BOOKS IN REVIEWtrait <strong>of</strong> the "Doctor," a character whomight be a charlatan, an artist, a saint,or all three. After toying with a number<strong>of</strong> answers to readers' imagined questionsabout the Memorial Room, thenarrator demurs :I can't give you the correct answers tothose questions. No authority exists thatcan, and I'm convinced that such a condition<strong>of</strong> uncertainty is now the true one forme to be in as the writer <strong>of</strong> the story andfor you as the reader.But this is depressing theoretical stuff,you might be saying to yourself, and whylay it on me here, in what is supposed tobe an occasion for fiction. I mean, what isthis? A lecture or something?It's no lecture. I'm trying to tell my storycorrectly, and I want to set you up to thinkcarefully about what happens to storieswhen nothing in the world is going anywhere.What is supposed to happen in astory? What does narrative involve?I can imagine a reader answering, "Whynot let me decide what I'm going tothink carefully about when I read? Youdecide what is going to happen, whatnarrative involves. You write the story;I'll read it."The seven stories in Nora Keeling'schasing her own tail impress first withtheir meticulously crafted sentences.Keeling's vocabulary is as incisive as it isprecise, and her language conveys moodswith economy and real power. Herstories' major focus — which is so unremittingas to become unnervinglymonochromatic — is on the intenselyordered isolation <strong>of</strong> older women as theycreate and then endure the routines <strong>of</strong>their days, husbands either dead, banished,or simply absent, children gone,cats and dogs providing a strand <strong>of</strong> connectionto the natural, vital, but eminentlydangerous world beyond the women'sterribly lucid self-awareness. Men'sappearances in these women's lives havetheir own grim routine : sex is usuallymechanical and perfunctory, and men'sdealings with women in general are disruptive,intrusive, presumptuous, selfabsorbed.The five most powerful storiesin the book —• the title story, "agathe,""george's eyes & the red ball," "bigherb," and "mine," isolate women's figuresin sharp, stark, chilling portraits,usually drawn from the inside; typical inits language, tone, and mood is thisopening meditation <strong>of</strong> Katie's, the womanat the centre <strong>of</strong> "george's eyes & thered ball":I do not like to go out even though attimes I must. There is just too much spaceout there and I might even get lost in it. Ido not like to invite acquaintances to myhouse for tea: they might overstay theirwelcome. But I do not like to be alone,especially in the evening, because I like tohave someone with whom to share the setting<strong>of</strong> the sun, a phenomenon that I goupstairs to my bedroom to observe everyevening that there is one. It is not a smallthing. I could even consider it to be myfavourite hobby.The two remaining stories, "the littleaxe" and "berthilde's holiday," deal withthe trials in the relationships <strong>of</strong> twoyounger couples. They are less successfulstories, perhaps because Keeling has notfound the language through which torender these characters' inner lives asacutely as she has done with her moreisolated and solitary figures. But Keelingdemonstrates convincingly in this bookher remarkable talent for evoking boththe pathos and the pathology <strong>of</strong> loneliness.NEIL BESNER163
BOOKS IN REVIEWMETIS HEARTBEATRICE CULLETON, April Raintree. Pemmican,$9.95·BEATRICE CULLETON, Spirit <strong>of</strong> the White Bison.Pemmican, $6.95.PERHAPS THE MOST pernicious and destructiveweapon the colonializers andimperialists had was the policy <strong>of</strong> "TabulaRasa." Existing indigenous culturewas at best ignored, at worst activelydestroyed. The children <strong>of</strong> the "conquered"were educated to believe theirforemothers and forefathers were ignorantsavages and that everything goodhappened only because <strong>of</strong> the dominantand dominating ideology. In Canadachildren were physically removed fromtheir families and put in residentialschools where they were given the mostminimal <strong>of</strong> educations. Oh, they weretaught their catechism, but grew upknowing there was no chance for themto be priests, nuns, ministers, teachers, oranything other than the most poorly paid<strong>of</strong> manual labourers. The residentialschools were abominations; child abusewas common, punishments <strong>of</strong>ten vergedon the very borders <strong>of</strong> insane, and childrenwere forced to do much <strong>of</strong> thejanitorial and custodial work. The foodwas even worse than that served in <strong>British</strong>boarding schools, even though theadministrators <strong>of</strong> these schools couldpresent receipts from dairies, butchers,and bakeries "proving" they had boughtthe finest quality. Perhaps they did, but <strong>of</strong>all the friends I have who attended residentialschool, nobody ever remembersgetting any <strong>of</strong> this fine food.One <strong>of</strong> my dear friends, so close for solong we call each other "cousin," madethe mistake <strong>of</strong> speaking her native language.After all, she was only five andhad no idea what was going on! All sheknew was she had been bodily carriedfrom her weeping mother, put in a floatplane with a dozen or so other kids, andflown to a residential school. She askedwhat was happening. She asked whereshe was. She was overheard and takento the <strong>of</strong>fice <strong>of</strong> the principal where shewas sternly warned, in a language shedid not understand, then taken back intothe hallway and left. More confused thanever, she repeated her question. And wasagain overheard. Again taken into the<strong>of</strong>fice and this time she was yelled at andher hand slapped. She had never beenhit in her life, and still had no idea whatwas happening. Back in the hall, weeping,she again asked other, older kidswhat was going on. where she was, whypeople were being so mean.This time she got taken to the gymand was made to kneel across a broomstick until hours later her legs werenumb and she was unable to stand orwalk. This terrified little girl grew up tobecome a woman who remembers practicallynothing <strong>of</strong> her years in "rezzy."Her adult life has been hell. She laughsand says that alongside the night on thebroom stick, anything is easy. "I'm nothere for a long time, anyway," she tellsme, "I'm just here for a good time."And she drinks. Heavily. Often.The residential schools are gone, forthe most part. What we have, instead,are foster homes. Every year or so anothernative kid finds a way to end thehell that is supposed to be "life." Lastyear a young boy hanged himself and thecountry recoiled with shock, a lot <strong>of</strong>small-1 liberals loudly demanded "somebody"should do "something," and most<strong>of</strong> Canadian society claimed to be unawarethings like that could happen.Native groups have long insisted communication,publication and educationare loaded against them. They have alsoinsisted the truth can't be fully or properlytold unless native writers are givenpublication and distribution WITHOUTbeing edited to death by Anglo academics164
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