Japan and Britain After 1859: Creating Cultural Bridges

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Shirts, studs and wash hand basins 9your jacket pocket, your purse in your trouser pocket, and place yourwatch in your waistcoat pocket and hook the chain at one of thebuttonholes and so on. When you go to the toilet, you can just relieveyourself by unbuttoning your trousers and jacket. In the case of defecation,you have to unbutton the same parts, both front and back ofbraces. When you are finished, you button them again. Since you cannotsee the back button, it is very inconvenient until you get used to it.There is a wash stand (fig 1.13) in the Western-style bedroom. Theywash their face, hands and teeth every morning and after a meal. On thewash stand is a basin made of porcelain that is a substitute of the metalbasin we use. Under the washstand is a jug. Figures of the other appliancesare as follows.This figure (fig 1.15) shows drawers with a mirror on it. It is too difficultto wear Western clothes without looking into a mirror such asreaching for buttons. Because they brush their hair every morning andevening every room has a mirror inside. After putting on the clothes,they wear perfume to keep it clean. At the left side of the mirror on thedrawer is a smelling bottle. In front of the mirror is a brush, which isused for dusting clothes. All in all, the Western person likes to be cleanmore than Japanese do.Figure 1.15 Chest of drawers
10 The price of seclusionThe Figure on this page show a table setting for one person, andother tableware. When you dine with many guests, there can be twentyor thirty people sitting around a dining table all together. In usualmeals, they drink red wine, sherry wine, port wine, etc. When theyhave guests or ceremony they drink champagne and other tasty wines.Liqueur and brandy are served in small glasses after a meal. Beer ismalt liquor and has a bitter taste. It is good to have a heart-to-hearttalk over a glass of beer. Some people appreciate its bitterness. Whiskyand brandy are too strong to drink during the meal. They are usuallyfor servants.Figure 1.16 Table setting
Page 4 and 5: Japan and Britainafter 1859Creating
Page 6: ForN.T. and S.T.With affection
Page 9 and 10: viiiContentsPART IIIIn Britain 1099
Page 11 and 12: xIllustrations1.7 Coats 2 61.8 Coat
Page 13 and 14: xiiPrefaceStrenuous efforts were ma
Page 15 and 16: xivPrefaceThe debts incurred in pre
Page 17 and 18: Figure 1.1 Samurai, clumsily dresse
Page 19 and 20: 4 The price of seclusionUnder the g
Page 21 and 22: 6 The price of seclusionFigure 1.6
Page 23: Figure 1.11 JacketFigure 1.12 Trous
Page 27 and 28: 12 The price of seclusionto reach n
Page 29 and 30: 2 The Great Exhibition asa cultural
Page 31 and 32: 16 The price of seclusionEmpire. It
Page 33 and 34: 18 The price of seclusionIt was fol
Page 35 and 36: 20 The price of seclusioncreated a
Page 37 and 38: 22 The price of seclusionwho was to
Page 39 and 40: 24 The price of seclusionThe inspir
Page 41 and 42: 26 The price of seclusionIt is wort
Page 43 and 44: 28 The price of seclusion19 Fukuzaw
Page 45 and 46: 30 The price of seclusioneffectivel
Page 47 and 48: 32 The price of seclusionitself sel
Page 49 and 50: 34 The price of seclusionfor it. Ot
Page 51 and 52: 36 The price of seclusionThe Japane
Page 53 and 54: 38 The price of seclusionIt should
Page 55 and 56: 40 The price of seclusionEven if th
Page 59 and 60: 44 The price of seclusionBamboo was
Page 61 and 62: 46 The price of seclusionFigure 4.1
Page 63 and 64: 48 The price of seclusionside, quic
Page 65 and 66: 50 The price of seclusionSeveral of
Page 67 and 68: 52 The price of seclusionThe United
Page 69 and 70: 54 The price of seclusionTable 4.8
Page 72: Part IIIn Japan
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60 In JapanThe original store was f
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62 In JapanBooks in English availab
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64 In JapanTable 5.1 continuedFawce
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66 In JapanRedesdale’s Tales of O
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68 In JapanIt may be that the large
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70 In JapanSmith, Adam, An Inquiry
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72 In Japan6 Maruzen Hyakunenshi [1
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74 In Japanall he could about his a
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76 In Japanproduced a mammoth paper
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78 In Japantomb at Okamoto 2-33, Se
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80 In JapanThe house has been descr
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82 In Japana commanding mass of red
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84 In JapanDuring the course of the
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7 Christopher Dresser andindustrial
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88 In JapanCutler also quotes from
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90 In Japanwas the Prince Consort
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92 In JapanAs Dresser reported on h
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94 In Japanwere, for his hosts, hea
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8 Paintings, photographsand printsA
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98 In JapanThere is a sense in whic
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100 In JapanHyakutake Kaneyuki (184
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102 In JapanJapan. East’s paintin
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104 In Japanavailable in Britain, w
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106 In Japandamp sheet of paper. Th
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108 In Japan7 Sato and Watanabe, Ja
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9 Japonisme for allJaponisme 1 has
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Japonisme for all 113bristling with
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Japonisme for all 115many famous pa
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was proud of his Scottish roots, an
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Japonisme for all 119style that bec
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Figure 9.2Duke and Duchess ofConnau
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Japonisme for all 1237 See also W.
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10 Collecting Japanese artFrom the
Page 142 and 143:
Collecting Japanese art 127(1845-19
Page 144 and 145:
James Lord BowesCollecting Japanese
Page 146 and 147:
There can be no doubt of Bowes’s
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Angst and acrimonyCollecting Japane
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Collecting Japanese art 135When I t
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Collecting Japanese art 137Presente
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Collecting Japanese art 13928 Orcha
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Menpes, Hornel, Brangwyn 141During
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members of the burgeoning group of
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Menpes, Hornel, Brangwyn 145althoug
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Menpes, Hornel, Brangwyn 147Figure
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‘It is very cold. Snow lying abou
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Menpes, Hornel, Brangwyn 151Japanes
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which were selling at low prices’
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Menpes, Hornel, Brangwyn 15528 See
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ingly prosperous British public for
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Travel writing about Japan 159publi
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Travel writing about Japan 161other
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The text of over 200 pages was ‘t
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Travel writing about Japan 165illus
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Travel writing about Japan 16726 C.
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13 The Japan British Exhibition,Lon
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The Japan British Exhibition, Londo
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Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
orders for Japan, and from the many
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ain in front of and above the ear.
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14 Shopping for JaponoiserieIt was
Page 202 and 203:
Shopping for Japonoiserie 187Japane
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Shopping for Japonoiserie 189rave a
Page 206 and 207:
Shopping for Japonoiserie 191A larg
Page 208 and 209:
Even since I first came to England
Page 210 and 211:
Shopping for Japonoiserie 195potter
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Part VFour bridge builders
Page 215 and 216:
200 Four bridge buildersso close an
Page 217 and 218:
202 Four bridge buildersWithin thre
Page 219 and 220:
204 Four bridge buildersfriend and
Page 221 and 222:
206 Four bridge buildersso long as
Page 223 and 224:
208 Four bridge buildersFigure 15.2
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210 Four bridge buildersto him glaz
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212 Four bridge builders30 Hatcher,
Page 229 and 230:
214 Appendix ISuya Kinhei, Vaniquch
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Appendix IIIndustrial art manufactu
Page 233 and 234:
218 Appendix IITokyoJune 1883Yugyok
Page 235 and 236:
220 Appendix IIIPainting (Fine Arts
Page 237 and 238:
222 Appendix III17 titlesW. Heffer
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Select bibliographyThe place of pub
Page 241 and 242:
226 Select bibliographyConant, E.P.
Page 243 and 244:
228 Select bibliographyGlasgow City
Page 245 and 246:
230 Select bibliographyLiberty’s,
Page 247 and 248:
232 Select bibliography—— The C
Page 249 and 250:
234 IndexChinese aesthetics 203Chin
Page 251 and 252:
236 IndexMatsudaira, Baron Masana 1
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Japan and Britain After 1859: Creating Cultural Bridges

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