Japan and Britain After 1859: Creating Cultural Bridges

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ContentsList of illustrationsPrefaceAuthor’s noteixxixivPART IThe price of seclusion 11 Shirts, studs and wash hand basins 32 The Great Exhibition as a cultural bridge 143 Affirmative action, abroad and in Japan 294 Yokohama muki: Japanese export ware 42PART IIIn Japan 575 Maruzen and the foreign book trade 596 Western architecture and Japanese architects 737 Christopher Dresser and industrial design 868 Paintings, photographs and prints 96
viiiContentsPART IIIIn Britain 1099 Japonisme for all 11110 Collecting Japanese art 12511 Three painters, Menpes, Hornel, Brangwyn, andtheir patrons 14012 ‘The lovely flower land of the Far East’: travel writingabout Japan 156PART IVThe commercial spin-off 16913 The Japan British Exhibition, London, 1910 17114 Shopping for Japonoiserie 185PART VFour bridge builders 19715 Painter, poet, pearl-maker and potter: Kyosai, Binyon,Mikimoto and Leach 199Appendix I: Catalogue of Japanese Exhibition andtheir products shown at the International Exhibition,Glasgow, 1901 (see Chapter 2) 213Appendix II: Industrial art manufacture in Japan. Companieswhich worked with, and for, Kiritsa Kosko Kaisha(see Chapter 3) 216Appendix III: British publishers with whom Maruzen wasdoing business between 1912 and 1941 (see Chapter 5) 219Select bibliography 224Index 233
Page 4 and 5: Japan and Britainafter 1859Creating
Page 6: ForN.T. and S.T.With affection
Page 11 and 12: xIllustrations1.7 Coats 2 61.8 Coat
Page 13 and 14: xiiPrefaceStrenuous efforts were ma
Page 15 and 16: xivPrefaceThe debts incurred in pre
Page 17 and 18: Figure 1.1 Samurai, clumsily dresse
Page 19 and 20: 4 The price of seclusionUnder the g
Page 21 and 22: 6 The price of seclusionFigure 1.6
Page 23 and 24: Figure 1.11 JacketFigure 1.12 Trous
Page 25 and 26: 10 The price of seclusionThe Figure
Page 27 and 28: 12 The price of seclusionto reach n
Page 29 and 30: 2 The Great Exhibition asa cultural
Page 31 and 32: 16 The price of seclusionEmpire. It
Page 33 and 34: 18 The price of seclusionIt was fol
Page 35 and 36: 20 The price of seclusioncreated a
Page 37 and 38: 22 The price of seclusionwho was to
Page 39 and 40: 24 The price of seclusionThe inspir
Page 41 and 42: 26 The price of seclusionIt is wort
Page 43 and 44: 28 The price of seclusion19 Fukuzaw
Page 45 and 46: 30 The price of seclusioneffectivel
Page 47 and 48: 32 The price of seclusionitself sel
Page 49 and 50: 34 The price of seclusionfor it. Ot
Page 51 and 52: 36 The price of seclusionThe Japane
Page 53 and 54: 38 The price of seclusionIt should
Page 55 and 56: 40 The price of seclusionEven if th
Page 59 and 60:
44 The price of seclusionBamboo was
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46 The price of seclusionFigure 4.1
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48 The price of seclusionside, quic
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50 The price of seclusionSeveral of
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52 The price of seclusionThe United
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54 The price of seclusionTable 4.8
Page 72:
Part IIIn Japan
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60 In JapanThe original store was f
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62 In JapanBooks in English availab
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64 In JapanTable 5.1 continuedFawce
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66 In JapanRedesdale’s Tales of O
Page 83 and 84:
68 In JapanIt may be that the large
Page 85 and 86:
70 In JapanSmith, Adam, An Inquiry
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72 In Japan6 Maruzen Hyakunenshi [1
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74 In Japanall he could about his a
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76 In Japanproduced a mammoth paper
Page 93 and 94:
78 In Japantomb at Okamoto 2-33, Se
Page 95 and 96:
80 In JapanThe house has been descr
Page 97 and 98:
82 In Japana commanding mass of red
Page 99 and 100:
84 In JapanDuring the course of the
Page 101 and 102:
7 Christopher Dresser andindustrial
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88 In JapanCutler also quotes from
Page 105 and 106:
90 In Japanwas the Prince Consort
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92 In JapanAs Dresser reported on h
Page 109 and 110:
94 In Japanwere, for his hosts, hea
Page 111 and 112:
8 Paintings, photographsand printsA
Page 113 and 114:
98 In JapanThere is a sense in whic
Page 115 and 116:
100 In JapanHyakutake Kaneyuki (184
Page 117 and 118:
102 In JapanJapan. East’s paintin
Page 119 and 120:
104 In Japanavailable in Britain, w
Page 121 and 122:
106 In Japandamp sheet of paper. Th
Page 123 and 124:
108 In Japan7 Sato and Watanabe, Ja
Page 126 and 127:
9 Japonisme for allJaponisme 1 has
Page 128 and 129:
Japonisme for all 113bristling with
Page 130 and 131:
Japonisme for all 115many famous pa
Page 132 and 133:
was proud of his Scottish roots, an
Page 134 and 135:
Japonisme for all 119style that bec
Page 136 and 137:
Figure 9.2Duke and Duchess ofConnau
Page 138 and 139:
Japonisme for all 1237 See also W.
Page 140 and 141:
10 Collecting Japanese artFrom the
Page 142 and 143:
Collecting Japanese art 127(1845-19
Page 144 and 145:
James Lord BowesCollecting Japanese
Page 146 and 147:
There can be no doubt of Bowes’s
Page 148 and 149:
Angst and acrimonyCollecting Japane
Page 150 and 151:
Collecting Japanese art 135When I t
Page 152 and 153:
Collecting Japanese art 137Presente
Page 154 and 155:
Collecting Japanese art 13928 Orcha
Page 156 and 157:
Menpes, Hornel, Brangwyn 141During
Page 158 and 159:
members of the burgeoning group of
Page 160 and 161:
Menpes, Hornel, Brangwyn 145althoug
Page 162 and 163:
Menpes, Hornel, Brangwyn 147Figure
Page 164 and 165:
‘It is very cold. Snow lying abou
Page 166 and 167:
Menpes, Hornel, Brangwyn 151Japanes
Page 168 and 169:
which were selling at low prices’
Page 170 and 171:
Menpes, Hornel, Brangwyn 15528 See
Page 172 and 173:
ingly prosperous British public for
Page 174 and 175:
Travel writing about Japan 159publi
Page 176 and 177:
Travel writing about Japan 161other
Page 178 and 179:
The text of over 200 pages was ‘t
Page 180 and 181:
Travel writing about Japan 165illus
Page 182:
Travel writing about Japan 16726 C.
Page 186 and 187:
13 The Japan British Exhibition,Lon
Page 188 and 189:
The Japan British Exhibition, Londo
Page 190 and 191:
Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
orders for Japan, and from the many
Page 198 and 199:
ain in front of and above the ear.
Page 200 and 201:
14 Shopping for JaponoiserieIt was
Page 202 and 203:
Shopping for Japonoiserie 187Japane
Page 204 and 205:
Shopping for Japonoiserie 189rave a
Page 206 and 207:
Shopping for Japonoiserie 191A larg
Page 208 and 209:
Even since I first came to England
Page 210 and 211:
Shopping for Japonoiserie 195potter
Page 212:
Part VFour bridge builders
Page 215 and 216:
200 Four bridge buildersso close an
Page 217 and 218:
202 Four bridge buildersWithin thre
Page 219 and 220:
204 Four bridge buildersfriend and
Page 221 and 222:
206 Four bridge buildersso long as
Page 223 and 224:
208 Four bridge buildersFigure 15.2
Page 225 and 226:
210 Four bridge buildersto him glaz
Page 227 and 228:
212 Four bridge builders30 Hatcher,
Page 229 and 230:
214 Appendix ISuya Kinhei, Vaniquch
Page 231 and 232:
Appendix IIIndustrial art manufactu
Page 233 and 234:
218 Appendix IITokyoJune 1883Yugyok
Page 235 and 236:
220 Appendix IIIPainting (Fine Arts
Page 237 and 238:
222 Appendix III17 titlesW. Heffer
Page 239 and 240:
Select bibliographyThe place of pub
Page 241 and 242:
226 Select bibliographyConant, E.P.
Page 243 and 244:
228 Select bibliographyGlasgow City
Page 245 and 246:
230 Select bibliographyLiberty’s,
Page 247 and 248:
232 Select bibliography—— The C
Page 249 and 250:
234 IndexChinese aesthetics 203Chin
Page 251 and 252:
236 IndexMatsudaira, Baron Masana 1
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Japan and Britain After 1859: Creating Cultural Bridges

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