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John Donne An Annotated Bibliography of Modern Criticism 1968 ...

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01111 <strong>Donne</strong>Preface (pp. v-vi ); contents (p, viii); references and abbreviations (pp.ix- x); introduction: r. The Two Versions (pp. xi- xvii), II. Th e HistoricalSetting (pp. xvii-xxix), Ill. The Satire and the Satirist (pp. xxix-xlii); bibliographicalnotc: r. The Latin Text (pp. xliii-xliv), II. Th e English Text(pp. xlv- xlviii), III. Copies Consulted (pp. xlviii-Ii), IV The Text <strong>of</strong> thiEdition (pp. II- Iii). Latin and L!:nglish texts on facing pages (pp. 1-99),Commentary (pp, 100- 154). Appendix A, "Differences between the TwoTexts" (pp. 1- , - 57); Appendix B. "A l ate on Sources" (pp. 158- 67):Appendix C. "<strong>Donne</strong>'s Collaboration with Thoma s Morton" (pp. 168­73): Appendix D, "A <strong>Donne</strong> Discovery' (P. G. Stanwood's discovery <strong>of</strong>aLatin poem on Ignatius in the Hunter manuscript collection in the Library<strong>of</strong> Durham Cathedral) (pp, 174-75). The introduction traces thebibliographical history <strong>of</strong> the Latin and lJ:nglish versions and commentson stylistic features <strong>of</strong> both. Also outlines the historical context and commenton the satirical argument <strong>of</strong> the treatise. Extensive notes and commentary.t$) 80. . Poems, by f. D. with elegies on theauthors death (1633).Menston, Eng.: Th e Scalar Press. [13].406p .Reprinted: 1970. Reprinted: Hilclesheim and 1 ew York: Georg Olmser lag, 1974.Fac:imile reprint <strong>of</strong> the first collected edition <strong>of</strong> <strong>Donne</strong>'s poems (Londun:<strong>John</strong> Marriot, 1633) with original title page. Reproduced in originalsize from copy ill the Bri tish Library, shelfmark C . 1 I..p 5 (STC 704 5).~ 81. DURAND. L,\U({A C. "Sponde and <strong>Donne</strong>: Lens and Prism." CL21 : 319-36.Contrasts <strong>Donne</strong> and Jean de Sponde to show that. in spite <strong>of</strong> thosecritics who persist in seeing Sponde as a "<strong>Donne</strong> manque" (p. 319), thetwo poets arc fundamentally unlike and that the difference "is not one <strong>of</strong>degree but one <strong>of</strong> essence" (p. 336). Comments 011 the religious, love.and death poetry <strong>of</strong> each to show that there is "a great dissimilarity inattitude, in range <strong>of</strong> thought and association, in the kind <strong>of</strong> poetic organizationgiven to the matter dealt with" (pp. 329- 30). Points out thaI<strong>Donne</strong>'s poetry is highly figurative. filled with conceits, witty. and cornplex.It is "richer in variety <strong>of</strong> mood. tone, image, point <strong>of</strong> view" (p. 36)than Spondes verse, which is much less complex and lacks metaphysicalconceits and wit.~{) 82 . FIELDING, EDWINA. "[olin <strong>Donne</strong> and the New Christianity." Thelontl) .p: 194-202.Comments on <strong>Donne</strong>'s conversion from Catholicism to <strong>An</strong>glicanismand suggests that many <strong>of</strong> his writings, especially the <strong>An</strong>niversaries, showthat he continued to have, even after his conversion. a great respect andlove for many aspects <strong>of</strong> the Roman Church.

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