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williams-et-al-1983-apple-ii-computer-graphics

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8Hi-Res GraphicsObjectivesAfter reading Chapter 8 you should be able to:• C<strong>al</strong>culate the address for any byte on the Hi-Res screen.• C<strong>al</strong>culate the v<strong>al</strong>ue needed to produce a give n dot pattern in a byte,and use both BASIC and Monitor to place that v<strong>al</strong>ue in Hi-Res screenmemory.• Design, digitize, and display simple figures in Hi-Res.A large percentage of the commerci<strong>al</strong> software written fo r persona I <strong>computer</strong>stoday uses Hi-Res <strong>graphics</strong>. Games, graphing packages, draftingdesign programs, sever<strong>al</strong> word processors, and even some of the <strong>al</strong>ternatelanguages (for example, PILOT and LOGO) use the Hi-Res <strong>graphics</strong> screenfor video output. Reflecting the pre-eminence of Hi-Res, the remainder ofthis book will be <strong>al</strong>most entirely devoted to various m<strong>et</strong>hods of controllingthis mode of output.Hi-Res gains an advantage over Low-Res because it l<strong>et</strong>s you have individu<strong>al</strong>control of each dot on the screen; there are 280 such dots horizont<strong>al</strong>lyacross the screen and up to 192 dots vertic<strong>al</strong>ly. The appearance of animage on the video screen is greatly affected by the degree of resolution(the number of dots per inch) in which it is drawn. In Chapter 6 you sawhow the figure of the <strong>apple</strong> suffered when it was blocked out for Low-Reswhich has only four "dots" per inch. The Hi-Res dots are seven timessm<strong>al</strong>ler than the Low-Res blocks, so the Hi-Res mode produces figures thatlook much b<strong>et</strong>ter; but as with any improvement, there is a price to pay.65

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