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John Donne An Annotated Bibliography of Modern Criticism 1968 ...

John Donne An Annotated Bibliography of Modern Criticism 1968 ...

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A Bibliograph y <strong>of</strong> <strong>Criticism</strong>range <strong>of</strong> the verse epistle and to illu tratc the difference between <strong>Donne</strong>'sand Dryden's concepts <strong>of</strong> the role <strong>of</strong> the poet in ocieLy. Suggests that,whereas <strong>Donne</strong>'s epistle is colloquial, intimate, and private, Dryden's ismore structurally unified and formal and reflects his notion <strong>of</strong> the poet aspublic spokesman or cultural orator.~~ 9. COOPER, JOHN It The Art <strong>of</strong> The Compleat <strong>An</strong>gler. Durham:Duke University Press. vii, zoop .Comments on Dormes relationship with Izaak \-Valton. Calls "The Baite,"which Walton included in The Compleat <strong>An</strong>gler, " 3 kind <strong>of</strong> piscatorialpastoral <strong>of</strong> Marlowe's 'Come live with me" (p. 61). Suggests that the secondsection <strong>of</strong> Robert Boyle's Occasional Reflections (1665) is reminiscent<strong>of</strong> <strong>Donne</strong>.f.-o!!~ 10. DONNE, JOHN. T he Poems <strong>of</strong> <strong>John</strong> <strong>Donne</strong>. Selected, introduced,and annotated by Frank Kermode. Wooel engravings by Imre Reiner.Cambridge: Printed for the Members <strong>of</strong> The Limited EditionsClub at the University Printing House. xxiv, 198P.Reprinted: lew York: T he Heritage Press. 1970 .First edition limited to 1,500 copies. In the introduction (pp. xi-xxi)Kcrmode presents a brief biographical sketch <strong>of</strong> Donn e and a critical evaluation<strong>of</strong> hi poetry. Maintains that <strong>Donne</strong> created a new poetry, whichwas <strong>of</strong>ten debased by less qualified imitators; comments on certain majorcharacteristics <strong>of</strong> <strong>Donne</strong>'s poetry (blend <strong>of</strong> argument and passion; uses <strong>of</strong>paradox and analogy; wit and obscurity); and claims that it is "one <strong>of</strong> thegreatachievements <strong>of</strong> taste and scholarship over the past century that thepower and colour <strong>of</strong> Don ne's poetry have been restored, and are seen tobe capable <strong>of</strong> an immediate impact on the modern mind " (p. xxi), NoteOil the text (pp. xxiii-xxiv) points 0 111 that the text is based primarily 0 11<strong>John</strong> Hayward's onesuch edition (19 29) but follows Helen Gardners textfor the Elegies and her ordering <strong>of</strong> the Holy Sonnets; occasionally variesfrom Hayward's edition <strong>of</strong> the Songs and Soneis, preferring Cr ierson or.ardner; and accepts Manley's edition <strong>of</strong> The <strong>An</strong>niversaries. Selections.\ ith notes, from the Songs and onets. Epigrams, Elegies, Epithalamions,Sc ryres, Verse Leiters, The <strong>An</strong>1liversaries, and the Divi1le Poems(PI'· 1-1( 1 ). Index <strong>of</strong> titles (pp. 193- (4); index <strong>of</strong> first lines (pp. 195- 9 ).I I. . Selected Poems [and] Death's Duell. celta, introduzionee com mento di Giorgio Melchiori. (Biblioteca italiana di tcstiinglesi, 2.) Terza edizione riveduta e aggiornata. Bari: Adriatica Editricc.283P .Biographical sketch (pp. 11- 2 ), survey <strong>of</strong> historical background (pp.1]-39 ) and <strong>of</strong> the literary background (pp. 39-47). and a critical introductionto Donn e's poetry and its influence (pp. 47-65). Stresses, in particular,<strong>Donne</strong>'s presenta tion <strong>of</strong> interior conflict in highly dramatic con­I Is. hi u.es <strong>of</strong> idiomatic and colloquial language, his metrical originality

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