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Oct - Old Ottawa South

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Page 20 The OSCAR - OUR 31 st YEAR OCTOBER 2005<br />

Prolific Polyphany Hails From Our Midst<br />

By Mary Belotti<br />

photos by Catherine Culley<br />

An <strong>Old</strong> <strong>Ottawa</strong> <strong>South</strong> resident<br />

since 1998, Organist<br />

Matthew Larkin has recently<br />

returned to <strong>Ottawa</strong> from a series of<br />

concerts and performances in the<br />

United Kingdom where he appeared<br />

as accompanist and soloist with the<br />

Choir of St. John’s Anglican Church,<br />

Elora, Ontario. Under the direction of<br />

Noel Edison, the choir has achieved<br />

international fame as one of our<br />

country’s foremost professional vocal<br />

groups. The tour began in London,<br />

and moved on to Windsor Castle and<br />

finally to Canterbury Cathedral, the<br />

Holy See of the worldwide Anglican<br />

Communion.<br />

St. Paul’s Cathedral was the<br />

venue for the first six performances.<br />

Completed in 1675, Christopher<br />

Wren’s architectural masterpiece<br />

has been host to some of the most<br />

distinguished musicians in British<br />

history, including Thomas Morley,<br />

Jeremiah Clarke, Maurice Greene,<br />

Matthew Larkin, Music Director<br />

and Organist<br />

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and most notably, G. F. Handel. The<br />

Cathedral was filled with tourists and<br />

pilgrims throughout the week, and<br />

they were regaled with music old and<br />

new, with choral and organ selections<br />

from throughout Europe and North<br />

America. Both Organist and Choir<br />

were greeted affectionately and<br />

enthusiastically.<br />

Windsor Castle is home to the<br />

venerable St. George’s Chapel, a<br />

spectacular gothic structure built under<br />

Edward IV in 1475. Matthew performed<br />

there on three occasions on the same<br />

day, a sunny Sunday where the small<br />

town was jammed with tourists so that<br />

one could hardly move at all! Another<br />

feature of Windsor is that it is only a<br />

few kilometres from Heathrow Airport,<br />

so the organ music was accompanied<br />

every forty-five seconds or so by the<br />

roar of jet engines. One tourist was<br />

heard to mutter to another, “I wonder<br />

why they built that castle so close to<br />

the airport!”<br />

Canterbury Cathedral is one of<br />

the oldest liturgical structures in the<br />

world. It is the seat of the Archbishop<br />

of Canterbury, who is the spiritual<br />

head of the Anglican Church. The<br />

Cathedral was consecrated in 605 by<br />

the first archbishop, St. Augustine.<br />

Most of the present building dates<br />

from about 1400, but the site has been<br />

one of the world’s most important<br />

spiritual shrines for much longer than<br />

that. Geoffrey Chaucer wrote about<br />

this in his “Canterbury Tales”, and<br />

centuries later, T. S. Eliot did the same<br />

in his play “Murder in the Cathedral”,<br />

which dramatizes the martyrdom of<br />

Archbishop St. Thomas à Becket, who<br />

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The Boys’ section of the choir around Easter this year at Christchurch Cathedral<br />

died there in 1170. Matthew performed<br />

there on four occasions with the choir.<br />

The gracious and ancient space is an<br />

ideal environment in which to enjoy<br />

the great music of the church, both for<br />

performer and listener alike.<br />

Of course, it is not only the British<br />

who are treated to such concerts.<br />

Matthew tours Canada when his<br />

commitments permit and recently<br />

participated in the Chamber Music<br />

Festival in <strong>Ottawa</strong> along with many<br />

other distinguished musicians. He has<br />

been Organist and Director of Music<br />

at Christ Church Cathedral since<br />

September of 2003, and his dynamic<br />

direction has enabled the already<br />

established Choir of Men and Boys to<br />

achieve significant success not only<br />

by serving the liturgical agenda of the<br />

Cathedral, but also as revered concert<br />

performers. J. S. Bach’s St. John<br />

Passion, which took place on Palm<br />

Sunday, is a notable example of a great<br />

work magnificently executed.<br />

The boy choristers, ranging in<br />

age from seven to fourteen, sing with<br />

the men of the Cathedral Choir at<br />

most Cathedral liturgies. The boys,<br />

who come from all over the <strong>Ottawa</strong>-<br />

Gatineau region, rehearse after school<br />

on Wednesdays and Fridays, are<br />

trained to the standards of the Royal<br />

School of Church Music, and are in<br />

demand themselves as a concert group.<br />

They progress through a series of<br />

levels, marked by coloured ribbons,<br />

from junior singers to senior singers<br />

and head-boys. The boys have the<br />

Valdy to headline<br />

<strong>Oct</strong>ober’s Underground Sound<br />

Veteran singer/songwriter and<br />

Canadian legend Valdy is<br />

bringing his brand of laid back<br />

folk music to the Glebe Community<br />

Centre on <strong>Oct</strong>ober 19th as part of the<br />

Underground Sound concert series.<br />

Doors open at 7 p.m. with a concert<br />

start of 7:30 p.m.<br />

Valdy, who has deep roots in the<br />

Glebe, has two Juno Awards, seven<br />

Juno nominations and four Gold albums<br />

to his credit. He has sold almost half a<br />

million copies of his 13 albums.<br />

An irrepressible soul who penned<br />

“Play Me a Rock and Roll Song”, a<br />

bittersweet memory of an easygoing<br />

performer facing a rambunctious<br />

audience, Valdy lived on both Clemow<br />

Avenue and Second Avenue and<br />

attended Glashan Public School and<br />

opportunity to receive individual<br />

vocal coaching, and many develop<br />

into highly competent soloists in their<br />

own right. Over the years several have<br />

appeared in solo roles at the National<br />

Arts Centre in oratorios and operas.<br />

In today’s world, opportunities for<br />

boys to sing in a professional-calibre<br />

ensemble are few and far between.<br />

The Cathedral Boys’ Choir offers an<br />

outstanding experience to interested<br />

boys and their families. Any boy<br />

is welcome, regardless of previous<br />

musical experience or religious<br />

affiliation, so long as they are able to<br />

keep the commitment and contribute<br />

their best efforts to the good of the<br />

choir. Furthermore, the choir offers<br />

the opportunity for travel, community,<br />

and recreational experiences that are<br />

unique and exciting in their own right.<br />

In short, this is an activity that can<br />

open a whole new window in a child’s<br />

life. Most of the boys in the choir are<br />

active in other areas as well (sports,<br />

for example), so involvement in the<br />

Cathedral Choir should not be seen as<br />

exclusive of other activities.<br />

Anyone interested in more information<br />

is welcome to contact Matthew at any<br />

time. He can be reached most days<br />

at the Cathedral Music Office, 439<br />

Queen Street, <strong>Ottawa</strong>, K1R 5A6, or<br />

by telephone: 236-9149 (ext. 12), or<br />

by email at matthew-larkin@ottawa.<br />

anglilcan.ca<br />

Glebe Collegiate for a brief spell.<br />

Tickets for his concert are on sale<br />

at Compact Music’s two stores, the<br />

<strong>Ottawa</strong> Folklore Centre, the Glebe<br />

Community Centre and online at<br />

www.theglebeonline.com. They<br />

cost $20 each. All proceeds will go<br />

toward the beautification of Bank<br />

Street. Underground Sound, hosted<br />

by the Glebe Community Association<br />

(GCA) and the Glebe Business Group,<br />

is a series of concerts by Juno Award<br />

winners and nominees to raise money<br />

to bury the hydro wires along Bank<br />

Street during the upcoming Bank Street<br />

reconstruction. If the City of <strong>Ottawa</strong><br />

decides not to go ahead with the plan to<br />

bury the lines, the money will be spent<br />

on other improvement projects such as<br />

banners, art or benches.

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