Japan and Britain After 1859: Creating Cultural Bridges

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ForN.T. <strong>and</strong> S.T.With affection
Page 4 and 5: Japan and Britainafter 1859Creating
Page 8 and 9: ContentsList of illustrationsPrefac
Page 10 and 11: IllustrationsTables2.1 Japan’s co
Page 12 and 13: PrefaceIn the 1850s it was with a s
Page 14 and 15: Prefacexiiiearthly paradise, where
Page 16 and 17: Part IThe price of seclusion
Page 18 and 19: 1 Shirts, studs and wash handbasins
Page 20 and 21: Figure 1.2 Undershirt and drawersFi
Page 22 and 23: Figure 1.8 Coats 3 Figure 1.9 Coats
Page 24 and 25: Shirts, studs and wash hand basins
Page 26 and 27: Shirts, studs and wash hand basins
Page 28 and 29: The mattress is as much as 1.5 shak
Page 30 and 31: The Great Exhibition as a cultural
Page 34 and 35: great practical ability, placed him
Page 44 and 45: 3 Affirmative action, abroadand in
Page 46 and 47: Affirmative action, abroad and in J
Page 56:
Affirmative action, abroad and in J
Page 60 and 61:
Yokohama muki: Japanese export ware
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the demands of the foreigner, the m
Page 64 and 65:
Page 66 and 67:
Table 4.1 Exhibitions in Australia,
Page 68 and 69:
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5 Maruzen and the foreignbook trade
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One unusual aspect of Maruya’s la
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Maruzen and the foreign book trade
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Page 84 and 85:
Page 86 and 87:
The profitability of MaruzenMaruzen
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6 Western architecture andJapanese
Page 90 and 91:
Western architecture, Japanese arch
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Page 100 and 101:
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Decorative art, Japan and BritainCh
Page 104 and 105:
Christopher Dresser and industrial
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Paintings, photographs and prints 9
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the glow. Turning towards the sunse
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It was a form of popular, urban art
Page 124:
Part IIIIn Britain
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112 In Britainplace. In addition bo
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114 In BritainAs he noted:Art in Ja
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116 In BritainEdward William Godwin
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118 In Britainportrait was thought
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120 In BritainFigure 9.1 ‘The gei
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122 In BritainFor the Scots, Madama
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124 In Britain37 R. Pickvance, A Ma
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126 In BritainAt the request of the
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128 In BritainMichael TomkinsonMich
Page 145 and 146:
130 In BritainBowes became a local
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132 In BritainThis perfume burner b
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134 In Britainmetry of its shape an
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136 In BritainGlasgow Collection wa
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138 In Britain4 M. Tomkinson, A Jap
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11 Three painters, Menpes, Hornel,B
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142 In BritainAfter Menpes’s expe
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144 In Britaincountry at the end of
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146 In Britain‘new’art that was
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148 In Britainfilled about 30 canva
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150 In BritainThe books on kimono p
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152 In BritainFigure 11.2 Frank Bra
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154 In Britain5 Sotheby’s, 34-5 N
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12 ‘The lovely flower land ofthe
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158 In BritainBoth books are well i
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160 In BritainIsabella Bird and Unb
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162 In BritainLady Brassey’s writ
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164 In BritainInevitably Menpes dep
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166 In Britain‘A cruise in Japane
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Part IVThe commercial spin-off
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172 The commercial spin-offThe Exhi
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174 The commercial spin-offThere wa
Page 191 and 192:
176 The commercial spin-offThat fla
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178 The commercial spin-offThe Gard
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180 The commercial spin-offStreet),
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182 The commercial spin-offThis was
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184 The commercial spin-off21 Mutsu
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186 The commercial spin-offmiddle o
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188 The commercial spin-offspectacl
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190 The commercial spin-offThe craz
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192 The commercial spin-off‘Bambo
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194 The commercial spin-offIn Glasg
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196 The commercial spin-off12 Drape
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15 Painter, poet, pearl-makerand po
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Kyosai, Binyon, Mikimoto and Leach
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Page 222 and 223:
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NotesKyosai, Binyon, Mikimoto and L
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Appendix ICatalogue of Japanese Exh
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Class VIII: raw silk, silk thread,
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1887Kyoto Toki (China) Kaisha: Twen
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Appendix IIIBritish publishers with
Page 236 and 237:
Appendix III 221Butterworth & Co. L
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Appendix III 223W. Tuchley, Theory
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Select bibliography 225—— Edwar
Page 242 and 243:
Select bibliography 227—— Paint
Page 244 and 245:
Select bibliography 229—— ‘Po
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Select bibliography 231Oliphant, L.
Page 248 and 249:
IndexAinu, native people of Hokkaid
Page 250 and 251:
Hokkaido, earlier known as Yezo 113
Page 252:
Tatsuno, Kingo (1854-1919) 78-79Tha
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Japan and Britain After 1859: Creating Cultural Bridges

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