www.euroslot-online.comSPAIN MARKET REPORTMadrid led the way in allowing video slots in 2009, a policysince adopted elsew<strong>here</strong>.Online gamingOfficially, the online gaming market in Spain <strong>to</strong> date has beensmall, with about ¤45m spent annually on lotteries and somesports betting. However, it is estimated that a far greater figure– as much as ¤1.6bn – might be spent with foreign opera<strong>to</strong>rsillegally taking Spaniards’ bets. T<strong>here</strong> are believed <strong>to</strong> be around370,000 Spaniards betting online.This, and of course the pressing need for the fiscally-strappedcountry <strong>to</strong> raise new revenue, have led <strong>to</strong> the biggest change inthe Spanish market for some time – the introduction in May lastyear of the new gambling law originally announced in 2007.Spain’s regula<strong>to</strong>ry structure has been bifurcated for decades.T<strong>here</strong> has been a national legal framework for gambling in placesince 1977, and that has continued <strong>to</strong> remain in force, but thebulk of regula<strong>to</strong>ry decision-making has been devolved <strong>to</strong> theau<strong>to</strong>nomous communities since 1985.The 1977 framework did not, of course, envisage the arrival ofonline gaming, and that has led <strong>to</strong> some anomalous situations –for example, the au<strong>to</strong>nomous community of Madrid went aheadwith legalising Internet gambling before the nationalgovernment, ironically based in the same city, had done so.The new rules should bring some clarity <strong>to</strong> this situation andthe first online gaming operations authorised under them arenow established.A new supervisory body, the Comisión Nacional del Juego(National Gaming Commission), is being created withnationwide oversight of licensing.A further new body, the Consejo de Políticas de Juego(Gaming Policies Board), will advise on regula<strong>to</strong>ry andenforcement policy, and include representatives from t<strong>here</strong>gions.Taxation for the majority of games has been set at 25 percen<strong>to</strong>f gross gaming revenue, after the government – followingprotests from the likes of the Remote Gambling Association –did a U-turn on earlier plans <strong>to</strong> levy taxes as a percentage of<strong>to</strong>tal stakes.This page was sponsored by:JULY/AUGUST 2012 27
TECHNOLOGY FOCUSwww.euroslot-online.comMaking the connectionThe addition of Internet features is transforming thejukebox and the pho<strong>to</strong> booth alike, reports Jon BrufordWhile the explosive growth of e-gaming on PCsand smartphones has been the most visiblechange in the gambling and amusements marketbrought about by the Internet, the makers of placebasedtechnology such as pho<strong>to</strong> booths andjukeboxes have not failed <strong>to</strong> exploit the potential ofonline either.For example, new pho<strong>to</strong> booth products fromDigital Centre such as New Generation, The Strip,Mega Strip and Mega Combo combine <strong>to</strong>uchscreentechnology with Internet connectivity <strong>to</strong> addrelevancy for the user, as the firm’s Paul Jacobsexplains: “The pho<strong>to</strong>s have a code and Web address,Mypho<strong>to</strong>code.com, printed along the left side.The cus<strong>to</strong>mer can then use his or her smartphone,home computer, iPad, lap<strong>to</strong>p, or whatever <strong>to</strong> sendcopies of the pho<strong>to</strong>s <strong>to</strong> themselves or friends.Simply go <strong>to</strong> the Website and type in the code andthen send via email, or send directly <strong>to</strong> Facebook orTwitter.“For the opera<strong>to</strong>r, it turns the pho<strong>to</strong> booth in<strong>to</strong> aneven greater revenue producer because thecus<strong>to</strong>mers will take more pictures knowing they cansend them via social networking. Also, the opera<strong>to</strong>rcan remotely access reports, so it’s doublybeneficial.”At rival Apple Industries, president WarrenFriss agrees – and enthuses about hiscompany’s technology, adding: “Last yearwe launched our Smile 2.0 software,which is our pho<strong>to</strong> sharing software.On any pho<strong>to</strong> booth we sell now, inaddition <strong>to</strong> getting your strip ofpho<strong>to</strong>graphs, you can now also getthem emailed <strong>to</strong> yourself, friends orfamily, post direct <strong>to</strong> Facebook, andtweet from the booth.“Additionally, of course, beingonline gives the opera<strong>to</strong>r tremendousadvantages because the booth cansend them reports that they’reworking, how much revenue isgenerated, how much paper is left soit can be moni<strong>to</strong>red remotely, howmuch cash versus card action t<strong>here</strong> is,and so on. T<strong>here</strong> are huge benefits.”It’s these additional features thatcan drive new revenue for opera<strong>to</strong>rs,or alternatively allow opera<strong>to</strong>rs <strong>to</strong> addvalue for cus<strong>to</strong>mers.. If the opera<strong>to</strong>rwants <strong>to</strong> charge a pound or a eurofor cus<strong>to</strong>mers <strong>to</strong> share their imagesonline, the benefits are obvious – notleast because it doesn’t cost theopera<strong>to</strong>r anything extra for thecus<strong>to</strong>mer <strong>to</strong> carry out the operation.But as Friss points out, the newfeatures have a bigger impact whenthe services are free, and “50 or 60percent of people are emailing theirpictures <strong>to</strong> themselves, with postingit on Facebook second most popular,and tweeting a distant third”.A further benefit is that even if an opera<strong>to</strong>rdoesn’t charge for allowing people <strong>to</strong> email theirimages, the booth can collect the email addresses ofits cus<strong>to</strong>mers, eventually giving the opera<strong>to</strong>r avaluable cus<strong>to</strong>mer database for marketing andpromotional purposes (although data protection ruleshave <strong>to</strong> be borne in mind).The booth can collectthe email addressesof its cus<strong>to</strong>mersAnd the evolution is not over – upsells are thefuture, says Friss: “We’re also going <strong>to</strong> be adding theability <strong>to</strong> have people purchase not just pho<strong>to</strong>s, butmugs, keychains, screen-savers and more that can beupsold <strong>to</strong> the consumer when their picture is taken.”This is particularly smart when you take in<strong>to</strong>account the strong figures recently posted in aFuturesource Consulting report on pho<strong>to</strong>merchandisein Europe, which notched up animpressive 11 percent growth last year <strong>to</strong> reach a <strong>to</strong>talvalue of more than ¤470m. Much growth is expected<strong>to</strong> come from sources such as the mobile market, butHot propertySlender and compact, Tab Austria’s MaxFire Jukebox HD gives users direct access<strong>to</strong> the latest songs and videos as well asclassics from a century of music his<strong>to</strong>ry,with updates daily. The jukebox adaptsau<strong>to</strong>matically <strong>to</strong> the needs of each venue,and also stands out thanks <strong>to</strong> its design,the firm says.Hardware and software work seamlessly<strong>to</strong>gether; an intuitive user interface designprovides an optimal overview with its 32-inch <strong>to</strong>uchscreen, so all the Max FireJukebox HD features can be in view.This compact and multifunctionaljukebox is ideal for the diverse needs ofbars, pubs and restaurants, says TabAustria.28 JULY/AUGUST 2012 THE INDEPENDENT VOICE OF THE AMUSEMENT AND STREET GAMING INDUSTRY