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Lost in TranslationLost in Translation is a large-scale exhibition of over one hundred Russian contemporary art works of the pastfour decades focusing on the historical, political, social, and economical issues related to the process of“translating” a work of art in the age of globalization. The exhibition presents works which are particularlydifficult to decipher for an audience who is not familiar with the “Russian context” they were born in andrefer to. Each work is displayed together with its “expanded translation” which points out and explains theessential references necessary to achieve a clearer understanding of the message conveyed.Università Ca' Foscari, Dorsoduro 3484May 29th - September 15thh. 10 – 18 open everydayOrganization: Moscow Museum of Modern Art (MMOMA)www.mmoma.ru"Love me, Love me not"Contemporary Art from Azerbaijan and its neighboursProduced and supported by YARAT, a not-for-profit organisation dedicated to nurturing an understandingof contemporary art in Azerbaijan and to creating a platform for Azerbaijani art, both nationally andinternationally, Love me, Love me not will provide new perspectives on the diverse and culturally rich cultureof Azerbaijan and its neighbours. There is currently equal curiosity and misconception about this region; theworks on show provide insight into the dynamics of each nation, bringing to light forgotten or unknownaspects of history and demonstrating the breadth of vision and creativity at play within their borders.Tesa 100, Arsenale NordJune 1st – November 24thh. 10 – 18 closed on Mondays (except June 3rd and November 18th)Organization: YARAT Contemporary Art Organisationwww.loveme-lovemenot.comwww.yarat.azMind · Beating“Mind” means thinking and consciousness in the psychological sense, and is the same as brains, which is ahuge central hub for receiving and classifying information. The purpose of the exhibition is to regard themind as a container, and extend to thinking system, and explore the relationship between visual creationand multi-dimensional world through “heart”, the common information reception organ of human kindsand its beating frequency. Though the words such as “globalization” and “trans-boundary” etc. have beenrepeatedly used, we shall still analyze the latest works and the thoughts of the creators from similarperspectives before we find more suitable words.Spazio Thetis, Arsenale Nord;Centro Ricerca Arte Contemporanea Castello 925May 30th– November 24thh. 10 – 18 from June 8th closed on Saturdays and SundaysOrganization: Nanjing Sanchuan Modern Art Museumwww.sanchuanmuseum.com
Nell'acqua capiscoWater is protagonist of this project, it tells us the relations, communications, feelings and aspirations thatmove through this element as a vehicle to express a mood. Water is the common feature of all worksexhibited, its roaming sound attempts to hide feelings of distress, diving into water can be a way to recoverthe outside world. Furthermore, water means sharing, interpreting inclusive messages, water gives us thepossibility to reconvert a common good into more productive elements. All this is told through the works ofartists who were able to create an original dialogue with water, sometimes joyful, often painful, but alwaysthoughtful.Ateneo Veneto, San Marco 1897 (Campo San Fantin)Procuratie Vecchie, Piazza S. Marco 153/AMay 30th – September 29thh. 10.30 – 18.30 closed on MondaysOrganization: CIAC – Centro Internazionale per l’Arte Contemporanea Castello Colonna Genazzano; The HartFoundationwww.castello-colonna.it/ciacwww.the-hart-foundation.orgNoiseOne hundred years after The Art of Noise by Luigi Russolo, the exhibition reflects upon noise as a necessarycondition and an integral part of any communication process. The role of art is to render dense withmeaning that part of communication which usually escapes codification and understanding, so to return toan essential principle of indeterminacy. By assuming a modus operandi based on listening, or immersion,the artists chosen for the exhibition place processuality in a privileged position with regard to the demandsfor representation, while locating in what might be termed error an essential precondition for coming tounderstand the complexity of existence.Ex Magazzini di San Cassian, Santa Croce 2254 (Calle della Regina, Campo San Cassian)June 1st – October 20thh. 10 – 18 closed on MondaysOrganization: De Arte Associazionewww.dearteassociazione.orgOtherwise OccupiedOtherwise Occupied features two internationally renowned Palestinian artists, Bashir Makhoul and AissaDeebi. Both artists were born inside the 1948 borders, in the margins of another state in their homeland andoutside the occupied West Bank and the centres of contemporary Palestinian culture. They have emigratedto become citizens of other states operating in a globalised art world. They still think of themselves asPalestinians and are in search of new ways to imagine the nation from a distance. Art is capable ofoccupying cultural spaces that are otherwise inaccessible or invisible. Otherwise Occupied describes otherways of imagining the nation outside and beyond the conflict; it is therefore a means of artistic and criticalthinking through the de-territorialisation of Palestine.Liceo Artistico Statale di Venezia, Palazzo Ca' Giustinian Recanati, Dorsoduro 1012 (Accademia)May 31st – June 30 thh. 10 – 19 closed on June 19th, 20th and 24thOrganization: Al Hoashwww.alhoashgallery.orgwww.otherwiseoccupied.co.uk
Page 1 and 2: An exhibition-researchPaolo Baratta
Page 6 and 7: The preview days and major events h
Page 9 and 10: collective portrait with a series o
Page 11: I want to thank la Biennale di Vene
Page 14 and 15: Arthur Bispo do RosárioBorn in abo
Page 16 and 17: Helen MartenBorn in 1985 in Maccles
Page 18 and 19: Jack WhittenBorn in 1939 in Besseme
Page 20 and 21: LithuaniaoOGintaras Didžiapetris,
Page 22 and 23: has produced what she calls “dras
Page 24 and 25: Bisi SilvaBisi Silvia is an indepen
Page 26 and 27: Biennale Sessions ProjectFor the 55
Page 28 and 29: Educational ActivitiesLa Biennale d
Page 30 and 31: Il Palazzo Enciclopedico (The Encyc
Page 32 and 33: CHILEVenezia, VeneziaAlfredo JaarCo
Page 34 and 35: GREECEHISTORY ZEROStefanos Tsivopou
Page 36 and 37: LEBANONLetter To A Refusing PilotAk
Page 38 and 39: ROMANIAAn immaterial retrospective
Page 40 and 41: VENEZUELAEl arte urbano. Una estét
Page 42 and 43: Pavilion of the Holy See55th Intern
Page 44 and 45: “SILK MAP”
Page 46 and 47: Ai Weiwei - DispositionThe artist's
Page 48 and 49: Emergency Pavilion: Rebuilding Utop
Page 52 and 53: OVERPLAYOVERPLAY focuses in an inte
Page 54 and 55: Scotland + Venice 2013An exhibition
Page 56 and 57: Thomas Zipp - Comparative investiga
Page 58 and 59: Restoration of the Sala ChiniCentra
Page 60 and 61: Il Palazzo Enciclopedico (The Encyc
Page 62 and 63: Visitors servicesArsenaleInfopoint
Page 64 and 65: Biennale Festivals 2013Biennale Col
Page 66 and 67: Biel, May, 2013SWATCH 2013: PARTNER
Page 68 and 69: That is why Enel has chosen, on the
Page 70: FOSCARINI FOR ARTSPONSOR OF THE 55
Page 73 and 74: Press ReleaseTRENITALIA/LA BIENNALE
Page 75: We would like to thank the followin

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