Japan and Britain After 1859: Creating Cultural Bridges

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Japan and Britainafter 1859Creating cultural bridgesOlive Checkland
First published 2003by RoutledgeCurzon11 New Fetter Lane, London EC4P 4EESimultaneously published in the USA and Canadaby RoutledgeCurzon29 West 35th Street, New York, NY 10001This edition published in the Taylor & Francis e-Library, 2003.RoutledgeCurzon is an imprint of the Taylor & Francis Group© 2003 Olive ChecklandAll rights reserved. No part of this book may be reprinted orreproduced or utilised in any form or by any electronic,mechanical, or other means, now known or hereafterinvented, including photocopying and recording, or in anyinformation storage or retrieval system, without permission inwriting from the publishers.The publisher makes no representation, express or implied,with regard to the accuracy of the information contained inthis book and cannot accept any legal responsibility orliability for any errors or omissions that may be made.British Library Cataloguing in Publication DataA catalogue record for this book is available from the British LibraryLibrary of Congress Cataloging in Publication DataCheckland, Olive.Japan and Britain after 1859: creating cultural bridges/OliveCheckland. p.cm. Includes bibliographic references and index.1. Great Britain–Foreign relations–Japan 2. Great Britain–Foreignrelations–20th century 3. Great Britain–Foreign relations–1837–19044. Japan–Foreign relations–Great Britain 5. Great Britain–Relations–Japan 6. Japan–Relations–Great BritainDA47.9.J3 C544 2003303.48’252041’09 2002028447ISBN 0-203-22183-4 Master e-book ISBNISBN 0-203-27634-5 (Adobe eReader Format)ISBN 0–7007–1747–1(Print Edition)
Page 6: ForN.T. and S.T.With affection
Page 9 and 10: viiiContentsPART IIIIn Britain 1099
Page 11 and 12: xIllustrations1.7 Coats 2 61.8 Coat
Page 13 and 14: xiiPrefaceStrenuous efforts were ma
Page 15 and 16: xivPrefaceThe debts incurred in pre
Page 17 and 18: Figure 1.1 Samurai, clumsily dresse
Page 19 and 20: 4 The price of seclusionUnder the g
Page 21 and 22: 6 The price of seclusionFigure 1.6
Page 23 and 24: Figure 1.11 JacketFigure 1.12 Trous
Page 25 and 26: 10 The price of seclusionThe Figure
Page 27 and 28: 12 The price of seclusionto reach n
Page 29 and 30: 2 The Great Exhibition asa cultural
Page 31 and 32: 16 The price of seclusionEmpire. It
Page 33 and 34: 18 The price of seclusionIt was fol
Page 35 and 36: 20 The price of seclusioncreated a
Page 37 and 38: 22 The price of seclusionwho was to
Page 39 and 40: 24 The price of seclusionThe inspir
Page 41 and 42: 26 The price of seclusionIt is wort
Page 43 and 44: 28 The price of seclusion19 Fukuzaw
Page 45 and 46: 30 The price of seclusioneffectivel
Page 47 and 48: 32 The price of seclusionitself sel
Page 49 and 50: 34 The price of seclusionfor it. Ot
Page 51 and 52: 36 The price of seclusionThe Japane
Page 53 and 54:
38 The price of seclusionIt should
Page 55 and 56:
40 The price of seclusionEven if th
Page 59 and 60:
44 The price of seclusionBamboo was
Page 61 and 62:
46 The price of seclusionFigure 4.1
Page 63 and 64:
48 The price of seclusionside, quic
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50 The price of seclusionSeveral of
Page 67 and 68:
52 The price of seclusionThe United
Page 69 and 70:
54 The price of seclusionTable 4.8
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Part IIIn Japan
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60 In JapanThe original store was f
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62 In JapanBooks in English availab
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64 In JapanTable 5.1 continuedFawce
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66 In JapanRedesdale’s Tales of O
Page 83 and 84:
68 In JapanIt may be that the large
Page 85 and 86:
70 In JapanSmith, Adam, An Inquiry
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72 In Japan6 Maruzen Hyakunenshi [1
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74 In Japanall he could about his a
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76 In Japanproduced a mammoth paper
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78 In Japantomb at Okamoto 2-33, Se
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80 In JapanThe house has been descr
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82 In Japana commanding mass of red
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84 In JapanDuring the course of the
Page 101 and 102:
7 Christopher Dresser andindustrial
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88 In JapanCutler also quotes from
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90 In Japanwas the Prince Consort
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92 In JapanAs Dresser reported on h
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94 In Japanwere, for his hosts, hea
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8 Paintings, photographsand printsA
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98 In JapanThere is a sense in whic
Page 115 and 116:
100 In JapanHyakutake Kaneyuki (184
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102 In JapanJapan. East’s paintin
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104 In Japanavailable in Britain, w
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106 In Japandamp sheet of paper. Th
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108 In Japan7 Sato and Watanabe, Ja
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9 Japonisme for allJaponisme 1 has
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Japonisme for all 113bristling with
Page 130 and 131:
Japonisme for all 115many famous pa
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was proud of his Scottish roots, an
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Japonisme for all 119style that bec
Page 136 and 137:
Figure 9.2Duke and Duchess ofConnau
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Japonisme for all 1237 See also W.
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10 Collecting Japanese artFrom the
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Collecting Japanese art 127(1845-19
Page 144 and 145:
James Lord BowesCollecting Japanese
Page 146 and 147:
There can be no doubt of Bowes’s
Page 148 and 149:
Angst and acrimonyCollecting Japane
Page 150 and 151:
Collecting Japanese art 135When I t
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Collecting Japanese art 137Presente
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Collecting Japanese art 13928 Orcha
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Menpes, Hornel, Brangwyn 141During
Page 158 and 159:
members of the burgeoning group of
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Menpes, Hornel, Brangwyn 145althoug
Page 162 and 163:
Menpes, Hornel, Brangwyn 147Figure
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‘It is very cold. Snow lying abou
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Menpes, Hornel, Brangwyn 151Japanes
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which were selling at low prices’
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Menpes, Hornel, Brangwyn 15528 See
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ingly prosperous British public for
Page 174 and 175:
Travel writing about Japan 159publi
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Travel writing about Japan 161other
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The text of over 200 pages was ‘t
Page 180 and 181:
Travel writing about Japan 165illus
Page 182:
Travel writing about Japan 16726 C.
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13 The Japan British Exhibition,Lon
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The Japan British Exhibition, Londo
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Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
orders for Japan, and from the many
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ain in front of and above the ear.
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14 Shopping for JaponoiserieIt was
Page 202 and 203:
Shopping for Japonoiserie 187Japane
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Shopping for Japonoiserie 189rave a
Page 206 and 207:
Shopping for Japonoiserie 191A larg
Page 208 and 209:
Even since I first came to England
Page 210 and 211:
Shopping for Japonoiserie 195potter
Page 212:
Part VFour bridge builders
Page 215 and 216:
200 Four bridge buildersso close an
Page 217 and 218:
202 Four bridge buildersWithin thre
Page 219 and 220:
204 Four bridge buildersfriend and
Page 221 and 222:
206 Four bridge buildersso long as
Page 223 and 224:
208 Four bridge buildersFigure 15.2
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210 Four bridge buildersto him glaz
Page 227 and 228:
212 Four bridge builders30 Hatcher,
Page 229 and 230:
214 Appendix ISuya Kinhei, Vaniquch
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Appendix IIIndustrial art manufactu
Page 233 and 234:
218 Appendix IITokyoJune 1883Yugyok
Page 235 and 236:
220 Appendix IIIPainting (Fine Arts
Page 237 and 238:
222 Appendix III17 titlesW. Heffer
Page 239 and 240:
Select bibliographyThe place of pub
Page 241 and 242:
226 Select bibliographyConant, E.P.
Page 243 and 244:
228 Select bibliographyGlasgow City
Page 245 and 246:
230 Select bibliographyLiberty’s,
Page 247 and 248:
232 Select bibliography—— The C
Page 249 and 250:
234 IndexChinese aesthetics 203Chin
Page 251 and 252:
236 IndexMatsudaira, Baron Masana 1
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