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Download the pdf of issue 10 - The Glasgow School of Art

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FlOW ISSUE <strong>10</strong>1 <strong>The</strong> Digital <strong>Art</strong> <strong>School</strong>Courtesy <strong>of</strong> <strong>The</strong> <strong>Glasgow</strong> <strong>School</strong><strong>of</strong> <strong>Art</strong>’s Digital Design Studio2 City Buddy in actionCraig Smith3 Atlantic RestaurantDigital Design Studio>BRIEFINGClydebank rebuiltDigital Design Studio studentsare designing a speciallycommissioned 3Drepresentation <strong>of</strong> Clydebank’sJohn Brown Shipyard as part <strong>of</strong><strong>the</strong> Clydebank Rebuiltpreservation project.Visitors to <strong>the</strong> £175,000exhibition will be able toobserve <strong>the</strong> digital recreation<strong>of</strong> <strong>the</strong> famous shipyard from<strong>the</strong> top <strong>of</strong> one <strong>of</strong> <strong>the</strong> fewremaining relics <strong>of</strong> Clydebank’sshipbuilding industry – a 120foot Titan Crane – depicting<strong>the</strong> yard as it was when <strong>the</strong>QE2 was built and tens <strong>of</strong>thousands <strong>of</strong> workers wereemployed in Clydebank’sshipyards.<strong>The</strong> students will use oldphotographs <strong>of</strong> <strong>the</strong> yard toreconstruct photo-realcomputer images and a3D geographical overlay <strong>of</strong>where <strong>the</strong> John Brown yardused to be.Potting from <strong>Glasgow</strong>to AfghanistanThird year Ceramic Designstudent, Ester Svensson, istaking a year out to work ona ceramics project with <strong>the</strong>Turquoise MountainFoundation in Afghanistan.Ester will contribute to <strong>the</strong>regeneration <strong>of</strong> Kabul’s historiccommercial centre byproviding basic services,training local students, savinghistoric buildings andconstructing a new bazaarand galleries for traditionalcraft businesses.Freehand is a cutabove <strong>the</strong> restSurgeons at Canniesburnplastic surgery unit haveenlisted <strong>the</strong> help <strong>of</strong> visitingFirst Year Product Design andContinuing Education tutor,Cynthia Bowles.Consultant Plastic,TaimurShoaib, explained,“We <strong>of</strong>tendraw as part <strong>of</strong> our work andI think all plastic surgeonsshould have an element <strong>of</strong>artistic skill.“What I now see are shadowsand where <strong>the</strong> light falls on<strong>the</strong> face. Obviously when <strong>the</strong>person is lying on <strong>the</strong> operatingtable <strong>the</strong> light is falling directlyon <strong>the</strong> nose but when <strong>the</strong>y’restanding up <strong>the</strong>re’s light fallingon different places.”GS≤A NEWS1Mackintosh Building – open for <strong>of</strong>fers!<strong>The</strong> Digital Mackintosh Adopt a Brick campaign raised over £11,000 in its first week, with new sales racking up by <strong>the</strong> day.<strong>The</strong> specially designed Digital <strong>Art</strong> <strong>School</strong> – selected as Adobe Site-<strong>of</strong>-<strong>the</strong>-Day for its ‘strong visual design, superiorfunctionality and innovative use <strong>of</strong> Adobe products’ – was developed by <strong>the</strong> GSA’s Digital Design Studio to raise additional fundsfor <strong>the</strong> Mackintosh Conservation and Access Project.Virtual segments <strong>of</strong> <strong>the</strong> building are now being sold online to donors whowish to be associated with specific parts <strong>of</strong> <strong>the</strong> building.Using a click to donate process, donations can be made quickly and safely online.<strong>The</strong> Campaigns Team will <strong>the</strong>n personallyrespond with an email and and e-certificate acknowledging each gift.Donors’ names will be listed on <strong>the</strong> website for <strong>the</strong> duration <strong>of</strong> <strong>the</strong> project and will be displayed in <strong>the</strong> new InterpretationCentre alongside <strong>the</strong> Bellahouston Bequest Fund – <strong>the</strong> trust which provided <strong>the</strong> funding for <strong>the</strong> original building – <strong>the</strong> HughFraser Foundation, <strong>the</strong> Monument Trust, <strong>the</strong> Gannochy Trust, <strong>Glasgow</strong> City Council, Historic Scotland, Scottish Enterprise, <strong>the</strong>Garfield Weston Foundation, <strong>the</strong> Dean <strong>of</strong> Guild Court Trust and <strong>the</strong> European Regional Development Fund.<strong>The</strong> cost <strong>of</strong> <strong>the</strong> Mackintosh conservation work is just over £8.6 million and so far <strong>the</strong> campaigns team has raised animpressive £7.5 million with support from <strong>the</strong> Heritage Lottery Fund, Historic Scotland, Scottish Enterprise <strong>Glasgow</strong>, <strong>Glasgow</strong>City Council and generous private donors.You can adopt your own piece <strong>of</strong> <strong>the</strong> building at www.digitalmackintosh.co.uk.2 3RSA design directionsProduct Design Engineering MEng student, Craig Smith,was joint winner in <strong>the</strong> Streets Ahead category <strong>of</strong> <strong>the</strong> RSADesign Directions competition.<strong>The</strong> Competition challenges young designers toconsider how <strong>the</strong>ir future pr<strong>of</strong>essional responsibilities canhave a meaningful effect on business, public services andwider societal and ethical concerns.Worn around <strong>the</strong> wrist, Craig’s discreet City Buddy helpsblind and partially-sighted users to navigate and interactwith <strong>the</strong> urban environment using a small RFID (RadioFrequency Identification) chip.<strong>The</strong> City Buddy is activated by a signal emitted by <strong>the</strong>road crossing.<strong>The</strong> user can <strong>the</strong>n remotely operate <strong>the</strong>crossing before being notified when it is safe to cross bya combination <strong>of</strong> audio and vibration feedback.Empire Exhibition lives on 3D<strong>The</strong> Digital Design Studio are putting <strong>the</strong> finishing touchesto a 3D, photo realistic recreation <strong>of</strong> a world-famousarchitectural landscape from <strong>Glasgow</strong>'s past as part <strong>of</strong> a£146,000 research project.<strong>The</strong> 3D version <strong>of</strong> <strong>the</strong> famous Empire Exhibition willrecreate <strong>the</strong> original show <strong>of</strong> 150 buildings which attractedcrowds <strong>of</strong> over 12.5m to Bellahouston Park over six monthsin 1938.<strong>The</strong> 21st century recreation will be on show at <strong>the</strong>House for an <strong>Art</strong> Lover in Bellahouston Park where visitorscan view <strong>the</strong> attraction in a dedicated interpretation roomwhich will double as an education suite for <strong>Glasgow</strong>’sschools.It will also be available online as a major website.>BRIEFINGAlumnus awardedroyal distinctionIan Callum (Industrial Design,1977) has recently beenawarded <strong>the</strong> distinction <strong>of</strong>‘Royal Designer for Industry’by <strong>the</strong> RSA for ‘sustainedexcellence in aes<strong>the</strong>tic andefficient design for industry’.Only 200 designers mayhold <strong>the</strong> distinction at anytime and it is regarded as <strong>the</strong>highest honour to be obtainedin <strong>the</strong> UK in <strong>the</strong> field <strong>of</strong>Industrial Design.Ian, Director <strong>of</strong> Design atJaguar, is acknowledged asone <strong>of</strong> <strong>the</strong> world's leadingautomotive designers and iscurrently working on <strong>the</strong> nextgeneration <strong>of</strong> Jaguar products.This is <strong>the</strong> second award forIan Callum in <strong>the</strong> last year whoalso received <strong>the</strong> Jim ClarkMemorial Award, given by<strong>the</strong> Association <strong>of</strong> ScottishMotoring Writers.Maturation <strong>of</strong> MEDes<strong>The</strong> establishment <strong>of</strong> <strong>the</strong>Masters <strong>of</strong> European Design(MEDes) as one <strong>of</strong> Europe’sleading international designprogrammes was underlinedthis year as <strong>the</strong> inter-schoolworkshop returned to <strong>the</strong> GSA,seven years after its launch at<strong>the</strong> <strong>School</strong> in 2000.Students studying <strong>the</strong>five-year MEDes participatein two year-long exchangesat one <strong>of</strong> <strong>the</strong> seven memberinstitutions and each yearone <strong>of</strong> <strong>the</strong> <strong>School</strong>s is selectedas <strong>the</strong> ‘host’, where all <strong>of</strong> <strong>the</strong>students ga<strong>the</strong>r for a groupworkshop in <strong>the</strong> spring.After being held at sevendifferent workshops aroundEurope – <strong>the</strong> GSA; UIAH,Helsinki; Politecnico de Milano;Les Ateliers, Paris; Stuttgart;Koln and Konstfack, Stockholm– it was fitting that <strong>the</strong> GSA,<strong>the</strong> original host and drivingforce behind <strong>the</strong> MEDes, was<strong>the</strong> location for <strong>the</strong> newiteration.<strong>The</strong> 2007 project, Excess,introduced students – throughlectures, workshops and cityexploration – to <strong>the</strong> <strong>the</strong>me<strong>of</strong> excess with studentspresenting a design responseto alter this particular aspect<strong>of</strong> <strong>the</strong> city.6NEWS

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