OPINIONS AND NOTESwhere they might get a copy <strong>of</strong> the programdescribed. Would I be kind enoughto send them one? Did I know <strong>of</strong> acompany that distributed the program?To all my answer was a firm "No." Thissounds harsh, perhaps, but I was actingout <strong>of</strong> pedagogical instincts; they wouldlearn only by doing. They would do, <strong>of</strong>course, only when they learned how easyit was to write the programs I was suggesting.But how to break out <strong>of</strong> thisvicious circle? As an experiment I wrotea special column in the April 1985 issue<strong>of</strong> Scientific American entitled "FiveEasy Pieces." The article featured fiveeasy programming projects. The first wasso easy that a person <strong>of</strong> average intelligencecould have written it within anhour or two <strong>of</strong> picking up a BASICmanual. The mail from that column hasso far totalled approximately 3000 pieces( all <strong>of</strong> which had to be answered ), morethan twice the amount produced by anycolumn before or since. The great majority<strong>of</strong> letters concerned the first easypiece: I had asked readers to write aprogram that simulated the firing <strong>of</strong> acannon at random into a round pondoccupying the middle <strong>of</strong> a square field.After taking a thousand shots, they wereto count the number <strong>of</strong> splashes, so tospeak, and divide the sum by 250. Theresult would be an estimate <strong>of</strong> pi, thefamous transcendental number expressingthe ratio <strong>of</strong> a circle's circumference to itsdiameter.Naturally, the program was describednot only in these colourful terms but interms <strong>of</strong> the few commands that wouldbe needed actually to write it. I do notknow how many <strong>of</strong> the readers respondinghad just written their first programbut, judging from the almost patheticallypleased tone <strong>of</strong> their letters, I think agreat many <strong>of</strong> them must have.Sherry Turkle, in her book TheSecond Self, outlines the steps by whichchildren acquaint themselves with computers.The mystery <strong>of</strong> the machine isfollowed by mastery over it. In the process,the child's world view and selfimageare reflected in the computerthrough the manner <strong>of</strong> interaction withit. There are "hard masters" who revelin the sense <strong>of</strong> control over the machineand "s<strong>of</strong>t masters" who are led to explorethe machine's potential by movingfrom one satisfying experience to thenext. Among adults one finds similartendencies. Historically, it was the hardmasters who set the personal computerrevolution in motion during the 1970'sby making computers out <strong>of</strong> kits andthen writing various systems programsthat expanded the capabilities <strong>of</strong> theirmachines. This school continues to dominatethe many computer magazines stillin print; one sees endless ads for newhardware, technical reviews, articles thatdescribe new ways to store files, communicatewith other computers, compileprograms, and so on. All <strong>of</strong> this representsa turning inward <strong>of</strong> the computerupon itself with seemingly no awareness<strong>of</strong> the vast world <strong>of</strong> ideas open for exploration.An apt analogy involves theyouth <strong>of</strong> the 1950's who so enjoyed tinkeringwith his roadster that he nevertook it for a drive. Countless potentials<strong>of</strong>t masters have been turned away fromtheir birthright by the casual perusal <strong>of</strong>such magazines at the newstand. Frightening.Complex.This article is not only about personalprograms but s<strong>of</strong>t masters. The world <strong>of</strong>the hard master is very limited comparedto the universe <strong>of</strong> ideas and issuesthat can be explored with a personalcomputer. For each model currently onthe market there are friendly, companionableprogramming manuals (<strong>of</strong>ten notthe ones supplied by the manufacturer)that <strong>of</strong>fer instruction and advice on avariety <strong>of</strong> levels. Unfortunately, thereseem to be very few books that supplyworthy projects for future s<strong>of</strong>t masters.201
OPINIONS AND NOTESWe await their coming, books that initiatepersonal explorations in word manipulation,planetary motion, drawing facesthat change expression, simulating predator-preyecologies, composing sixteenthcentury counterpoint, tracing the intricateshape <strong>of</strong> simple formulas, testing technicalstrategies in the stock market, analysingwriting style, generating story plots,playing go-moku, operating an antcolony,. . . (The list is apparently endless.My article-generating program continuedfor two more pages before I realized thatit might never stop. )A. K. DEWDNEY*** JACK KAPicA, ed., Shocked and Appalled:a Century <strong>of</strong> Letters to the Globe andMail. Lester & Orpen Dennys, $19.95. Americanswrite their Congressman when they'reshocked and appalled; Canadians write theEditor <strong>of</strong> their local paper. I'm fond <strong>of</strong> aletter that appeared recently in the Sun, fromsomeone who justified the postal rate increaseon the grounds <strong>of</strong> its being a storage fee. Thereare letters that sting, letters that amuse, sensibleletters, and letters that explain everythingby referring to the approximate shape <strong>of</strong> theearth. This collection <strong>of</strong> addresses to theGlobe & Mail (from the 1880's to the 1980's)turns into quite a miscellany. The letters concernRiel and rebirth, declare that "There isnot a Canadian literature because there is noCanada," and attack the poetics <strong>of</strong> a versetribute to Sir John A. ; they <strong>of</strong>fer sketches <strong>of</strong>Egypt, correct spelling, complain that "obey"has been dropped from marriage vows, objectto the idea that the peony should replace themaple as a national emblem, and <strong>of</strong>fer awhole series <strong>of</strong> suggestions for the NationalBird: junco, goose, sparrow, owl, stork, chickkadee,robin, jay, dove, grouse, hawk . . . (andbeaver?). J. E. H. MacDonald writes onpainting, Merrill Denison writes on the wilderness,Stephen Leacock writes about theCBC's general manager, Norman Levine abouthidden censorship, Hugh MacLennan on separatismand American annexation, MurraySchäfer on loons and the national soundscape.There are letters from David Helwig andPierre Berton, Eugene Forsey and Hugh Hood—• and by a host <strong>of</strong> other people. The book isan engaging glimpse <strong>of</strong> the issues that reallyget people going; it contains many <strong>of</strong> the realvoices <strong>of</strong> Canadian culture, and (like the"Letters" columns <strong>of</strong> the local paper) it is adelight to read.**** JEFFREY SIMPSON & GED MARTIN, TheCanadian Guide to Britain, vol. 1. Macmillan,$24.95. The title is slightly misleading:Wales is included (Scotland will be the subject<strong>of</strong> vol. 2). But the substance <strong>of</strong> entries inthis directory <strong>of</strong> Canadian connections withEngland is fascinating. There are brief commentson Lowry and Leacock, Carleton andMurray, Frobisher, Francis Dickens, and scores<strong>of</strong> others — but the most engaging momentsare the unexpected ones: the recipe for SnailTea, a medicinal concoction Mrs. Wolfebrewed up for her sickly son, James; or thecollege song for a Borstal school that sentboys to Canada ("Australia and Canada thrillwith our fame, / And the kangaroo leaps atthe sound <strong>of</strong> our name..."). This is pophistory for the inquisitive traveller, wellresearched(if incomplete), and ably told.W.N.A set <strong>of</strong> reference works particularly valuableto literary historians and aficionados <strong>of</strong> thebook trade is the group <strong>of</strong> Gale works devotedto commentary on literary journals. The LiteraryJournal in America to 1900 ($62.00),The English Literary Journal to 1900($62.00), and English Literary Journals, 1900-1950 ($60.00) combine discursive reflectionson periodical history with specific data (concerningdates and editors) about listed journals,and with annotated bibliographic listingsthat bear on each journal. Journals such asScribner's and the North American Revieware listed — periodicals that attracted a number<strong>of</strong> nineteenth-century writers; the bibliographyamply aids research into this (<strong>of</strong>tenephemeral) territory.W.N.*** Fingerprints. Irwin, $12.95. A collection<strong>of</strong> tales by the Crime Writers <strong>of</strong> Canada,this anthology <strong>of</strong>fers a generally sprightly collection<strong>of</strong> mysteries, thriller, political intriques,and tough romances. Most impressive are thetwo Iron Curtain stories — riddled withironies both structural and political — byAnna Sandor and Josef Skvorecky. The oneother standout — for its chiselled prose, itsartful control <strong>of</strong> time — is the story by SandraWoodruff.2O2
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