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40 MOMENTS IN TIME A RETROSPECTIVE OF <strong>ARRI</strong>FLEX CAMERAS AT WORK ON MILESTONE PRODUCTIONS
Das Boot and the Birth of the IIIC VISION<strong>ARRI</strong> A year after its release in Germany, Das Boot premiered in the United States at the 1982 Filmex film festival in Los Angeles. The lights went down, the curtains drew, and a title card appeared on the screen: “40,000 German sailors served on U-boats during World War II. 30,000 never returned.” The audience, accustomed to war films that almost universally presented stories from an Allied standpoint, broke into spontaneous applause. At the back of the auditorium, Director Wolfgang Peterson’s heart sank. He had spent over two years making this film about the cramped and dangerous lives of men aboard an Atlantic U-boat in 1941, with rigorous attention to detail. In Germany it had been criticised by the liberal left, of which he was a member, for not expressing the guilt that had permeated the country’s society for decades. Now it seemed the film might be punished in America simply for telling a story about the hardships of war from a fresh perspective. Peterson sat with the audience throughout the two and a half hour screening and wondered if, even after 40 years, it was still too soon to have made such a film. His answer came as the end credits started to roll. Das Boot received a standing ovation. � 41
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