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Creating Prosperity: the role of higher education in ... - Universities UK

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<strong>Creat<strong>in</strong>g</strong> <strong>Prosperity</strong>: <strong>the</strong> <strong>role</strong> <strong>of</strong> <strong>higher</strong> <strong>education</strong><strong>in</strong> driv<strong>in</strong>g <strong>the</strong> <strong>UK</strong>’s creative economy384.73 There is, however, a reported tendency to consider creative and artistic talent as someth<strong>in</strong>g that<strong>in</strong>dividuals are simply born with. This is, to some extent, a myth. Talent needs to be nurtured anddeveloped. This is quite specifically <strong>the</strong> <strong>role</strong> <strong>of</strong> <strong>higher</strong> <strong>education</strong>, and one that is too easily taken forgranted <strong>in</strong> wider debates about <strong>the</strong> production <strong>of</strong> skilled graduates. It is important, <strong>the</strong>refore, to bear<strong>in</strong> m<strong>in</strong>d that a crucial part <strong>of</strong> <strong>the</strong> contribution that <strong>UK</strong> <strong>higher</strong> <strong>education</strong> makes to <strong>the</strong> creative economyis its world-renowned creative <strong>education</strong>, nurtur<strong>in</strong>g and develop<strong>in</strong>g creative talent.4.74 It is also important to recognise <strong>the</strong> high unit costs <strong>of</strong> <strong>education</strong> <strong>in</strong> some <strong>of</strong> <strong>the</strong> creative discipl<strong>in</strong>es,particularly <strong>in</strong> studio-based <strong>education</strong> where <strong>the</strong>re is a large space requirement, and <strong>in</strong> areas <strong>of</strong> <strong>the</strong>perform<strong>in</strong>g arts. Some <strong>of</strong> <strong>the</strong> <strong>in</strong>stitutions with <strong>the</strong> strongest global stand<strong>in</strong>g <strong>in</strong> this area, and whotra<strong>in</strong> <strong>the</strong> greatest number <strong>of</strong> students to become successful pr<strong>of</strong>essionals with<strong>in</strong> this <strong>in</strong>dustry, havetraditionally received targeted fund<strong>in</strong>g on <strong>the</strong> basis that <strong>the</strong> <strong>higher</strong> costs <strong>of</strong> <strong>the</strong>se subjects werejustified <strong>in</strong> relation to <strong>the</strong> public good <strong>the</strong>y delivered. The almost exclusive focus <strong>of</strong> <strong>the</strong> Browne Reviewand <strong>the</strong> CSR on STEM and medic<strong>in</strong>e means that this fund<strong>in</strong>g is likely to be removed, despite <strong>the</strong>potential <strong>of</strong> <strong>the</strong> creative discipl<strong>in</strong>es to ‘deliver significant social returns’ (Browne 2010, p 47) as wellas contribut<strong>in</strong>g to <strong>the</strong> <strong>UK</strong>’s economic growth and global competitiveness.4.75 Research shows that graduates <strong>in</strong> creative arts and design subjects typically consider <strong>the</strong>ir <strong>education</strong>to be valuable <strong>in</strong> develop<strong>in</strong>g creativity and <strong>in</strong>novation, and visual and presentation skills. There is alsogrow<strong>in</strong>g evidence to suggest that many <strong>of</strong> <strong>the</strong> attributes required for employment, <strong>in</strong>clud<strong>in</strong>g creativity,problem solv<strong>in</strong>g, <strong>in</strong>dependence, <strong>in</strong>novation and collaborative work<strong>in</strong>g are <strong>in</strong>tr<strong>in</strong>sic to a creative<strong>education</strong>, particularly <strong>in</strong> practice-based creative and perform<strong>in</strong>g arts.p Pr<strong>of</strong>essional-standard video edit<strong>in</strong>g suite at <strong>the</strong> University <strong>of</strong> Bolton4.0 Higher <strong>education</strong>’s contribution

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