Prism Sound Orpheus - Audio Media

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AUDIO-FOR-VIDEO • BROADCAST • INTERNET AUDIO • LIVE SOUND • MULTIMEDIA • POST PRODUCTION • RECORDINGAUDIOMEDIATHE INTERNATIONALBUYER’S GUIDET HE WORLD’S LEADING PROFESSIONAL AUDIO TECHNOLOGY MAGAZINEA SPECIAL PROMOTIONAL PUBLICATION FROM THE NEWBAY MEDIA GROUPMICROPHONES2008PRODUCED BYAUDIO MEDIAIn association with:
Unlimited<strong>Sound</strong>QualityD 5DynamicVocalMicrophoneD 5 – LESS FEEDBACKLaminate Varimotion capsule deliverssignificantly more gain-before-feedbackthan any other mic in its class.C 5CondenserVocalMicrophoneC 5 – STUDIO-LIKE CLARITYPatented condenser capsule deliverslegendary AKG studio-quality sound,now on stage.Aerosmith‘sSteven Tylerusing his customizedAKG WMS 4000wireless with theD 5 capsuleWIRED & WIRELESSADV 666 / 1 / E
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AUDIO-FOR-VIDEO • BROADCAST • I
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AMSR AMSRAMSRcontentsI S S U E 2 1
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The complete packageGroove ArmadaKa
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ecording newsstreaming news @ www.a
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post newsstreaming news @ www.audio
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oadcast newsNEW PRODUCTMinnetonka A
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Sarah and broadcaster Bob Jonescatc
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NUENDO LIVE
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Presented bywww.munro.co.ukEastlake
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For The RecordSound EffectsIt’s f
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the emotions of the player in a way
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ambience, a diesel engine at severa
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www.solid-state-logic.comGive your
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NIGEL PALMER picks upa surprising t
Page 34 and 35: PRESENTED BY:The Sound of Entertain
Page 36 and 37: FaithControl Imagine there was a pr
Page 38: Inputs 1 and 2 have an M+S decode m
Page 41 and 42: Anything You Want,You Got ItCREAM O
Page 43 and 44: other creative areas within the bui
Page 45 and 46: Back for another go aroundthe upgra
Page 47: TheMagicof MerlinForIndependentsPRo
Page 50 and 51: of the new deals that you see, like
Page 52 and 53: the two input channels together in
Page 54 and 55: For simpler systems, swappable sepa
Page 57 and 58: SOLID STATE LOGICPRO-CONVERT V5AUDI
Page 60 and 61: SSL>platforms and all incoming sess
Page 62 and 63: FIREWIRE AUDIO INTERFACES PRODUCT S
Page 64 and 65: EDIROL PORTABLE FIELD RECORDERSNEW
Page 66 and 67: video guide A Sound Pro’s Guide T
Page 68 and 69: TOURING • INSTALLATION • THEATR
Page 70 and 71: www.audiomedia.comSennheiser Clearl
Page 73 and 74: 05|08AMSRNeed a quality mixer for s
Page 75 and 76: 05|08AMSRProfessional Audio... Pers
Page 77 and 78: 05|08AMSRINTERPOLLIVEMARK DAVIE tak
Page 79 and 80: 05|08AMSR>HZ: Exactly. They’ve af
Page 81 and 82: AUDIO MEDIA CLASSIFIEDAngela Brown
Page 83: BOOK FILE: LogicIS/Gre8TLogic Pro 8
Page 89 and 90: ++orchestra + + + + orchestra+ + +
Page 91 and 92: ++APPLICATIONS + + + + APPLICATIONS
Page 93: ++audio technica + + + + audio tech
Page 96 and 97: microphones 2008UDIX+ + + + AUDIX+
Page 98 and 99: microphones 2008+ + BEYERDYNAMIC+ +
Page 100 and 101: microphones 2008PA++++DPA++++DPA+++
Page 102 and 103: microphones 2008+++JZ++++JZ++++JZ++
Page 104 and 105: microphones 2008-AUDIO+ + + + M-AUD
Page 106 and 107: microphones 2008h Gefell+ + + + Mic
Page 108 and 109: microphones 2008+ + NEUMANN+ + + +
Page 110 and 111: microphones 2008CROPHONES+ + + + R
Page 112 and 113: microphones 2008+SE+++SE+++SE+++SE+
Page 114 and 115: microphones 2008+ + SHURE+ + + + SH
Page 116 and 117: microphones 2008DFIELD+ + + + SOUND
Page 118 and 119: microphones 2008CTS+ + + + STUDIO P
Page 120 and 121: microphones 2008+ + VIOLET+ + + + V
Page 122 and 123: microphones 2008CAD MICROPHONESCAD
Page 124 and 125: microphones 2008SANKEN MICROPHONESS
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