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John Donne An Annotated Bibliography of Modern Criticism 1968 ...

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Joh II 1 011I!uggc Is that the central. functional paradox in the poem. one that thereader participate in along with the "you" addre ed, i the realization"that by givin up the world' identification <strong>of</strong> eeular love with bla phcrnji a way <strong>of</strong> discovering that love i something more than the ecular worldcould imagine it to be" and that "pr<strong>of</strong>ane love is more than just erosagain,as the secular world imagines" (p. 13). Suggests, however, that thefina l effect <strong>of</strong> the poem i ornewhat unclear: "Perhaps what this mean .that the reader feels that the union described in this essay is a union, aharmony, achieved only through wit and art" (p. 19).V!! ~ 10 . L EA. KATHLE ·N. The Poetic Power <strong>of</strong> Repetition. ( hattertonLecture on an Engli h Poet. Briti h Academy.) Oxford: Oxford 111·vcr 'it Press. 51- 76 p.Reprinted in PBA 55 (197 1): 5 1-76.I iscusses the variety, delicacy, and force <strong>of</strong> the rhetorical device <strong>of</strong> repctitionin English poetry. Mentions <strong>Donne</strong>'s "curious mimicking <strong>of</strong> theslapping <strong>of</strong> sails" (I'. 69) in his verse letter, "T he Stormc." and also mentionsand quotes from Donn e'ssermon on the text "Follow me, and I willmake ou fi 'hers <strong>of</strong> men" "with its fascinating exploitation <strong>of</strong> the logical,connective. and even lyrical effects <strong>of</strong> repetition" (I'. 70).~ ~ 109· L: VIS. F. R. "'I!.ngli h'- nrest and Continuity." T~, 2

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