microphones 2008SANKEN MICROPHONESSanken Microphones isbased in Tokyo and hasfocused on producingsimple original condenserand dynamic microphonedesigns for studio,broadcast, and live usesince 1926.www.sanken-mic.comSCHERTLERSchertler started life in theearly 1980s in Switzerlandwith the goal of providinga solution to producing afaithful reproduction ofacoustic string instruments.Schertler now has awell-established andcomprehensive range ofcontact microphones for across section of acousticstring instruments.www.schertler.comSCHOEPSFounded in 1948 by DrSchoeps, the companyhas specialised in thedesign and manufactureof high quality condensermicrophones for over half acentury. The Schoeps rangeis now an extensive one withcondenser solutions forall manner of studio,broadcast, live, and locationscenarios, as well assurround applications.www.schoeps.deSD SYSTEMSA group of sax playersdecided to try to solve theproblem of a sax playerbeing able to project overthe sound of the band theywere in without restrictingmovement on stage. In 1981SD Systems was born withthe bell-mounted solutionthat they developed, theLCM85.The SD Systemsmicrophone range nowencompasses mini andcontact microphones for awide range of instruments.www.sdsystems.comSE ELECTRONICSThe origins ofSE Electronicsare with MrSiwei Zou, aclassical musician fromShanghai. Through years ofeducation and experiencein both China and the US,his designs were eventuallydeveloped back in Shanghaiwhere in 2003, SE Electronicproducts were launched inEurope. The microphoneproduct line includestube, ribbon, modular andconventional microphones.www.seelectronics.comSENNHEISERSennheiser has beendelivering top of the linepro audio for more than50 years, with much of thebackbone of many studios’microphone cabinets,whether it be music,broadcast, post, live, orlocation. Sennheiser hasa microphone range than istruly diverse covering everynook and cranny ofthe industry.www.sennheiser.co.ukSHUREFounded in Chicagoby Sidney Shurein 1925 sellingradio parts, Shureproduced theirfirst microphonein 1932 and havenot looked back. They nowhave a collection of wiredand wireless microphonesincluding the SM58, whichhas just celebrated its40 th birthday.www.shure.comSONOTRIM LAVALIERSNew York based SonotrimLavaliers produces a lowprofile electret condenserlavalier and a numberof mounting and poweraccessories.www.posthorn.comSONTRONICSDesigned and developedin the UK and hand craftedin Shanghai, Sontronicsproduce uncompromisinghigh performancemicrophones at affordableprices. The range includesthe distinctive condenser,tube, and ribbon designs.www.sontronics.comSONYSony has a long history whenit comes to microphones andhas produced a few classicsin their time both old andnew. The current rangereflects Sony’s continuedinvolvement in all proaudio arenas.www.sonybiz.netSOUNDFIELDBased inthe UK andformed in 1993,<strong>Sound</strong>fieldLimited manufacturesand continues to developits unique multi capsuletetrahedral design for bothenhanced stereo and multichannelapplications.www.soundfield.comSOUNDKINGThe <strong>Sound</strong>king Group Ltdof China specialises in theresearch and developmentof a variety of products inpro audio. In the microphonecategory, it has a wide rangeof mic types and kits.www.soundking.comSOUNDMANHeadquartered in Berlinand founded in 2001,<strong>Sound</strong>man have developedthe OKM dummy headmicrophone. An electretcondenser microphone foruse in live, voice, and otherenvironmental recordingapplications.www.soundman.deSTUDIO PROJECTSInconjunctionwith partnercompany797 <strong>Audio</strong>, US-based StudioProjects looks to providea quality general purposemicrophone product withGerman type build standardsat a fraction of the cost. Therange includes a variety ofcondenser microphonesincluding the ISD2 stereocondenser.www.studioprojectsusa.comSYMPHOTECGerman companySymphotec set aboutdesigning a microphonespecifically for the purposeof producing a better, morefaithful, reproduction oforchestral and concert hallpresentations. This resultedin the Symphotec OrchestralManagement System.www.symphotec.deT.H.EBased in Connecticut, TaylorHohendahl Engineeringproduces beautifully craftedmicrophones designedby Andy Hohendahl. Therange includes referencecondensers, modular mics,and a binaural sphere.www.theaudio.comTRAM LAVALIERSTRAM manufacturers thefamous TR-50 lavalieromni-directional mic, whichcomes with a huge rangeof accessories for manydifferent configurationsand mountings.www.tram-usa.comTRANTECBased in London andrunning now for over adecade, Trantec was formedby Steve Baker, Dave Binksand Terry Maybe, whodeveloped and subsequentlyspecialised in wireless micsolutions. Trantec nowsupply to broadcast andtheatre clients. The Trantecrange includes the SD7000digital wireless.www.trantec.co.ukTRINNOV AUDIOLocated in France Trinnov<strong>Audio</strong> specialises in thedigital processing of acousticfields. Trinnov has producedthe SRP Surround array ofmicrophones, based on abreakthrough special highresolution technology.www.trinnov.comVIOLET DESIGNViolet has beendeveloping andmanufacturing inLatvia since 2003,where it produces arange of distinctiveand colourfulmicrophones – acombination of tube,solid-state, large and smalldiaphragm condensers.www.violet-design.comVOICE TECHNOLOGIESVoice Technologies is basedin Zurich, and are focusedon mics for use in broadcast,theatre, film, video, andconference applications.A range of miniaturelavaliers and headsetmicrophones are available.www.voicetechnologies.netWUNDER AUDIOStarting back in 1999,Wunder <strong>Audio</strong> has comefrom refurbishing vintageequipment to producingproducts that give a big nodto past classics. Wunderproduces handmadetransformers for all of itsproducts including a rangeof high-end tube mics.www.wunderaudio.comXXL INSIDEFounded in 1990 in Florence,XXL supplied technicalservices to some of thetop names in the audiosector before venturinginto production. XXL hasbeen involved in pro audioacross the board, and themicrophone collectionincludes studio condenserand dynamic, miniaturelavalier, and headsetmicrophones.www.xxlinside.comZAXCOMKnown primarily for itsDeva location recorders anddigital wireless systems,Zaxcom recently introducedthe ZFR800 handheld digitalrecording mic to the fieldrecording and broadcastjournalism markets.www.zaxcom.comTHE INTERNATIONAL MICROPHONE BUYER’S GUIDE 39
Microphone BasicsThe foundation of good microphone practice is technical knowledge. Blažo Guzinaprovides a run-down of the basics for anybody just getting to grips with the wibbly bits...Microphones have different overall physicaland electrical characteristics and areclassifiable into three main groups, basedon the physical principle of converting soundinto an electrical signal: electrodynamic coil,electrodynamic ribbon, and electrostatic (orcondenser) microphones.Dynamic MicrophoneThe electrodynamic moving-coil microphonehas a coil of finely wrapped wire preciselysuspended between the poles of a magnetand attached to a diaphragm. <strong>Sound</strong>wavesdrive the diaphragm, which vibrates ina high-level magnetic field. In the coil,this movement induces a voltage, whichcorresponds to the sound pressure.Dynamic microphones are very ruggedand handle high sound pressures withoutoverloading. They are reliable and virtuallynever distort the sound signal. They areinsensitive to extreme heat, cold, and highair humidity. Dynamic microphones canusually withstand extreme environmentalconditions such as temperatures from-25°C to +70°C.Ribbon MicrophoneThe electrodynamic ribbon mic has a thinmetal foil in the form of a corrugated ribbonsuspended in a magnetic field. <strong>Sound</strong>pressure variations displace the diaphragm,in which an electrical current is induceddepending on the amplitude and frequencyof sound. Due to the short length of theribbon compared to the moving coil, itsoutput electrical impedance is less than 1 Ω.This resistance is too low to directly connectto the microphone input of a mixing deskor recorder, so a step-up transformer isneeded to increase the impedance up to the150Ω to 600Ω range.Due to constructional improvements,modern ribbon mics are suitable for outdoorand handheld use. They are prized for theirwarm, smooth, yet delicate sound quality.Condenser MicrophoneThe electrostatic (condenser) microphoneuses a transducer element consisting of avibrating diaphragm (very thin foil) and afixed metal plate (back electrode).These two electrodes make up acondenser (capacitor) charged by anexternally applied voltage (polarizationvoltage) or carrying its own permanentelectrical charge, as with an electretmicrophone.When soundwaves vibrate thediaphragm, the capacitance of thecondenser changes simultaneously, thusproducing an output voltage that varies withthe intensity and frequency of the sound.Condenser microphones usually have aflat frequency response, high sensitivity andgood ability to follow sudden, percussivesound events immediately. This is describedas good transient response.Condenser microphones require animpedance converter in the form of apreamplifier to match the very high outputimpedance to low impedance microphoneinputs. This amplifier fits within the bodyof the microphone in order to prevent hum,noise pickup and the losses of the signallevel due to the length of the circuit from thediaphragm to the amplifier.Phantom PowerCondenser microphones need a DCsupply voltage. Except for battery operatedmicrophones, the voltage usually comesthrough the microphone cable. The positive(+) side of a DC voltage connects to bothsignal wires of a balanced line and thenegative (ñ) side to the cable screen.An exception is the electret condensermicrophone. This type of microphone hasthe polarizing charge stored permanentlywithin the diaphragm or on the backplate.No external power is required to charge thediaphragm.Polar PatternsApart from the basic differences in thephysical principle of operation, the mainfactor that influences the choice of amicrophone is its polar pattern.Polar pattern, also known also aspolar response, is a chart that graphicallyrepresents microphone sensitivity withrespect to the direction of soundwavesarriving at its membrane.A chart is usually plotted in the form ofa 360° polar diagram, with the on-axis 0°direction clearly marked. It is possible toclassify microphones into two main groups,based on their directional characteristics:non-directional and directionalmicrophones.In principle, a non-directionalmicrophone is a pressure-operatedelectroacoustic transducer. Its response toacoustic sound pressure is omnidirectional,meaning that the diaphragm reacts equallyto all soundwaves arriving at its surface,regardless of their direction.A typical example of a directionalmicrophone is a pressure-gradienttransducer. This type has a bidirectional(or figure-of-eight) polar diagram. Thismeans the microphone reacts to differencesin pressure between the two sides of adiaphragm.Ribbon microphones are the mostcommon type with a bidirectional polarresponse. A metal ribbon diaphragm isequally sensitive to soundwaves arrivingfrom front and rear axes.All other known directional patternsare obtainable as a result of a combinationof the aforementioned two main polarpattern types. The number of variations ispractically unlimited.When the outputs of an omnidirectional(pressure) and bidirectional (pressuregradient)pickup pattern are combined, thebest known resulting polar responses thatare obtainable are cardioid, supercardioid,and hypercardioid. Their common name isunidirectional microphones.A unidirectional microphone is mostsensitive to soundwaves arriving from onedirection, in front of the microphone, butsoftens sounds from the sides or rear.The cardioid microphone is sensitive tosounds from a broad angle in front of themicrophone. Generally, it is about 6dB lesssensitive at the sides, at 90° and 270°, and15 to 25dB less sensitive to the rear.40 microphone basics