AG's annual report 2009 - Kitchener-Waterloo Art Gallery
AG's annual report 2009 - Kitchener-Waterloo Art Gallery
AG's annual report 2009 - Kitchener-Waterloo Art Gallery
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SITE OF<br />
EXCHANGE<br />
Annual Report <strong>2009</strong>
MISSION<br />
CONNECTING PEOPLE AND<br />
VISION<br />
THE KITCHENER-WATERLO<br />
WHERE ART IS THE CATAL<br />
EXPERIENCE, DIALOGUE A<br />
ROOTS IN THE COMMUNIT
IDEAS THROUGH ART.<br />
O ART GALLERY:<br />
YST FOR SHARED<br />
ND IMAGINATION.<br />
Y, EYES ON THE WORLD.
PRESIDENT’S<br />
REPORT<br />
President’s Report<br />
Site of exchange is a theme that reflects this<br />
year’s activities and one that is fundamental to<br />
the <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong>’s mission of<br />
Connecting people and ideas through art.<br />
In <strong>2009</strong>, we engaged a diverse range of stakeholders<br />
in the development of the <strong>Gallery</strong>’s 2010 – 2014<br />
Strategic Plan. Forty <strong>Gallery</strong> staff, board members,<br />
volunteers, artists, partners and supporters<br />
participated in a 3-day planning workshop in the<br />
spring and a further day in the fall of <strong>2009</strong>. We are<br />
very grateful for this group’s insight and commitment<br />
to the planning process. Their inspired discussion<br />
about the <strong>Gallery</strong>’s future truly revealed KW|AG to<br />
be a site of exchange.<br />
As part of our planning process, we also evaluated our<br />
facilities in Centre In The Square in light of our current<br />
and future program needs. Facility improvement<br />
planning will involve significant exchange of ideas<br />
about our site as we look at how we can serve the<br />
community in the most dynamic and exciting ways<br />
through our programs and collaboration with Centre<br />
In The Square and in the Civic District in which we<br />
are situated.<br />
KW|AG benefits from the contributions of many<br />
outstanding people and organizations. Skilled<br />
expertise and innovative ideas characterize the work<br />
of the <strong>Gallery</strong>’s staff led by Alf Bogusky and senior<br />
staff members Crystal Mowry, Caroline Oliver, Shelly<br />
Mitchell and Agnieszka Chalas. Dedicated volunteers<br />
contribute to the <strong>Gallery</strong>’s Board of Directors,<br />
committees and programs. KW|AG receives<br />
generous support from the Cities of <strong>Kitchener</strong> and<br />
<strong>Waterloo</strong>, the Canada Council, Ontario <strong>Art</strong>s Council,<br />
The <strong>Kitchener</strong> and <strong>Waterloo</strong> Community Foundation,<br />
the Ontario Trillium Foundation, and the Canadian<br />
<strong>Art</strong>s and Heritage Sustainability Program. Their<br />
support, combined with the generosity of members,<br />
donors, and corporate sponsors makes KW|AG’s<br />
programming possible. We are very grateful for<br />
the enthusiasm, confidence and resources invested<br />
in KW|AG by so many entities. My sincere thanks,<br />
to each of you, for your role in making KW|AG an<br />
exciting site of exchange.<br />
Judith Stephens-Wells<br />
President
DIRECTOR’S<br />
REPORT<br />
The <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong> is a resource<br />
enabling people to build empathy, intellectual and<br />
social capital through the exchange of ideas and experience.<br />
We do this in a stimulating environment characterized<br />
by openness, curiosity, respect, trust, tolerance<br />
and supportive accommodation. At KW|AG, we<br />
aim to connect people and ideas through art.<br />
In <strong>2009</strong>, we made every effort to be a site of<br />
exchange, producing and showcasing 12 exhibitions<br />
which featured 25 artists (14 from the KW region)<br />
while touring Will Gorlitz’s nowhere if not here exhibition<br />
nationally. Serving approximately 32 000 visitors<br />
<strong>annual</strong>ly, it’s clear that this aim of the <strong>Gallery</strong> is<br />
being well met.<br />
Community partners of the past year include the<br />
Visual <strong>Art</strong>s Alliance (Get Off on <strong>Art</strong>); CAFKA (Janice<br />
Kerbel exhibition); Open Ears and the <strong>Art</strong> <strong>Gallery</strong><br />
of Ontario (Janet Cardiff installation); Macdonald<br />
Stewart <strong>Art</strong> Centre (publication of Gorlitz project);<br />
Perimeter Institute (Shirin Neshat and Janine<br />
Antoni lectures); Goethe Institut and the Institut<br />
für Auslandsbeziehungen (Building Berlin); the<br />
Prosperity Council Task Force on Creative Enterprise;<br />
Civic District Masterplan Committee; and the Alliance<br />
for a Grand Community.<br />
Other <strong>2009</strong> highlights include the appointment of a<br />
new Curator of Exhibitions and Collections, Crystal<br />
Mowry, whose personal mission and style are conso-<br />
nant with these ideas. Her wealth of curatorial experience,<br />
aligned with her passion as an artist, mean we<br />
have a lot to look forward to in coming years. We also<br />
launched a new web site whose design and content<br />
were built around this theme of ideas exchange.<br />
Two strategic planning sessions involved exchanging<br />
ideas with invited key community members,<br />
KW|AG’s staff, and Board of Directors to inform and<br />
inspire KW|AG’s future direction.<br />
I would like to express my gratitude to each member<br />
of the Board, especially to Board President Judith<br />
Stephens-Wells, who has provided excellent leadership<br />
and guidance through our planning phase.<br />
Thank you to KW|AG staff for their passion and innovative<br />
exchange of ideas which keeps the <strong>Gallery</strong>’s<br />
programming fresh and vibrant. Thank you also<br />
to our donors, sponsors and Director’s Circle and<br />
Curator’s Circle members, whose generous support<br />
is essential to our success.<br />
Alf Bogusky<br />
Director General<br />
Director’s Report<br />
02
CURATORIAL<br />
REPORT
KW|AG’s curatorial programming always begins as a<br />
conversation or exchange of ideas. These conversations<br />
begin just about anywhere (the gallery spaces,<br />
outside, virtually) and with just about anyone (our<br />
colleagues, artists, families, visitors). The most<br />
rewarding conversations are the ones that evolve<br />
from serendipitous beginnings into projects that<br />
inspire engagement from a wider audience.<br />
Exchange is a sequence: In May <strong>2009</strong>, KW|AG’s<br />
Curatorial and Collections Consultant of 7 years,<br />
Allan MacKay, left the <strong>Gallery</strong> to pursue his own<br />
artistic processes. I was fortunate to have assisted<br />
Allan for four years before assuming the position of<br />
Curator of Collections and Exhibitions. As a mentor,<br />
Allan taught me to leave room for the unexpected;<br />
in essence, to leave room for someone or something<br />
else to contribute to our conversations. Under his<br />
direction, curatorial activity championed the idea of<br />
stories that unfold over time. In <strong>2009</strong>, artists Susan<br />
Coolen and Andrew Wright contributed the 6th and<br />
7th instalments of our Parochial Views series of<br />
commissions. These works join the <strong>Gallery</strong>’s permanent<br />
collection for future generations to contemplate<br />
and enjoy.<br />
Exchange is a dialogue: <strong>2009</strong> was particularly rich for<br />
exhibitions that shone a light on how a shared locale<br />
informs our sense of identity, collective memory and<br />
sense of agency. New projects under the aegis of our<br />
River Grand Chronicles series explored communication<br />
within our regional landscape. Whether assuming<br />
the role of collector and interpreter of individual<br />
narratives (Phil Irish) or crafting a taxonomy<br />
equivalent to an alphabet (Susan Coolen), a desire<br />
to connect and communicate is always a part of the<br />
artist’s role. Part of our role as curatorial staff is to<br />
cultivate and highlight the kind of dialogue that can<br />
happen between individual artworks. Our <strong>2009</strong> exhibition<br />
program included several group exhibitions<br />
that addressed site as its curatorial thesis. Some Kind<br />
of Wonderful: The 4th KW|AG Biennial, guest curated<br />
by Nancy Campbell, assembled work by 11 regional<br />
artists transforming our main gallery into a site of<br />
wonder. ANTHEM: Perspectives on Home and Native<br />
Land, circulated by Carleton University <strong>Art</strong> <strong>Gallery</strong>,<br />
Ottawa explored diverse forms of nationhood that<br />
make the concept of national accord complex.<br />
Exchange is an action: <strong>2009</strong> was an exceptional year<br />
for bringing the world to our region. Bringing together<br />
11 Berlin-based artists from around the world,<br />
Building Berlin focused on individual artists who<br />
have helped cultivate the German capital’s dynamic<br />
art scene. Our <strong>Art</strong> Talks, presented in partnership<br />
with the Perimeter Institute, continued to bring<br />
international artists to the region, with Janine Antoni<br />
and Shirin Neshat presenting their work followed by<br />
interviews with Robert Enright in Border Crossings.<br />
<strong>2009</strong> also marked a shift in how we involved the<br />
community in meaningful conversations via art.<br />
KW|AG partnered with Wilfrid Laurier University’s<br />
Community Service Learning students for an interactive<br />
project engaging the public in conversation<br />
about the <strong>Gallery</strong>’s exhibitions. Look for more information<br />
on how this partnership unfolded in next<br />
year’s Annual Report. Other conversations with<br />
exhibiting artists were captured in interviews posted<br />
on our web site and in our exhibition catalogues.<br />
Exchange is putting one thing in the place of another:<br />
To be a site of exchange is to recognize that partnerships<br />
amplify and extend the boundaries of our artistic<br />
programming. nowhere if not here, a survey exhibition<br />
of work by Guelph-based artist Will Gorlitz,<br />
opened in fall 2008 and travelled to the <strong>Art</strong> <strong>Gallery</strong><br />
of Nova Scotia and Macdonald Stewart <strong>Art</strong> Centre<br />
(Guelph). The importance of Will’s work resonates in<br />
the comprehensive exhibition catalogue, published<br />
in partnership with Wilfrid Laurier University Press.<br />
KW|AG’s partnerships with arts organizations such as<br />
CAFKA and Open Ears were celebrated in exhibitions<br />
of work by Janice Kerbel and Janet Cardiff (on loan<br />
from the <strong>Art</strong> <strong>Gallery</strong> of Ontario), each programmed<br />
in conversation with the themes of these biennial<br />
events.<br />
Crystal Mowry<br />
Curator of Exhibitions<br />
and Collections<br />
Curatorial Report<br />
04
00<br />
<strong>2009</strong><br />
EXHIBITIONS
September 19, 2008 – September 11, <strong>2009</strong><br />
Wild Things: A Bestiary Assembled From KW|AG’s Permanent Collection<br />
Curated by Crystal Mowry and Cindy Wayvon (KW|AG)<br />
Through domestication, scientific study, and even anthropomorphic efforts, we feel we understand<br />
animals; yet, the unique reality of the animal experience still remains outside of our knowledge. Selected<br />
works used hybrid animal/human imagery, explorations of animal physiognomy and absence to suggest<br />
the unknown that permeates our relationship with all living creatures.<br />
Gordon Rayner, Where Have We Been? Where are We Going?, 1988, acrylic on canvas and wood. <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong>,<br />
Gift of Mr. Irving Zucker, 1993.<br />
06
07<br />
Clockwise from top left: KC Adams, Cyborg Hybrid Candice (curator) “SCALPING IS IN MY BLOOD” and Cyborg Hybrid David<br />
(actor) “SAVAGE”, 2005, digital prints. Eric Robertson, Untitled (detail), 2007, aluminium, cable, paint, Collection of the<br />
artist. Shirley Moorhouse, The Brass Ring, 2004, black stroud, fur, beads, hide, metal, found materials, silk, rayon, wool,<br />
nylon. Collection of the artist. Robertson and Moorhouse photos: David Barbour. All images courtesy of the artist and<br />
Carleton University <strong>Art</strong> <strong>Gallery</strong>. Opposite page: Installation view of Expressions 34. Photo: Robert McNair.
January 15, <strong>2009</strong> – March 22, <strong>2009</strong><br />
ANTHEM: Perspectives on Home and Native Land<br />
Cynthia Girard, Alisdair MacRae, FASTWÜRMS, Shirley Moorhouse, Dana Inkster, KC Adams,<br />
and Eric Robertson. Curated by Ryan Rice, Organized by Carleton University <strong>Art</strong> <strong>Gallery</strong>, Ottawa<br />
ANTHEM: Perspectives on Home and Native Land featured the work of artists from across Canada who<br />
identified varying forms of nationhood that serve or detract from the concept of a national accord. <strong>Art</strong>ists<br />
from various backgrounds – Aboriginal, Métis, White (Anglophone and Francophone), and African-<br />
Canadian – consult their personal and communal selves to address forms of sovereignty that they express<br />
responsively as their anthem.<br />
March 28, <strong>2009</strong> – May 3, <strong>2009</strong><br />
Expressions 34 and Re-mix<br />
Please see the Education and Public Programs Report for exhibition details.<br />
April 2, <strong>2009</strong> – May 3, <strong>2009</strong><br />
Janet Cardiff: Whispering Room<br />
Co-presented by the Open Ears Festival, Courtesy of the <strong>Art</strong> <strong>Gallery</strong> of Ontario<br />
As part of the <strong>2009</strong> Open Ears Festival of Music and Sound, KW|AG was pleased to host an installation<br />
by Janet Cardiff. Whispering Room was a multimedia installation featuring sixteen speakers, each playing<br />
dialogue by a female describing a particular event from various viewpoints. As listeners moved through<br />
the gallery space, the story they heard changed. Each segment gently pulled the listener in a different<br />
direction, shuffling them between the past and the future and implicating the psychology of different<br />
modes of communication. The hushed voices were interrupted by a brief film projection of a girl tap<br />
dancing in the forest. This seemingly random interruption was both mysterious and familiar, a fitting<br />
analogy for the haunting voice that moved throughout a forest of speakers in the <strong>Gallery</strong> space.<br />
<strong>2009</strong> Exhibitions<br />
08
09<br />
May 15, <strong>2009</strong> – July 5, <strong>2009</strong><br />
Phil Irish: Watershed River Grand Chronicles #6<br />
Elora based Phil Irish premiered a new series of paintings which explored turning points in people’s lives in relation<br />
to their experiences along the Grand River. Irish incorporated hand-drawn maps created by a diverse group<br />
of people, and visited and documented the physical sites described by the maps. During this process, he sometimes<br />
noticed a discrepancy between his experience and the hand-drawn maps of his collaborators. These differing<br />
points of view were manifest in a collision between representation and abstraction within a single work.<br />
Susan Coolen: Grand Shadows River Grand Chronicles #7<br />
This multimedia installation combined photographic light works, image projections and video works incorporating<br />
imagery drawn from Coolen’s on-going expeditions to the Grand River during the four seasons. Much of<br />
Coolen’s work begins with the act of collecting (and sometimes mummifying) specimens, found objects, flotsam<br />
and other detritus of daily life. As an initial means of responding to these items, Coolen turned to her interests in<br />
natural history, the museum and astronomy, and their links to the history of photography.<br />
Catherine Paleczny: Sumus Quod Sumus<br />
Though her practice is rooted in ceramics, Paleczny’s work often suggests the archeological remnants of past<br />
civilizations, swarms and flocks of organisms. Using traditional hand-building techniques, Paleczny crafted each<br />
object as an individual form before integrating them into a collective. The swarms in Sumus Quod Sumus spoke of<br />
movement, repetition, spatial tension, and our constant search for order and belonging in the world around us.<br />
Above image: Phil Irish, Contain and Release, <strong>2009</strong>, oil on panel. Opposite from top: Catherine Paleczny, Untitled (detail), 2008, stoneware.<br />
Susan Coolen, Grand Shadows Series No. 1, <strong>2009</strong>, DVD projection. All images courtesy of the artist.
11<br />
Clockwise from top left: Janet Morton, installation view of Ionic<br />
with Zippers (detail), <strong>2009</strong>, hand knit with zippers and buttons.<br />
Photo: Robert McNair. Ehryn Torrell, Apartment, <strong>2009</strong>, acrylic on<br />
canvas. Shane Krepakevich, San Giorgio’s Floor Remembered in<br />
Plywood, <strong>2009</strong>, plywood. Scott Everingham, Continual Down, 2008,<br />
oil on canvas. All Images courtesy of the artist. Opposite: Claude<br />
Tousignant, Cercle Latin, 1969, acrylic on canvas. <strong>Kitchener</strong>-<strong>Waterloo</strong><br />
<strong>Art</strong> <strong>Gallery</strong>, Gift of Mr. Gerhardt Kastner, 1992. Image courtesy of<br />
the artist and KW|AG.
July 15, <strong>2009</strong> – September 11, <strong>2009</strong><br />
Some Kind of Wonderful: The 4th KW|AG Biennial<br />
David Blatherwick, Josh Cleminson, Patricia Deadman, Susan Dobson, Scott Everingham,<br />
Ann Marie Hadcock, Shane Krepakavich, Gareth Lichty, Eileen Mac<strong>Art</strong>hur, Janet Morton,<br />
and Ehryn Torrell. Curated by Nancy Campbell. Presented in co-operation with the <strong>Kitchener</strong>-<br />
<strong>Waterloo</strong> Society of <strong>Art</strong>ists<br />
This celebration of our region’s artists alluded to the idea that there can be many kinds of wonderful.<br />
Wonder can refer to a sublime, awe-inspiring quality of beauty, and it can refer to an active inquiry. From<br />
woven garden hose, to fibre bonfires, to a recreation of a chapel floor from memory, the works in this<br />
exhibition challenged pre-conceived notions of materiality and presentation, while asking us to reinvent<br />
what and how we see.<br />
Claude Tousignant: In Perpetuity<br />
This intimately scaled exhibition featured four works by Tousignant from KW|AG’s own collection.<br />
Identifiable for his strategic use of hard edge processes and minimalist elegance, Tousignant’s experiments<br />
with colour and shape eschew spontaneity in favour of geometric precision. His recognizable<br />
“target” or “gong” paintings of concentric rings on circular canvases, later followed by his monochromes,<br />
are among the most dynamic and persistent images in modern Canadian art.<br />
12
13<br />
<strong>2009</strong> Exhibitions<br />
September 18, <strong>2009</strong> – January 23, 2010<br />
Building Berlin<br />
Nevin Aladag, Daniela Brahm, Rui Calçada Bastos, Jesko Fezer and Axel Wieder,<br />
Pia Fuchs (German ID of Patricia Reed), Ingo Gerken, Thom Kubli, Lars Ramberg,<br />
Karin Sander, and Daniel Seiple. Curated by Germaine Koh.<br />
Building Berlin merged KW|AG’s interest in local and global activity in contemporary art. The exhibition<br />
featured the work of artists, all based in Berlin, who were chosen to participate in the exhibition because<br />
of their involvement in shaping the city’s current art scene. The exhibition featured painting, new media,<br />
sculpture, and installation. The exhibition also included Tear Down This Fence, a participatory project,<br />
conceived by Daniel Seiple, which brought together the border residents of <strong>Kitchener</strong> and <strong>Waterloo</strong>.<br />
Janice Kerbel<br />
Singularly Significant series in concert with CAFKA, Contemporary <strong>Art</strong> Forum | <strong>Kitchener</strong> & Area<br />
As a complement to CAFKA’s <strong>2009</strong> theme of Veracity, KW|AG was pleased to present the work of UK-based<br />
Canadian artist Janice Kerbel. Kerbel’s exhibition included Remarkable, a series of prints reminiscent<br />
of fairground posters that announced the spectacular feats of improbable beings. Also included was<br />
Underwood, a series of four fictional love letters, one for each season, rendered in a typeface designed<br />
to mimic a faulty typewriter.
September 18, <strong>2009</strong> – August 29, 2010<br />
Being Magnified: Heroes and Villains from KW|AG’s Permanent Collection<br />
Curated by Cindy Wayvon, KW|AG<br />
Featuring works from KW|AG’s permanent collection, Being Magnified took the visitor through a “Hero’s<br />
Journey”, where each artwork explored a stage of self-exploration, growth, or triumph. Through select<br />
paintings, prints and drawings, the exhibition delineated the path to heroism or self-actualization, magnifying<br />
moments of curiosity, struggle, and strength all in pursuit of an empowered existence.<br />
Opposite page, top to bottom: Daniela Brahm, installation view of Proclamation Wall and Proclamation Posters, <strong>2009</strong>.<br />
Karin Sander, German Women’s National Soccer Team 1:10, 2005, (Pool of players in 2005, World Champion 2003, European<br />
champion 2005, World Champion 2007) 3D body scans of the living persons, FDM (Fused Deposition Modeling), rapid prototyping,<br />
ABS (Acryl-Butadien-Nitryl-Styrol), airbrush, 28 figures. Courtesy the artist. Brahm and Sander photos: Robert McNair.<br />
Above: Janice Kerbel, Remarkable: The Temparmental Barometric Contortionist, 2007, silkscreen print on campaign poster paper.<br />
Image courtesy the artist, Karin Guenther <strong>Gallery</strong>. Hamburg and greengrassi, London.<br />
14
15<br />
ARTIST &<br />
CURATOR TALKS<br />
KW|AG Talks:<br />
Ryan Rice<br />
(Curator of ANTHEM)<br />
FASTWÜRMS<br />
Phil Irish<br />
Nancy Campbell<br />
(Curator the 4th KW|AG Biennial)<br />
Germaine Koh<br />
(Curator of Building Berlin)<br />
Sun Life Financial <strong>Art</strong> Talks:<br />
In 2005, KW|AG and the Perimeter Institute formed a<br />
partnership to bring cutting edge visual art presentations<br />
by distinguished artists and cultural figures to<br />
<strong>Waterloo</strong> Region. The commitment to the world of<br />
ideas shared by both institutions, and the desire to<br />
see art as part of the constellation of contemporary<br />
discussion was the basis for this new partnership.<br />
Each presentation was hosted by Robert Enright in<br />
a lecture and interview format. Enright has a distinguished<br />
career as a writer, University of Guelph<br />
Professor, and Senior Contributing Editor of Border<br />
Crossings magazine.<br />
Shirin Neshat, January 21<br />
Shirin Neshat, the Iranian-born photographer and<br />
filmmaker, shared her hypnotic visual allegories of<br />
exile, power and violence before treating the audience<br />
to a preview of scenes from her latest film titled<br />
Women without Men.<br />
Janine Antoni, May 13<br />
Janine Antoni, the Barbados-born multimedia artist,<br />
provided a generous tour through her practice focusing<br />
largely on nurturing and sustenance, and what we<br />
need to do as humans to stay alive, physically<br />
and emotionally.<br />
Images from top: Janine Antoni speaking at the Perimeter<br />
Institute. Phil Irish speaking at KW|AG. Photos: Matt Dupuis
PUBLICATIONS &<br />
COMMISSIONED TEXTS<br />
Some Kind of Wonderful: The 4th KW|AG Biennial (online)<br />
ISBN: 978-1-897543-05-4<br />
Text by Nancy Campbell and the featured artists<br />
Will Gorlitz: nowhere if not here (print)<br />
ISBN: 978-1-55458-049-1 Co-published by Wilfrid Laurier University Press<br />
and the <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong><br />
Texts by Bruce Ferguson, Peggy Gale, Jeffery Spalding, and David Urban<br />
Catherine Paleczny: Sumus Quod Sumus (online)<br />
ISBN: 978-1-897543-04-7<br />
Text by Shelley Thomas<br />
Building Berlin (online)<br />
ISBN 978-1-897543-06-1<br />
Texts by Germaine Koh, Markus Miessen and Magnus Nilsson<br />
16
Permanent Collection Report<br />
PERMANENT<br />
COLLECTION<br />
REPORT<br />
The permanent collection was a focal point for<br />
exchange in <strong>2009</strong>. The art storage vaults were<br />
opened to Fine <strong>Art</strong>s students from the University of<br />
<strong>Waterloo</strong>, allowing them to examine diverse techniques<br />
and media, and gain a better understanding<br />
of why artwork is collected. Quite different from a<br />
curated exhibition, the purely coincidental placement<br />
of artwork in the vaults results in random<br />
juxtapositions and unexpected relationships among<br />
the works. This randomness provides an opportunity<br />
for students to engage in the artwork in a unique<br />
context.<br />
Animation of the collection was also taken in a<br />
new direction through the initiative of local artists.<br />
Mary Catherine Newcomb and Isabella Stefanescu<br />
developed a whimsical project called ‘The KW|AG<br />
<strong>Art</strong> Nuns’, a parody of BBC’s Sister Wendy Beckett.<br />
Dressed as nuns, they created short videos providing<br />
witty commentary and interpretation for various<br />
historical works. Tarin Hughes, a recent graduate<br />
of the UW’s Fine <strong>Art</strong>s program and KW|AG docent,<br />
utilized the collection to develop an online exhibition<br />
for the AGO’s Collection X website, a site designed<br />
for encouraging exchange between community<br />
members and arts organizations. Stay tuned for links<br />
to the <strong>Art</strong> Nun videos and Tarin’s Collection X project<br />
on our website in 2010.<br />
The corridor exhibition, Being Magnified: Heroes<br />
and Villains from KW|AG’s Permanent Collection,<br />
was curated with narrative in mind, using artwork<br />
to illustrate the fundamental structure of storytelling.<br />
Local conservator Jesse-Alan MacDonald volunteered<br />
his services to restore Walter Bachinski’s Fury<br />
sculpture. <strong>Gallery</strong> visitors may have noted a steady<br />
improvement to the condition of the sculpture as<br />
Jesse’s treatments were completed. After consulting<br />
the artist, rust was removed, plaster chips were<br />
filled in, and paint loss was restored, returning the<br />
sculpture to its original condition.<br />
Two photographs were accessioned into the collection<br />
this year, keeping with our intention of collecting<br />
modestly until storage expansion is possible. Shelley<br />
Niro’s River Spirit and Return to Life were created for<br />
the frontispiece exhibition River Grand Chronicles in<br />
2004. They were taken at the edge of the Six Nations<br />
Reserve and reflect the artist’s relationship with the<br />
river as a place of solitude and strength. After a five<br />
year moratorium, these works along with 6 acquisitions<br />
from late 2008, were on display during an open<br />
house celebrating KW|AG’s return to collecting.<br />
Cindy Wayvon<br />
Registrar
Clockwise from top left: Shelley Niro, Return to Life, 2004, photograph. <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong>, Gift of the <strong>Art</strong>ist, <strong>2009</strong>.<br />
Shelley Niro, River Spirit, 2004, photograph. <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong>, Gift of the <strong>Art</strong>ist, <strong>2009</strong>. ‘The KW|AG <strong>Art</strong> Nuns’ video<br />
shoot. Photo: Cindy Wayvon.<br />
18
PUBLIC PROGRAMS &<br />
EDUCATION REPORT<br />
Public Programs & Education Report<br />
The <strong>Kitchener</strong>-<strong>Waterloo</strong> <strong>Art</strong> <strong>Gallery</strong> embraces lifelong<br />
learning. We seek to connect to as broad an<br />
audience as possible through first-class programs<br />
designed to engage new and existing audiences with<br />
contemporary art, ideas, and visual culture in relevant<br />
and enriching ways.<br />
In <strong>2009</strong>, the Public Programs and Education<br />
Department enhanced existing programs in significant<br />
ways and laid the groundwork for a number of<br />
new programming initiatives with particular emphasis<br />
on community engagement and a commitment to<br />
diversity.<br />
School-Based Programs<br />
Think <strong>Art</strong><br />
Think <strong>Art</strong>, our series of art appreciation workshops,<br />
uses critical thinking activities to enrich students’<br />
understanding of art and create connections to<br />
other subject areas. Workshops prepare students for<br />
a visit to the gallery and are available for grades K-2,<br />
3-4, 5-6, and 7-8. Based on the popularity of Think<br />
<strong>Art</strong>, we plan to launch three new workshops in early<br />
2010 to reflect every grade at the elementary level.<br />
Teacher Kit Workshops<br />
and Evenings for Educators<br />
Launched in 2007 and using artwork from KW|AG’s<br />
permanent collection, these workshops offer information<br />
on artists and artworks, discussion questions<br />
for the classroom, and hands-on artmaking sessions<br />
using simple materials available at all schools.<br />
With resource links, extension ideas, and curriculum<br />
connections, these workshops are a popular<br />
program for local teachers. This year’s workshops<br />
included introductory sessions on illustration and<br />
pastel techniques.<br />
Expressions 34: A Celebration of<br />
Student <strong>Art</strong> from <strong>Waterloo</strong> Region<br />
and Re-mix<br />
Expressions 34 celebrated the artistic achievements<br />
of young people in our community and considered<br />
the themes of House + Home, Flora + Fauna, You + Me<br />
and Bits + Bites, encouraging discussions about identity,<br />
home, memories, society and the environment.<br />
Student artwork was exhibited alongside professional<br />
artists’ work from KW|AG’s permanent collection<br />
to illustrate common interests and perspectives<br />
within each theme. Interpretive activities further<br />
engaged children in deepening their understandings<br />
of the themes presented and encouraged them<br />
to make connections to their own work and that of<br />
their peers.<br />
Re-mix <strong>2009</strong> featured artwork by students who<br />
participated in Tour and Studio workshops during<br />
the winter <strong>2009</strong> exhibition season. Responding to<br />
the themes presented in ANTHEM: Perspectives on<br />
Home and Native land, students created personalized<br />
flags that explored cultural identity and the<br />
complexities inherent in defining a nation.<br />
Education <strong>Gallery</strong><br />
This year, we launched an education gallery in the<br />
downstairs corridor outside the entrance of the<br />
studio to serve as a teaching resource for artisteducators<br />
during studio-based programs. The<br />
gallery features 20 artworks from the permanent<br />
collection selected to showcase exemplary skill in<br />
drawing, painting, printmaking, and sculpture and<br />
includes artists such as Stanley Lewis, Jane Buyers,<br />
and Elizabeth Eastman.
Public Programs<br />
Adult Workshops<br />
Launched in 2008, Adult Workshops are ideal for<br />
those interested in trying new techniques and media.<br />
These 3 hour sessions are taught by leading regional<br />
artists and include art supplies. Workshops this year<br />
included Oil Painting, Glass Fusing, Electro-Etching,<br />
Papermaking, Encaustic Painting, and Letters Text<br />
and Type. Based on their success, we plan to double<br />
the number of adult workshops we are offering in<br />
2010.<br />
KWS Partnership and afterpARTy<br />
This year we partnered with the <strong>Kitchener</strong>-<strong>Waterloo</strong><br />
Symphony to provide programming events related<br />
to both the Signature and Family Concert series.<br />
Pre-registered KWS Family Concert attendees were<br />
invited to drop in to the <strong>Gallery</strong> to participate in<br />
artmaking activities related to concert themes.<br />
KWS Signature concert goers were invited to join<br />
Conductor Edwin Outwater and KWS musicians for<br />
two afterpARTy events at KW|AG where they enjoyed<br />
a tour and reception following the concert.<br />
Future Direction<br />
Going forward, we will endeavour to raise the<br />
profile and activities of the Education Department<br />
by increasing our use of technology to engage visitors<br />
and promoting effective educational collaborations<br />
and partnerships both within and beyond the<br />
<strong>Gallery</strong>.<br />
Agnieszka Chalas<br />
Interim Director of<br />
Public Programs & Education<br />
Images from top: <strong>Art</strong>ist Catherine Paleczny talks to her students<br />
from St. John’s-Kilmarnock School about her exhibition Sumus<br />
Quod Sumus during a class visit to the <strong>Gallery</strong>. Photo: Adrian<br />
Hoad - Reddick. Steph Caskenette, As Corrosion Sets Into the<br />
Base of My Mind, 2007, Eastwood Collegiate Institute, Grade 12<br />
in 2007/08, wood burning and watercolour. Photo: K J Bedford.<br />
One of many outdoor activities part of KW|AG’s Summer <strong>Art</strong><br />
Program. Photo: Matt Dupuis.<br />
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DEVELOPMENT &<br />
MARKETING REPORT<br />
Development & Marketing Report<br />
A key milestone in <strong>2009</strong> was the launch of a new<br />
<strong>Gallery</strong> website with greater functionality and a<br />
dramatic new design focusing on KW|AG as a site of<br />
exchange for ideas. New content and videos provide<br />
insight into our exhibitions. Feedback forms and<br />
surveys create opportunities for the further exchange<br />
of ideas. Several extranet sites also provide forums<br />
for sharing information with Board members, staff,<br />
key donors and volunteers.<br />
Online registrations are now handled very efficiently,<br />
and an online donations module links directly<br />
to a new database, making it easier for patrons to<br />
support their local <strong>Gallery</strong>. At the same time, the<br />
system helps streamline the <strong>Gallery</strong>’s administrative<br />
processes.<br />
A long-time goal of improving visitor amenities<br />
at KW|AG was realized in <strong>2009</strong> with the development<br />
of the HUB, our new community lounge. The<br />
HUB includes comfortable seating, a flat screen<br />
video monitor, reading materials and two computers<br />
that provide access to the permanent collection<br />
database. The collection is a treasured community<br />
resource and KW|AG is pleased to share it with the<br />
community. The <strong>Gallery</strong> is especially grateful to The<br />
<strong>Kitchener</strong> and <strong>Waterloo</strong> Community Foundation’s<br />
Community Fund, The Erb & Good Family Funeral<br />
Home Community Fund held at The <strong>Kitchener</strong> and<br />
<strong>Waterloo</strong> Community Foundation, the Rotary Club of<br />
<strong>Kitchener</strong>-Conestoga, the Rotary Club of <strong>Waterloo</strong>,<br />
the Rotary Club of <strong>Kitchener</strong>, the Lion’s Club of<br />
<strong>Kitchener</strong>, and the J.P. Bickell Foundation for making<br />
the HUB project possible.<br />
This year’s Black & Gold Gala, held on October 22 at<br />
the Holiday Inn in <strong>Kitchener</strong>, was expertly chaired by<br />
volunteer extraordinaire Sharon Morton. This signature<br />
event has become a site of exchange and a lively<br />
social event. Proceeds in <strong>2009</strong> exceeded budget<br />
and expectations by netting $60,045 in support of<br />
<strong>Gallery</strong> programming and operations.<br />
A new partnership with Beechwood Travel and Cruise<br />
led to the renewal of a once-thriving KW|AG activity:<br />
art tours. In July, an enthusiastic group of art lovers<br />
traveled to Chicago to visit celebrated art treasures.<br />
The success of this fundraising venture has led to<br />
planning for additional tours in the future. Special<br />
thanks to Tony Lewis are extended for his leadership<br />
on this project.<br />
Curator’s Circle and Director’s Circle members are<br />
offered enriched opportunities for exchanging<br />
ideas through special events. In <strong>2009</strong>, they had an<br />
opportunity to hear Allan Harding MacKay, (March<br />
12); exhibiting artists Susan Coolen, Phil Irish and<br />
Catherine Paleczny (May 27); and Germaine Koh<br />
(September 16). The year concluded with a discussion<br />
by filmmaker Gail Singer (November 25).<br />
Development staff worked with the Offord Group to<br />
develop a planned gifts program in preparation for<br />
the launch of a new campaign. New Dimensions in<br />
<strong>Art</strong> outlines the <strong>Gallery</strong>’s aspirations for the future,<br />
driven by a vision of KW|AG as a source for ideas and<br />
creativity at the individual, group and community<br />
level.<br />
Making art accessible is one of our operating principles,<br />
so it was with particular pleasure that we<br />
welcomed Sun Life Financial as the <strong>Gallery</strong>’s Free<br />
Admissions Sponsor for the <strong>2009</strong>-2010 season.<br />
Thanks to their support, there are no financial<br />
impediments that might prevent members of our<br />
community from making art a part of their lives.<br />
Caroline Oliver<br />
Director of Development<br />
and Marketing
Clockwise from top left: Guests update their silent auction bidding sheets at the <strong>2009</strong> Black and Gold Gala. Allan MacKay, Curatorial &<br />
Collections Consultant, shares his creative process with members of the Director’s and Curator’s Circle groups. KW|AG’s <strong>Art</strong> Lovers trip to<br />
Chicago included a visit to Anish Kapoor’s iconic Cloud Gate sculpture. The HUB resource lounge offers videos, reading materials and access to<br />
the permanent collection. Photo by Robert McNair. KW|AG Sponsors wall. Black and Gold Gala <strong>2009</strong> RBC cheque presentation, from left to right:<br />
John Wolfe, Elaine Kors, Rick Weiss with Judith Stephens-Wells and Alf Bogusky. Photo: Matt Dupuis.<br />
22
TREASURER’S<br />
REPORT
Many partners support the significant and varied<br />
activities of KW|AG. The cities of <strong>Kitchener</strong> and<br />
<strong>Waterloo</strong> provide the core funding so necessary for<br />
the <strong>Gallery</strong>’s operations. In <strong>2009</strong>, approximately 26%<br />
of revenue came from these two municipalities. <strong>Art</strong>s<br />
organizations, such as the Ontario <strong>Art</strong>s Council and<br />
the Canada Council for the <strong>Art</strong>s, also provide significant<br />
funding so necessary to our operations.<br />
KW|AG also relies heavily on support from the local<br />
community. Like many individuals and organizations<br />
in our community, the <strong>Gallery</strong> has been impacted<br />
by the economic downturn. In <strong>2009</strong>, we received<br />
over $380,000 of funding from individuals, foundations<br />
and corporations. This amount is less than was<br />
received in previous years resulting in the <strong>Gallery</strong><br />
incurring a deficit, before accounting for bequests of<br />
$54,728.<br />
In <strong>2009</strong>, KW|AG received a significant bequest from<br />
the Estate of Paul Valentine Schnarr. This gift was<br />
a vital contribution to the <strong>Gallery</strong> at a time when<br />
the funding was most needed. The community<br />
will benefit from this bequest for years to come.<br />
The bequest strengthened our balance sheet at<br />
December 31, <strong>2009</strong> as our unrestricted deficit was<br />
reduced to $101,700. The cash on hand of $169,560<br />
at December 31, <strong>2009</strong> is comprised primarily of<br />
program funding received in advance.<br />
The KW|AG Endowment Fund is an important part<br />
of the long-term financial plan of the organization<br />
and our goal of secure and consistent funding of<br />
operations. Our locally managed endowment fund<br />
provides significant memorial and remembrance<br />
tributes, and we also participate in the Ontario <strong>Art</strong>s<br />
Foundation matching grants program.<br />
In <strong>2009</strong>, the market value of our locally managed<br />
endowment fund increased by more than $50,000<br />
to $430,543.<br />
KW|AG is committed to ensuring a financially secure<br />
future, but it must receive strong financial support<br />
from all of its partners, the cities of <strong>Kitchener</strong> and<br />
<strong>Waterloo</strong>, arts agencies, individuals, corporations<br />
and foundations. Each funding source is critical for<br />
KW|AG to continue its exciting work which is so<br />
important to our community.<br />
Jim Stinson<br />
Treasurer / Secretary<br />
Shelly Mitchell<br />
Manager of Finance &<br />
Administration<br />
Treasurer’s Report<br />
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150 Pinebush Road, P.O. Box 880, Cambridge, Ontario NIR 5X9<br />
p: 519.623.1870 f: 519.623.9490<br />
26
BOARD OF<br />
DIRECTORS &<br />
COMMITTEES
President<br />
Judith Stephens-Wells (from May 26)<br />
Peggy Jarvie (to May 26)<br />
VP, Finance & Treasurer<br />
Jim Stinson<br />
VP, Development<br />
Michael Doughty<br />
Past President<br />
Peggy Jarvie (from May 26)<br />
Tom Mennill (to May 26)<br />
Board Members<br />
Carmen Austin (to Jan 20)<br />
Jane Buyers<br />
Joseph Fung (from May 26)<br />
J. Jamieson K. Martin<br />
Ian McLean<br />
Dwayne Priestman<br />
Baldev Raj<br />
Rita Ross (from May 26)<br />
Rick Weiss<br />
Christina Weylie<br />
Executive Committee<br />
Judith Stephens-Wells - Chair (from May 26)<br />
Peggy Jarvie - Chair (to May 26)<br />
Michael Doughty<br />
Thomas E. Mennill (May 26)<br />
Jim Stinson<br />
Finance Committee<br />
Jim Stinson -Chair<br />
Peggy Jarvie (to May 26)<br />
Baldev Raj<br />
Judith Stephens-Wells<br />
Christina Weylie<br />
Development Committee<br />
Dwayne Priestman - Chair (from Oct 20)<br />
Michael Doughty - Chair (to Oct 20)<br />
Carmen Austin (to Jan 20)<br />
Joseph Fung (from May 26)<br />
Peggy Jarvie (to May 26)<br />
Eleanor Mueller<br />
Caroline Oliver<br />
Judith Stephens-Wells (from May 26)<br />
Rita Ross (from May 26)<br />
Endowment Fund Management<br />
Jim Stinson - Chair (from Oct 20)<br />
Michael Doughty - Chair (to Oct 20)<br />
Peggy Jarvie<br />
J. Jamieson K. Martin<br />
Shelly Mitchell<br />
David Paleczny<br />
Ken Rae<br />
Baldev Raj<br />
Permanent Collection Committee<br />
Jane Buyers - Chair<br />
J. Michael Carty<br />
Oonagh Fitzpatrick<br />
Saul Herzog<br />
Allan MacKay (to April)<br />
Crystal Mowry (from April)<br />
Mendel Somer<br />
Isabella Stefanescu<br />
Cindy Wayvon<br />
Facilities Task Force<br />
Judith Stephens-Wells - Chair<br />
Jane Buyers<br />
Roger Farwell<br />
Caroline Oliver<br />
Cindy Wayvon<br />
Rick Weiss<br />
Nominations Committee<br />
Peggy Jarvie - Chair<br />
Alf Bogusky<br />
Caroline Oliver<br />
Judith Stephens-Wells<br />
Rick Weiss<br />
* Director General, Alf Bogusky,<br />
is Ex-Officio on all committees<br />
From left to right: Alf Bogusky (Director<br />
General), Rick Weiss, Ian McLean, Christina<br />
Weylie, Judith Stephens-Wells, Rita Ross,<br />
Jane Buyers, Dwayne Priestman,<br />
Peggy Jarvie, Jim Stinson, Baldev Raj.<br />
Unavailable for photo: Michael Doughty,<br />
Joseph Fung, J. Jamieson K. Martin<br />
Photo: Matt Dupuis.<br />
00
GALLERY STAFF<br />
EDUCATORS &<br />
DOCENTS
Director General<br />
Alfred M. Bogusky<br />
Curatorial & Collections Consultant<br />
Allan MacKay (to May)<br />
Curator of Exhibitions and Collections<br />
Crystal Mowry (from May)<br />
Director of Public Programs & Education<br />
Tasha Ethelston (on leave Sept <strong>2009</strong> to<br />
Sept 2010)<br />
Interim Director of Public Programs<br />
& Education<br />
Agnieszka Chalas (Sept <strong>2009</strong> to Sept 2010)<br />
Director of Development & Marketing<br />
Caroline Oliver<br />
Manager Finance & Administration<br />
Shelly Mitchell<br />
Development Associate<br />
Eleanor Mueller<br />
Marketing Coordinator<br />
Katrina Jennifer Bedford (to Jan)<br />
Communications Coordinator<br />
Tracy Smith<br />
Graphic Design Coordinator<br />
Matt Dupuis (from Feb)<br />
Development & Marketing Assistant<br />
Stephen Radbourn<br />
Assistant Curator<br />
Crystal Mowry (to May)<br />
Curatorial Assistant/Registrar<br />
Cindy Wayvon<br />
Curatorial Assistant<br />
Barb Hobot (from Sept)<br />
Preparator<br />
Amy Roger<br />
Public Programs Coordinator<br />
Jill Klepacki (to Aug)<br />
Alexandra Krueger (from Aug)<br />
School Programs Coordinator<br />
Katherine Sunday (to Feb)<br />
Cristin Osborne (from Feb)<br />
Community <strong>Art</strong>ist Facilitators<br />
Mosa Neshamá McNeilly (to Mar)<br />
Visitors Services Assistant<br />
Crystal Ellis (from Dec)<br />
Meghan Schnarr (to Oct)<br />
<strong>Gallery</strong> Attendants<br />
Mindy Alexander (to May)<br />
Ketri S. Grise<br />
Sarah Kernohan<br />
Terrina Reitzel<br />
Contract <strong>Art</strong>ists/Educators<br />
Mindy Alexander<br />
Tarin Hughes<br />
Stephen Lavigne<br />
Mosa Neshamá McNeilly<br />
Cristin Osborne<br />
Amy Roger<br />
Sheila Macdonald Roberts<br />
Meghan Schnarr<br />
Katherine Sunday<br />
Arlene Thomas<br />
Karoline Varin-Jarkowski<br />
Studio Assistants<br />
Holly A. Giroux<br />
Ketri S. Grise<br />
Jocelyn Grubb<br />
Docents<br />
Mindy Alexander<br />
Christine Ball<br />
Barbara Campbell<br />
Maria Chong<br />
Marg Feldgajer<br />
Tarin Hughes<br />
Sarah Kernohan<br />
Stephen Lavigne<br />
Pat Lockyer<br />
Jane St. Amour Raymond<br />
Adrienne Richter<br />
Amy Roger<br />
Katherine Sunday<br />
Exhibition Installation Crew<br />
Mindy Alexander<br />
Christine Ball<br />
Tim Barker<br />
Joe Becker<br />
Matt Blaskiovits<br />
Maria Chong<br />
Lauren Hall<br />
Sarah Kernohan<br />
Gareth Lichty<br />
Eileen Mac<strong>Art</strong>hur<br />
Nicole Mitchell<br />
Ian Newton<br />
James Olley<br />
Mark Resmer<br />
Amy Roger<br />
Lee Roger<br />
Cindy Wayvon<br />
Contract Designers<br />
Darren Dugan<br />
Scott Lee<br />
Contract Photographer<br />
Robert McNair<br />
38
<strong>2009</strong><br />
GALLERY<br />
SPONSORS &<br />
DONORS
This list acknowledges contributions from<br />
supporters whose financial contributions were received<br />
and receipted by the <strong>Gallery</strong> during the fiscal year<br />
January 1, <strong>2009</strong> through December 31, <strong>2009</strong>.<br />
Funding Organizations and Foundations<br />
Brush With <strong>Art</strong><br />
Canada Council for the <strong>Art</strong>s<br />
Canadian Heritage<br />
City of <strong>Kitchener</strong><br />
City of <strong>Waterloo</strong><br />
Government of Canada, Summer Career<br />
Placements Initiative<br />
Ontario <strong>Art</strong>s Council<br />
Ontario <strong>Art</strong>s Council Compass Grant<br />
Ontario <strong>Art</strong>s Foundation, <strong>Art</strong>s Education<br />
Partnership Initiative (supported by Ontario<br />
Ministry of Education and Ontario Ministry<br />
of Culture)<br />
RBC Foundation<br />
The Frank Cowan Foundation<br />
The <strong>Kitchener</strong> and <strong>Waterloo</strong> Community<br />
Foundation – Community Fund<br />
The <strong>Kitchener</strong> and <strong>Waterloo</strong> Community<br />
Foundation (The <strong>Waterloo</strong> Region Record<br />
and Lyle S. Hallman Kids to Camp Fund)<br />
The Manfred & Penny Conrad Family<br />
Foundation<br />
The Ontario Trillium Foundation<br />
The Salamander Foundation<br />
Young Canada Works<br />
Project Partners and Sponsors<br />
Delta Hotels <strong>Kitchener</strong><br />
eSolutions Group<br />
Goethe-Institut Toronto<br />
Gowlings LaFleur Henderson LLP<br />
Graham Mathew | Parkwood Computer<br />
Services Inc.<br />
I f a Institut für Auslands-beziehungen e.V.<br />
Manulife Financial<br />
RBC Wealth Management | RBC Phillips, Hager<br />
& North Investment Counsel<br />
Spaenaur Inc.<br />
Sun Life Financial<br />
<strong>Waterloo</strong> Catholic District School Board<br />
<strong>Waterloo</strong> Region District School Board<br />
<strong>Waterloo</strong> Region RECORD<br />
In-Kind Donors<br />
Dare Foods Limited<br />
Sobey’s, Highland Road, <strong>Kitchener</strong><br />
Director’s Circle Members<br />
Alf Bogusky and Ann Pappert<br />
Don Bourgeois and Susan Campbell<br />
Michael and Lesley Doughty<br />
Murray and Terry Ann Gamble<br />
Bruce Gordon<br />
Randall Howard and Judith McMullan<br />
Paul and Audrey Rooney<br />
Winifred Shantz<br />
Larry and Maggie Williamson<br />
Curator’s Circle Members<br />
Carmeta Abbott<br />
Sudhir and Surekha Arora<br />
Bob and Judy Astley<br />
Carmen and James Austin<br />
Marina Barnstijn<br />
Michael and Joan Beck<br />
Hermann and Anna Becker<br />
Jim and Lorna Blair<br />
James and Jane Breithaupt<br />
Richard and Margeaux Brunet<br />
Alison and David Burkett<br />
Jane Buyers and Don Druick<br />
Manfred and Penny Conrad<br />
Ron Craigen and Margaret McCreery<br />
Carl M. Dare<br />
Sandra and Graham Dare<br />
Dr. Shah and Donnita Deen<br />
Ron and Betsy Eydt<br />
Roger and Catherine Farwell<br />
J. Roy Firth and Elaine Casavant<br />
Robert and Oonagh Fitzpatrick<br />
Dr. Arnold and Mrs. Mary Ann Fleming<br />
Joseph and Xiaopu Fung<br />
David and Joyce Gould<br />
Lori and Peter Gove<br />
Peggy Jarvie<br />
Dr. Dieter and Mrs. Rosalind Kays<br />
Hartman and Brenda Krug<br />
Dr. Desta Leavine<br />
Ron and Shirley Levene<br />
Jamie and Renée Martin<br />
Fred and Susan Mather<br />
Steve and Eve Menich<br />
Thomas and Jocelyn Mennill<br />
Thomas and Elizabeth Motz<br />
Cynthia Nash and Dave Litwiller<br />
Caroline Oliver and Jon Fear<br />
Edwin Outwater<br />
David Paleczny and Mary Reynolds<br />
Dwayne Priestman and Jeannie Boyes<br />
Kenneth and Norah Rae<br />
Warren and Karen Redman<br />
Dave and Sue Reibel<br />
Paul and Rita Ross<br />
Rob Schlegel<br />
Mark and Kris Schumacher<br />
Jim and Valerie Stinson<br />
Tim and Carol Sullivan<br />
Jim and Erika Tubb<br />
Rick and Annemarie Weiss<br />
Ross Wells and Judith Stephens-Wells<br />
pARTner Club Members<br />
Max and Lynn Blouw<br />
Edward and Mary Brough<br />
Cameron Davis<br />
John English<br />
Dr. William Gawman and Mrs. Ann<br />
Gawman<br />
Anne Gorrie and Bryan Bougher<br />
Stan Harwood and Meg Beckel<br />
Eric and Gail Hauser<br />
Scott Hebert<br />
Dr. Eric and Mrs. Maria Hentschel<br />
Mrs. Jane Hill<br />
Peter Hinchcliffe<br />
Henry and Jayne Huber<br />
Ivan and Carol Hurlbut<br />
Howard and Pat Jasper<br />
Jacob and Grace Jutzi<br />
Doug and Lynne Kirton<br />
Andrew Lapstra<br />
Martin and Charlotte Levene<br />
Lloyd and Delphine Martin<br />
Greg and BJ McCauley<br />
J.R. and Mary Lou McGill<br />
Wendy Mitchinson and Rex Lingwood<br />
Warren and Mary Ober<br />
John and Janet Panabaker<br />
Marcia Schofield<br />
Tricia Siemens and Chuck Erion<br />
Peter and Elizabeth Sims<br />
Harold and Violet Seegmiller<br />
David Westfall<br />
Ross and Hajra Wilson<br />
Carl Zehr and Sandy Chris<br />
Voting Members<br />
Ian and Ruth Atkinson<br />
Pat Bailey<br />
Thomas and Roswita Ball<br />
David and Ruth Barkman<br />
Elaine Barnes<br />
Judith Barr<br />
K. Jennifer Bedford<br />
Peter Bernhardt<br />
Robert and Noreen Blake<br />
Fred and Dora Mae Blayney<br />
Manfred and Hilde Blum<br />
Lois Bobier<br />
Bruce and Mary Boucher<br />
Michael and Michele Boucher<br />
Anne Brydon<br />
Mrs. Irene C. Campling<br />
Michael Casey<br />
Dr. Richard Christy<br />
Scot Dalton<br />
Ms. Elizabeth Dell<br />
Margaret Dickson<br />
Eric and Dee Anne Dirksen<br />
Ben and Norma Fear<br />
Gerald and Margaret Finnen<br />
Jack and Margaret Forbes<br />
Austin and Lois Fricker<br />
Ernst and Ruth Friedel<br />
Fatima Garzan<br />
Mr. Will Gorlitz and Lesley Hartley<br />
Gordon and Margeurite Greavette<br />
40
41<br />
Richard and Jean Haalboom<br />
Juta Haas<br />
Iris Hall<br />
Anne Hammer<br />
Jim and Barbara Heldmann<br />
Saul and Joan Herzog<br />
Kenneth and Mara Hollands<br />
David Johnston<br />
Bruce Johnstone<br />
J. Neil and Marilyn Jones<br />
Christiane and Hans Kahlen<br />
Marcus and Susanne Kallweit<br />
John and Elizabeth Kerr<br />
Diane Kingsley<br />
Klaur and Virna Koeppen<br />
Theron and Joy Kramer<br />
William J. Krohn<br />
Melissa Krone<br />
Elizabeth Ladich<br />
David and Barbara Lawson<br />
Brian and Shelley Lipskie<br />
David Livingstone<br />
Dorothy Lowry<br />
Joyce MacCallum<br />
Glen and Claire Machan<br />
Don and Esther MacKay<br />
Mr. Donald MacLeod<br />
Leslie Macredie<br />
Hannelore and Karen Maiterth<br />
Ian McLean<br />
Janet McNichol<br />
Andreas and Charlotte Mikolaiczyk<br />
Corinne Moffett<br />
Sharon Morton and Alexander Home<br />
William and J. Doreen Motz<br />
Eleanor and Bob Mueller<br />
Elizabeth Murray<br />
Veronica Naas<br />
Jan Narveson<br />
Sonia Nemeth<br />
Frank and Marie Nowak<br />
Ken and Pat O’Driscoll<br />
Dorothy Oliver<br />
Miroslav and Marie Osmera<br />
Mrs. Mary Pappert<br />
George and Dora Pepall<br />
William and Barnhild Pfenning<br />
Roy Pletch<br />
Cheryl Plummer<br />
John and Joyce Pollock<br />
Geoffrey Power<br />
Ainslie Proctor<br />
Eleanor Proctor<br />
Dr. Baldev Raj and Mrs. Balbeer Raj<br />
Dr. Charles G. Rand<br />
Rob and Tara Ring<br />
J. Elaine and Roland Rees<br />
Ruth Rescorla<br />
Virginia Rescorla<br />
Willi and Magda Ristau<br />
Frank and Kathy Rogers<br />
St. John’s Kilmarnock School<br />
(Catherine Paleczny’s Class)<br />
Robert Rombough and Karen Saunders<br />
Maureen Sawa<br />
Mr. Fred Schaeffer<br />
Ed and Brenda Schleimer<br />
Katherine Seredynska<br />
Lois Smedick<br />
Albert and Marion Smith<br />
Ms. Alison Smith<br />
Elinor Smyth<br />
Mendel and Judith Somer<br />
Edward and Mary Sopko<br />
Joerg and Renate Stieber<br />
Dwight and Kathryn Storring<br />
Henriette Stumper<br />
Stephanie Tanner<br />
John Tennant and Barbara Campbell<br />
Robynne Tennant<br />
Dr. John Thompson and Bertha Thompson<br />
Julie Trip<br />
Marilyn Truemner<br />
Paul and Christal Tuerr<br />
Paul and Barbara Van de Kamer<br />
Carolyn Vanderschaaf<br />
Gerd and Elke Verres<br />
Ransom and Barbara Vrooman<br />
Bernhard Wagenknecht<br />
Dr. Peter Waind<br />
Marga Weigel<br />
Hans and Ursula Weiss<br />
Councillor Christina Weylie<br />
John D. Whitefoot<br />
Herbert and Barbara Whitney<br />
Jim Wilken and Marlene Kennedy<br />
Gerda Zehr<br />
Janice Zettel<br />
Donors<br />
Bruce Brubacher<br />
Sergio Caetano<br />
Ms. Sheila Christie<br />
Brian and Margaret Hendley<br />
Alan Kirker<br />
Terence Kroetsch<br />
Jack MacAulay<br />
Deborah Wills<br />
Corporate Donors<br />
Rae & Lipskie Investment Counsel Inc<br />
Sun Life Financial<br />
<strong>Waterloo</strong> Manufacturing Company Limited<br />
<strong>Art</strong> Angels<br />
Alf Bogusky and Ann Pappert<br />
Linda Brubacher<br />
Ruthann Fisher<br />
Don MacKay<br />
Nancy Poole<br />
Jim Tubb<br />
In Memory of<br />
Mrs. Marjorie Louise Weber,<br />
gift from Dr. Shah and Mrs. Donnita Deen<br />
Mrs. Marion Woeller,<br />
gift from the Taylor Family<br />
Legacy Gifts<br />
Estate of Paul Valentine Schnarr<br />
Black & Gold Gala <strong>2009</strong><br />
Sponsors and Donors<br />
Premiere Event Sponsors<br />
RBC Wealth Management | RBC Phillips,<br />
Hager & North Investment Counsel<br />
Supporting Sponsor<br />
Gowlings<br />
Sponsors<br />
Adelaide Custom Homes<br />
AdvantEdge Mailing Solutions<br />
J.P. Bell and Victor Grieco<br />
Château des Charmes Wines<br />
Cober Printing<br />
Conestoga Rovers<br />
Ian Cook Homes<br />
Crosby Volkswagen Audi<br />
Diefenbacher & Sieber Dental<br />
Document Print Integrity<br />
Frederick Mall Pharmacy<br />
Gateman Milloy Inc.<br />
Alexander Home<br />
Laurel Pedersen – Strategic Creativity<br />
Pioneer Craftsmen<br />
Realex Properties Inc.<br />
Henry Walser Funeral Home<br />
Whale and Ale, <strong>Kitchener</strong><br />
Wyndham <strong>Art</strong> Supplies<br />
In-Kind Sponsors<br />
A Dutch Mill Flower Shop<br />
<strong>Art</strong>line Salon, <strong>Kitchener</strong><br />
Christina C Fashion Accessories Ltd<br />
Columbia Lake Health Club<br />
<strong>Kitchener</strong> Collegiate Institute<br />
Living Lighting<br />
MAC Cosmetics at The Bay<br />
Marble Slab – KW<br />
Nestlé Waters Canada<br />
Shiloh Bousquet - Avonladi<br />
Teaopia<br />
Tech Town Café<br />
The Rude Native, <strong>Waterloo</strong><br />
TusCan International<br />
World’s Finest Chocolate<br />
Auction Donors<br />
Airways Transit<br />
Allan Harding MacKay<br />
Andrew Wright<br />
Aquariums By Design Inc.<br />
Arman’s Jewellers Ltd.<br />
<strong>Art</strong> Green<br />
art|bar Creative Dining and Wines<br />
<strong>Art</strong>line Salon<br />
Bark & Fitz<br />
Bears in Breeches<br />
Belgian Nursery Ltd.
Best Western Orangeville Inn & Suites<br />
Bill Higgins<br />
Bill Schwartz<br />
Bingemans<br />
Blackshop Restaurant<br />
Bluefrog Creations<br />
Boa Nova Rodizio Grill House<br />
Books & Company<br />
Boston Pizza<br />
Bowring<br />
Braun’s… is Bicycles<br />
Brian Kilrea<br />
Bruce Minty/Wildcove Photography<br />
Bruce Taylor<br />
Cambridge Galleries<br />
Canadian Clay and Glass <strong>Gallery</strong><br />
Cathy Daley<br />
Cathy Farwell<br />
Central Fresh Market<br />
Centre In The Square<br />
Channer’s Men’s Apparel<br />
Charcoal Group of Restaurants<br />
Château des Charmes Wines<br />
Chocolate Barr’s Candies Inc.<br />
Cora Cluett<br />
Creation Africa<br />
Currah’s Café and Catering<br />
D&D Graniteworx<br />
Dagmar Designer Jewellery<br />
Dana Shortt Gourmet<br />
Danielle Pilon<br />
David Boyes Home Concepts<br />
David’s Gourmet<br />
Dawn Oman <strong>Art</strong> Studio<br />
Designs by Christina C.<br />
Destination Inn & Suites<br />
Domani Hair<br />
Don MacKay<br />
Doug Kirton<br />
Drayton Entertainment<br />
E. Dyck Opticians<br />
Edible Arrangements<br />
Ehryn Torrell<br />
Emerald Limousine<br />
Entertaining Elements<br />
Erban Corner<br />
European Vision of Fashion<br />
FAB Accessory Boutique<br />
Finishing Touches by Linda<br />
Frames Plus<br />
Framing & <strong>Art</strong> Centre<br />
Frederick Street Inn<br />
Fudge’s Ladies Wear<br />
<strong>Gallery</strong> on the Grand<br />
Gibson Sound & Vision<br />
Glash Wearable Glass <strong>Art</strong><br />
GolfNorth Properties<br />
Golf’s Steak House<br />
Goliger’s TravelPlus <strong>Waterloo</strong><br />
Great Lakes Helicopter<br />
Gusto Catering Company<br />
Hamilton Entertainment<br />
Convention Facilities Inc.<br />
Hancock Family<br />
Harbinger <strong>Gallery</strong><br />
Hatashita Diamond Centre<br />
Hauser Co. Stores<br />
Heer’s Decorating and Design Centres<br />
Heffner Lexus/Heffner Toyota<br />
Herrle’s Country Farm Market<br />
Holiday Inn <strong>Kitchener</strong>-<strong>Waterloo</strong><br />
Jane Buyers<br />
Jean Stevenson<br />
Jim Tubb<br />
John and Michelle Wolfe and<br />
Rick and Annemarie Weiss<br />
John Morton<br />
Judith Stephens-Wells<br />
Judy Major-Girardin<br />
Karma Accessories<br />
<strong>Kitchener</strong> Rangers<br />
KW Sewing Machines<br />
La Crème Décor<br />
Laurel Pedersen<br />
Linda Brubacher<br />
Living Lighting<br />
Lloyd Walker Design<br />
Lost and Found Theatre<br />
M&M Meat Shops<br />
MAC Cosmetics at The Bay<br />
MacLeod’s Scottish Shop<br />
Marble Slab<br />
Marbles<br />
Margaret Peter<br />
Monica Tap<br />
Monika Raciborski<br />
Nancy Schwarz<br />
Newtex Cleaners<br />
Nicholas Rees<br />
Ottawa 67’s Hockey Club<br />
Paul Dignan<br />
Paul Puncher Men’s Clothier<br />
Paulo Villa Photography<br />
PDR Picture Frames & <strong>Gallery</strong><br />
Peter Martin’s 20 King<br />
Petsche’s Shoes<br />
Phil Irish<br />
Philosopher’s Wool<br />
Photo <strong>Art</strong> by Sandra Roemer<br />
Picard’s Peanuts<br />
Pixercise This<br />
POM Clay Creations<br />
Pon Phonexay<br />
Puslinch Lake Golf Course<br />
Rebekah Price Designs<br />
RMT Therapeutics<br />
Robert Achtemichuk<br />
Ron and Shirley Levene<br />
Ron Shuebrook<br />
Rona<br />
Rosemarie Haas<br />
Roylco<br />
Rushes Restaurant<br />
Sabletine Fine Pasteries Inc.<br />
Sampson’s Clothing Outlet<br />
Samsonite Canada Inc.<br />
Sandra Martin<br />
Sean Rogers – Royal LePage<br />
Seasons<br />
Serafina Saccomanno<br />
Sharon Morton<br />
Sharron Begg<br />
Sheila MacDonald Roberts<br />
Shiloh Bousquet – Avonladi<br />
Shirl’s Place<br />
Solé Restaurant & Wine Bar<br />
Spanner<br />
State of the <strong>Art</strong> Supplies<br />
Susan Dobson<br />
Stratford Shakespeare Festival<br />
TA Appliance Inc.<br />
Teaopia<br />
Tech Town Café<br />
The <strong>Art</strong> Studios<br />
The Bon Bon Factory<br />
The Children’s Museum<br />
The Economical Insurance Group<br />
The Goldsmith of <strong>Waterloo</strong><br />
The Inn at Huff Estates<br />
The Inn at Manitou<br />
The New Dundee Emporium<br />
The Poultry Place<br />
The Registry Theatre<br />
The Rude Native Bistro<br />
The Savoury<br />
The Shaw Festival<br />
The Waterlot Restaurant and Inn<br />
The Waters Spa<br />
Tim Louis<br />
Tony Urquhart<br />
Total Skin and Body<br />
TusCan International<br />
Venera Seta<br />
Verses Restaurant<br />
Vicanie’s The Bra Fitting Specialists<br />
Vincenzo’s<br />
Walper Terrace Hotel<br />
WestJet<br />
Whole Lot-a-Gelata<br />
Will Gorlitz<br />
Wilma Vanderleeuw<br />
Wings of Paradise Butterfly Conservatory<br />
Wonders in Wood by Barry Daniels<br />
Woodley Crafts<br />
Yolanta Collection<br />
Zehr’s Store #525<br />
42
43 <strong>2009</strong><br />
VOLUNTEERS<br />
Eunsoo Ahn<br />
Natalie Arsenault<br />
Amanda Ashford<br />
Nicolette Askew<br />
Leigh Asselin-Grubb<br />
Maya Atsiz<br />
Janine Bakelaar<br />
Catherine Bernard<br />
Nikzar Bhavsar<br />
Dmitry Blotsky<br />
Audra Branigan<br />
Dan Brazil<br />
Grace Cai<br />
Helena Cao<br />
Donna Carter<br />
Agnieszka Chalas<br />
Matthew Chan<br />
Nicole Chembre<br />
Chiarltsia Sherry Chen<br />
Victor Cheng<br />
Vris Cheung<br />
Maria Chong<br />
Abisade Dare<br />
Victoria Doidge<br />
Matthew Dupuis<br />
Thomas Fear<br />
Marg Feldgajer<br />
Dorothy Ferr<br />
Ketri S Grise<br />
Susan Grise<br />
Jamie Groh<br />
Jocelyn Grubb<br />
Amanda Guderian<br />
Yufei Guo<br />
Laura Hardt<br />
Nik Harron<br />
Gail Hauser<br />
Megan Hawkins<br />
Marilyn Heimrich<br />
Kathy Ho<br />
Venus Ho<br />
Ngan Hoang<br />
Barbara Hobot<br />
Xin Hong<br />
Angela Huang<br />
Edgar Huang<br />
Yujing Huzing<br />
David Jensenius<br />
Jinyre Jiang<br />
David Junca<br />
Eric Kassab<br />
Sarah Kernohan<br />
Ahwon Kim<br />
Ophelia Kong Chi Iao<br />
Natasha Koo<br />
Gayle Kreitzer<br />
Alexandra Krueger<br />
Tram Le<br />
Stephanie Lee<br />
Angelina Leung<br />
Derek Li<br />
Shan Lian<br />
Jia Lu Lin<br />
Zheren Liu<br />
Timothy Luckhurst<br />
Ruby Ma<br />
Deborah MacAusland<br />
Jesse-Alan MacDonald<br />
Constance Maconaghie<br />
Shelly Mitchell<br />
Sharon Morton<br />
Melody Mur<br />
Nathan Nederpelt<br />
Dinh Nguny<br />
Lisa Nguyen<br />
Adriel Orena<br />
Liya Pan<br />
Cam Parkin<br />
Laurel Pedersen<br />
Cory Pedersen<br />
Matthew Pedersen<br />
Judy Proctor<br />
Jessie Qi<br />
Jennifer Qiao<br />
Nida Raja<br />
Ranjani Ravichandran<br />
Mansi Reddy<br />
Alana Rigby<br />
Ann Ross<br />
Rita Ross<br />
Helen Schafer<br />
Marie-Luise Schega<br />
Nicole Schembre<br />
Kelseiey Schnarr<br />
Henry Shew<br />
Emma Shulist<br />
Tracy Smith<br />
Candace Spaling<br />
Joan Stewart<br />
Eric Stubley<br />
Somaiyah Sultani<br />
Zahra Sultani<br />
Jenny Sureiprohnsilp<br />
Delaney Swanson<br />
Jiayi Tan<br />
Bradley Voll<br />
Rick Weiss<br />
Susan Willmott<br />
Lynne Wilson<br />
Madison Woolley<br />
Sharon Xiangning Xiao<br />
Stephen Yi<br />
Xu Zhang<br />
Yvonne Zhang<br />
Lu Zheng<br />
Yunpian Zhong<br />
Elaine Zhongxia<br />
Dan Zybala<br />
Black & Gold <strong>2009</strong><br />
Organizing Committee<br />
Sharon Morton, Chairperson<br />
Shelly Mitchell<br />
Eleanor Mueller<br />
Caroline Oliver<br />
Laurel Pedersen<br />
Stephen Radbourn<br />
Rick Weiss<br />
Lynne Wilson<br />
Strategic Planning<br />
Participants<br />
Phil Bast<br />
Alf Bogusky<br />
Jane Buyers<br />
Agnieszka Chalas<br />
Susan Coolen<br />
Ron Craigen<br />
Mike Doughty<br />
Tasha Ethelston<br />
Joan Euler<br />
Cheryl Ewing<br />
Mary Ann Fleming<br />
Gordon Hatt<br />
Peggy Jarvie<br />
Jill Klepacki<br />
Steve Lavigne<br />
Shirley Levene<br />
Sonia Lewis<br />
Rex Lingwood<br />
Allan MacKay<br />
Leslie Macredie<br />
Tom Mennill<br />
Shelly Mitchell<br />
Sharon Morton<br />
Crystal Mowry<br />
Eleanor Mueller<br />
Mary Catherine Newcomb<br />
Caroline Oliver<br />
Cristin Osborne<br />
Dwayne Priestman<br />
Baldev Raj<br />
Amy Roger<br />
Rob Rombough<br />
Ron Shuebrook<br />
Tracy Smith<br />
Isabella Stefanescu<br />
Judith Stephens-Wells<br />
Jim Stinson<br />
Dwight Storring<br />
Karen Voison<br />
Cindy Wayvon<br />
Rick Weiss<br />
Christina Weylie
“As Director General, it is my privilege to lead this organization.<br />
I wish to acknowledge KW|AG’s Management<br />
Team, who <strong>report</strong> to me directly, and who in turn, will<br />
acknowledge the great work of their teams.<br />
Shelly Mitchell, Manager of Finance and Administration,<br />
is called upon to handle multiple, often unanticipated,<br />
diverse projects and she does so with such dedication.<br />
She oversaw the renovation and settling of an estate<br />
gift involving a number of willing staff, volunteers and<br />
contractors resulting in cost savings. Her efforts, while<br />
always amazing, went into new realms this past year.<br />
I wish to thank Crystal Mowry who assumed leadership<br />
of our Curatorial and Collections program and Allan<br />
MacKay, past Curatorial and Collections Consultant, who<br />
is now pursuing his art full-time. Thank you for a rich<br />
and vibrant exhibition program that has attracted attention<br />
and support. I look forward to its continuance with<br />
Crystal at the helm.<br />
Tasha Ethelston, Director of Public Programs and<br />
Education, furthered her education toward a Masters<br />
Degree in Communications Studies at Laurier. KW|AG<br />
will be even richer as a result of her enhanced knowledge<br />
when she returns. We have been very fortunate to have<br />
Agnieszka Chalas join us in the interim. Agnieszka has<br />
provided exemplary leadership to her dedicated team.<br />
We are so fortunate to have Caroline Oliver to lead our<br />
Marketing and Development initiatives. Her vision and<br />
leadership have contributed to the <strong>Gallery</strong>’s public image<br />
and profile, enabling us to tell our stories to varied audiences,<br />
resulting in increased involvement and support.<br />
I am amazed at the breadth of her knowledge and the<br />
depth of her energy and commitment.<br />
Thank you all! – Alf Bogusky<br />
“In the Curatorial department, conversation is essential<br />
to how we work together, and in many cases, why we<br />
work together. I am so fortunate to have colleagues who<br />
bring curiosity, intelligence, individuality and dedication<br />
to their roles. These essential ingredients, along with a<br />
measure of good humour, are why we look for challenges<br />
and thrive on risk. Curatorial and Collections Consultant,<br />
Allan MacKay, has been a subtle and powerful influence<br />
on our team and the KW community. His unassuming<br />
wisdom and generosity set a high standard to follow<br />
when it comes to how we treat each other and the artists<br />
with which we work. I am so thankful for the opportunity<br />
to have worked with him over the past few years.<br />
Special thanks go to Curatorial Assistant / Registrar Cindy<br />
Wayvon for her efficient grant writing, administrative and<br />
technical support, her thoughtful approach to providing<br />
a context for our collection in contemporary exhibitions;<br />
Curatorial Assistant Barb Hobot for her insight, research<br />
skills, and enthusiasm for expanding our arsenal of collaborators;<br />
Preparator Amy Roger for her skill, good nature,<br />
and selflessness when it is most needed; and the many<br />
volunteers and casual staff whose generosity we greatly<br />
appreciate. Thanks also to our KW|AG colleagues who,<br />
through their myriad ways, promote the value of visual<br />
arts to our region. Finally, special thanks to the collaborating<br />
artists and gallery visitors who have kept the<br />
conversation about ideas on-going.” – Crystal Mowry<br />
“An ambitious program schedule, such as ours, requires<br />
a great deal of collaboration to plan and deliver. I<br />
would particularly like to thank Alex Krueger, Public<br />
Programs Coordinator; Cristin Osborne School Programs<br />
Coordinator; Steve Lavigne, Mindy Alexander, Tarin<br />
Hughes and Karoline Varin-Jarkowsky, <strong>Art</strong>ist Educators;<br />
in addition to our team of dedicated Docents for their<br />
contributions to the success of KW|AG’s educational<br />
programming in <strong>2009</strong>.” – Agnieszka Chalas<br />
“The Development and Marketing team is a dynamic<br />
group of wonderfully dedicated professionals who<br />
garner support for and interest in the <strong>Gallery</strong> by building<br />
a relationship with and engaging the community.<br />
Thank you to these team members, each of whom does<br />
fabulous work, provides wonderful service, and is a<br />
delightful peer to be associated with:<br />
Matt Dupuis, who works at a blistering pace to create<br />
dynamic new print materials and videos, and take great<br />
pictures to help tell the <strong>Gallery</strong> story; Eleanor Mueller,<br />
who nurtures strong connections with donors and sponsors,<br />
and keeps the cycle of events and activities flowing<br />
smoothly; Stephen Radbourn, who keeps our data up-todate,<br />
our communications current and greets our guests<br />
with a warm enthusiasm; and Tracy Smith, who has boldly<br />
moved the <strong>Gallery</strong> into exciting new directions with an<br />
outstanding website, and inventive e-communications<br />
and social media initiatives.<br />
Thanks are also extended to the Canadian <strong>Art</strong>s and<br />
Heritage Sustainability Program and to eSolutionsGroup,<br />
KW|AG’s online marketing and business solutions provider,<br />
for their support of the website project. A special note<br />
of thanks (and gold stars) goes to Karen Mayfield and the<br />
terrific team at eSolutionsGroup.<br />
I would also like to express my appreciation to Robin<br />
Fowler from the Offord Group for her wisdom, insight<br />
and advice on the <strong>Gallery</strong>’s Major Gifts/Planned Giving<br />
program. – Caroline Oliver<br />
"KW|AG was open 362 days in <strong>2009</strong> with 31,085 visitors/participants<br />
who were greeted by our front desk<br />
staff. KW|<strong>AG's</strong> Visitor Services Assistant and <strong>Gallery</strong><br />
Attendants are the first faces that <strong>Gallery</strong> visitors see.<br />
I want to thank each member of the front desk team<br />
for your dedication in representing KW|AG on the front<br />
lines. Thank you to Meghan Schnarr, Crystal Ellis, Visitor<br />
Services Assistants; and Mindy Alexander, Ketri Grise,<br />
Sarah Kernohan, and Terrina Reitzel, for welcoming visitors<br />
so warmly, answering general inquires and handling<br />
our registrations." – Shelly Mitchell<br />
ACKNOWLEDGEMENTS
Karin Sander, German Women’s National Soccer Team 1:10, 2005, (Pool of players in 2005,<br />
World Champion 2003, European champion 2005, World Champion 2007) 3D body scans<br />
of the living persons, FDM (Fused Deposition Modeling), rapid prototyping, ABS (Acryl-<br />
Butadien-Nitryl-Styrol), airbrush, 28 figures. Courtesy the artist. Photo : Robert McNair.<br />
101 Queen Street North<br />
Located in Centre In The Square<br />
<strong>Kitchener</strong>, Ontario<br />
Canada N2H 6P7<br />
T: 519.579.5860<br />
F: 519.578.0740<br />
E: mail@kwag.on.ca<br />
www.kwag.ca