14 RIZAL BEYOND THE GRAVEputed document the spacing for margin was quite habitual to theperson who wrote it, and so also was that of the "Defensa"? Ifnot, then under what condition, that must be great enough toarrest the habit of the person, was this disputed document written?But if both were habitual to the person or persons concerned inthe two documents, how can we explain the difference in thetwo habits? If only one person wrote both documents then wemust show that both habits existed in that person. As far ascould determine, in the examination of Rizal's writings previousto the date in question 14 , his margin did not exceed one fifthof the width of the paper used. This noted difference in marginspacing is of course quite minor only.SLANT—We shall now compare the slants of the retractionwith those of the genuine writings of Rizal. The slant of writingis sometimes variable with some persons and with others, a littleless variable. With some, the limits of variation are prettyclose, that is, the slants of letters are very near to each other.With other people, however, the limits of slants are quite wide,so that the variation is great. But this great variation is not simplygreat variation and in it any slant is not just possible. Withincertain limits, i.e., between the most vertical and the most slantingletters, any variation in slant is possible with a given writer.In so far as the genuine standard writings of Rizal as near to thisdate as possible are available, we can say that the slants in thewritings of Rizal are variable. But it is not simply variable. Itis variable within certain limits. Now, it is absolutely wrong toconclude that because the writings of a certain particular personare variable in slants, that therefore, any variation in slants is possibletherein. The variability of slant in writing is, within givenlimits, determined only,by the examination of the various writingsof that person. In Figure XIV, we have the variable slants ofRizal's writings, both formal and informal, in ink and in pencil,which described the possible limits of the slants in Rizal's writing.In this illustration, I have measured in degrees the slants of thelong letters of Rizal's writings, as they occurred in the writingsillustrated in the various figures aboye. The first graph in thisFigure is that of the slants of Rizal's "Defensa" written in pencil.The second is the slants of his letter to his defender, Andrade,14 I have seen and measured the margins of various writings of Rizal, somedated 1896, 1893, 1892, 1890, including letters, diaries, post cards, thru thecourtesy of the Filipiniana Division of the National Library.
COMPARISON OF HANDWRITINGS 15on December 25, 1896. The third one is the slants of the retractionin question. The graph below illustrates the slants of thewords to Josephine Bracken and the farewell to his inother, bothof December 30, 1896. I have also drawn the lines that traversethe corresponding averages of these variable slants in the writings.The "Defensa" as we could see in the graph has a constant averageslant of 63.25°. The letter to Andrade, done in ink, has an averageslant of 55.66°. The dedication to Josephine Bracken hasan average slant of 57.6', while the Farewell to his mother has anaverage of 56.4°. On the other hand, the average slant of theretraction is 52.14°. That while all of our standards give averagesnot lower than 55.66°, the average yielded by the retractionis 52.14°.. This means that the slants in our standards vary froman average of 63.25°, in a pencil writing, or higher as could be seenalso in the case of the "Ultimo Adios," 15 to an average of 55.66°in a writing done in ink. That another average of a certainwriting shall fall below this lower limit is an evidence of difference,between that writing, which is the questioned retraction, on onehand, and the standard writing, on the other, which differencecannot just be ignored in this question. But it is not simply aquestion of difference in the average slants of the writings examined.Our graph tells us unequivocably that while in the standardwritings we have as the lowest slant, meaning, the mostslanting letter, 47° in four instantes in Rizal's farewell to his motherand 51° in Rizal's letter to Andrade, the lowest slant of theretraction is 40°, 44°, 45°. II tells further that while the highestslant, meaning the most vertical letter, in the standard writingsis 73° in the case of the "Defensa" written in pencil, 65.5° inRizal's letter to Andrade, 70° in the dedication to Bracken, and66° ín the farewell to his mother, the highest in the retractionis 60° in one occasion and 59° in two occasions.Let us analyze our graph more closely. If there will be anysimilarity at all in slants between the retraction and any of thestandard writings, it will be between the former and the letter toAndrade, both of which, let us observe, were done in ink and wereformally written, with practically four days difference only, theformer being written on December 29, while the latter, on December25, both of 1896. The difference between the averages of15 In the case of the "Ultimo Adios", as could be seen in Figure VII, the slantsare more vertical than even that of the "Defensa", hence its average naturallywill exceed that of the latter.
- Page 1 and 2: -1, 41V , , , ,,! • " 9 .41.3.,.,
- Page 5 and 6: COPYRIGHT, 1935BYRICARDO R. PASCUAL
- Page 7 and 8: PREFACEIt has always been said that
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