million, EPSRC is larger than both AHRC and ESRC, and supports researchacross discipl<strong>in</strong>es relat<strong>in</strong>g to eng<strong>in</strong>eer<strong>in</strong>g and physical sciences. The digital economy is one <strong>of</strong> itsidentified priorities and EPSRC is lead<strong>in</strong>g <strong>the</strong> RC<strong>UK</strong> cross-council Digital Economy Programme(DEP), undoubtedly <strong>the</strong> s<strong>in</strong>gle biggest <strong>in</strong>vestment <strong>in</strong> research relevant to <strong>the</strong> creative economyto date.4.13 With a broad remit rang<strong>in</strong>g across culture and <strong>the</strong> creative <strong>in</strong>dustries to healthcare, <strong>the</strong> DEP aimsto support and enhance <strong>the</strong> <strong>UK</strong> academic community through multidiscipl<strong>in</strong>ary work. This <strong>in</strong>cludesfund<strong>in</strong>g for three large, multidiscipl<strong>in</strong>ary research hubs and seven Centres <strong>of</strong> Doctoral Tra<strong>in</strong><strong>in</strong>g.The programme has a research budget <strong>of</strong> £83 million and a tra<strong>in</strong><strong>in</strong>g commitment <strong>of</strong> £34 million.4.14 The DEP is well aligned with <strong>the</strong> <strong>in</strong>novation needs <strong>of</strong> <strong>the</strong> creative economy. It is collaborative andmultidiscipl<strong>in</strong>ary, with multiple <strong>in</strong>dustry partners. In addition to technology research, it is also look<strong>in</strong>gat issues relat<strong>in</strong>g to bus<strong>in</strong>ess models and societal impacts, and has a strong focus on engag<strong>in</strong>g<strong>the</strong> user community <strong>in</strong> <strong>the</strong> research process. As this approach <strong>in</strong>dicates, <strong>the</strong> boundaries betweencreativity and technology are dissolv<strong>in</strong>g, and this dichotomy between creativity and science nowlooks <strong>in</strong>creas<strong>in</strong>gly outdated.4.0 Higher <strong>education</strong>’s contribution

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