It is not allowed if many people would have to look up the correct coloration, or if the Linnaean genusand species (or some other elaborate description) would be required to get it right. An elephant, a brownbear, or a tree could each be proper; a female American kestrel, a garden rose, or an Arctic fox in winterphase, could not.d. Modern Style - Generally modern style in the depiction of individual elements or the total design maynot be registered.Artistic techniques and styles developed after 1600 should not be used in Society armory. Charges maynot be used to create abstract or op-art designs, or be patterned after comic book art, fantasy art,pointillism etc.5. Fieldless Style. - Fieldless armory must form a self-contained design.A fieldless design must have all its elements conjoined, like the three feathers issuing from a crown used bythe Heir Apparent to the throne of England. Since there is no field in such a design, it may not use chargesthat rely on the edges of the field to define their shape, such as bordures and orles, nor to cut off their ends,such as ordinaries or charges throughout.6. Documented Exceptions. - An armorial design element that is adequately documented as a periodpractice may be deemed acceptable even if it violates other sections of Part VIII (Compatible ArmorialStyle).Such design elements will be accepted only on a case-by-case basis and only in armory comparable in styleand complexity to the documented period examples. The strength of the case for such an exceptionincreases in proportion to: the similarity of the documented examples to the submitted armory; and thenumber of independent period examples offered as evidence.a. General Exceptions - In most cases the documentation for a proposed exceptional armorial designelement should be drawn from several European heraldic jurisdictions.The strength of the case for such an exception increases in proportion to the geographical andchronological breadth of the supporting period evidence.b. Regional Style - Alternatively, a proposed exceptional armorial design element may be documented ascharacteristic of a specific regional armorial style.In such cases the submitted armory may be registered provided that all of the following conditions aremet. (1) The submitter explicitly requests an exception to the other sections of Part VIII (CompatibleArmorial Style) on the grounds that the submitted armory exemplifies a specific regional style. (2)Documentation is adduced to show that exceptional design element was not uncommon in the regionalstyle in question. (3) Documentation is adduced to show that all elements of the submitted armory can befound in the regional style in question.7. Augmentations of Honor - An augmentation of honor must be compatible with period armorial style..An augmentation is an honor bestowed by the crown, taking the form of an addition or alteration to thehonoree’s device. While the right to an augmentation is bestowed by the crown, its form is subject to thenormal registration process. The augmentation must itself follow the armory rules; if it has the appearanceof being independent armory, for example a charged escutcheon or canton, then it is independently subjectto the normal rules of armorial conflict. The augmentation may, however, on a case by case basis break therules in relation to the original armory. For example, Sable, on a chief argent a lion passant maintaining, inaugmentation, an escutcheon gules charged with a cross throughout argent is acceptable even though itbreaks RfS VIII.1.c.ii., Layer Limit. Gules, a lion argent, and in augmentation a canton argent charged witha tower Or is not acceptable, as the augmentation internally breaks RfS VIII.2., Armorial Contrast. Since anaugmentation is an earned honor, it may in some cases violate RfS XI.3. Marshaling or RfS XI.4. Arms ofPretense and Augmentations of Honor. Arms in their augmented form are subject to the normal rules ofconflict.134 <strong>Middle</strong> <strong>Kingdom</strong> <strong>Pursuivants</strong> <strong>Handbook</strong><strong>2nd</strong> <strong>Edition</strong> - 2002
PART IX - OFFENSIVE ARMORYOffensive armory may not be registered, as is required by General Principle 2 of these rules. Armory may beinnately offensive from its content, or because of its usual associations or the context in which it is placed, suchas the swastika which, although used in period armory, is so strongly associated with the Third Reich that itoffends a large segment of the population. Armory may be considered offensive even if the submitter did notintend it to be. This section defines the categories of designs that are generally considered offensive.1. Vulgar Armory. - Pornographic or scatological items or designs will not be registered.Obscene images, sexually explicit material, bathroom or toilet humor, etc. are considered inherentlyoffensive by a large segment of the Society and general population.2. Offensive Religious Symbolism. - Magical or religious symbolism that is excessive or mocks the beliefs ofothers will not be registered.Magical or religious symbolism is not usually inherently offensive, but offends by context. Both devoteesand opponents of a particular religion may be offended by an excessive display of the symbols of thatreligion, for example, a Calvary cross surrounded by four Paschal Lambs and surmounted by a crown ofthorns and a whip. Similarly, although a Paschal Lamb is a standard heraldic charge, dismembering thelamb and surmounting it by a pentacle creates a context that could be offensive.3. Stereotypical Designs. - Allusions to derogatory ethnic, racial, or sexual stereotypes will not be registered.Such stereotypes, even if documented from period sources, are innately offensive. This is true whether thestereotype is inherent in the usage or created by context, like placing a Moor's head within an orle ofwatermelons.4. Offensive Political Symbolism. - Symbols specifically associated with social or political movements orevents that may be offensive to a particular race, religion, or ethnic group will not be registered.Even if used without prejudice in period, such symbols are offensive by their modern context. Thus, designssuggestive of the SS, the Ku-Klux Klan, or similar organizations, may not be used.PART X - CONFLICTING ARMORYA piece of armory may not be too similar to other pieces of armory, as is required by General Principle 3a ofthese rules. Period armory frequently distinguished between immediate relatives, like a father and his son, bymaking a single change to the arms in a process called "cadency". The changes made in such circumstances canbe considered the smallest change that period heralds would recognize. This section defines ways in whichsubmitted armory must be changed to be sufficiently different from protected armory.1. Addition of Primary Charges. - Armory does not conflict with any protected armory that adds or removesthe primary charge group.Most cadency systems did not involve addition or deletion of the primary charge group, so this automaticallycreates an independent design. For example, Argent, two mullets gules does not conflict with Argent, a palebetween two mullets gules, and Vert, a lion rampant Or and a chief indented argent does not conflict withVert, a chief indented argent.2. Substantially Different Charges -- Simple armory does not conflict with other simple armory if the type ofevery primary charge is substantially changed..These types of changes were normally seen between complete strangers in blood, and were not usually usedto indicate any form of cadency. For purposes of this rule, simple armory is defined as armory that has nomore than two types of charge directly on the field and has no overall charges.The following examples are simple, with at most two types of charge on the field: Argent, a fess sable.Sable, three lions Or. Vert, two eagles and a maunch argent. Vair, a bordure gules. Per pale gules andargent, a fess between three lozenges counterchanged. Or, on a chevron between three clarions gules, threegarbs argent. Purpure, on a pale dancetty within a bordure semy-de-lys argent, a millrind sable between tworoses gules.<strong>Middle</strong> <strong>Kingdom</strong> <strong>Pursuivants</strong> <strong>Handbook</strong> 135<strong>2nd</strong> <strong>Edition</strong> - 2002
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Middle Kingdom Pursuivants Handbook
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INTRODUCTION.......................
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Saracens: Early to Mid-Medieval Mus
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IntroductionOsric of FayrehopeWhat
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AcknowledgementsMistress Elena de V
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The Middle KingdomCollege of Herald
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Regional HeraldsConstellation Heral
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Pursuivant DutiesDuties of the Bran
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All submissions should be sent to t
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What to Report?First of all, your r
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esponsibility now. It wouldn’t hu
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simply too pervasive. Chilly weathe
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switched into the losers’ bracket
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prevent accusations of a rigged lis
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the green fabric), a larger spool o
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Precedence and CourtesyCourtly Beha
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Territorial Barons and Baronesses m
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c. Once all presentations appear to
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i. Oaths of Fealty and Acknowledgem
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herald is the voice of the Crown an
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Award of the Dragon's FlightOP Abbr
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Award of ArmsOP Abbreviation - AoAL
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Order of the Red CompanyOP Abbrevia
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Order of the WillowOP Abbreviation
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Order of the Gold MaceOP Abbreviati
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Master of ArmsOP Abbreviation - MSC
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Prince and Princess of NorthshieldO
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- The Consort of Northshield bears
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The Submission ProcessWorking with
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A good consultant will have these e
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submit it anyway (“I may be wrong
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Internal Letter Of Acceptance And R
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NamesOn Names and Name Documentatio
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Choosing a CultureJehan de la March
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Clothing: For the Slavic groups, pr
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Politics: The entire Islamic world
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Although in the earlier Middle Ages
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character in Household’s Arabesqu
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An Extremely Brief BibliographyWest
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ArmoryThe Philosophical Roots of He
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Even if your natural instinct for a
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5. Peripheral secondary charges.6.
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Brisures (marks of cadency) and aug
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Still found in mundane blazons are
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Efficient Conflict ResearchKeridwen
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1. Is there a peripheral charge (a
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- Page 109 and 110: Postures of Animals (cont’d)Posit
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- Page 113 and 114: Postures of Fish and DolphinsPositi
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- Page 123 and 124: Reference BooksThe Basic HeraldBron
- Page 125 and 126: Bardsley, Charles Wareing. English
- Page 127 and 128: Kaganoff, Benzion C. A Dictionary o
- Page 129 and 130: Sims, Clifford Stanley. The Origin
- Page 131 and 132: Moncreiffe, Iain, and Don Pottinger
- Page 133 and 134: Bruce Draconarius of Mistholme and
- Page 135 and 136: Rules and RegulationsRules for Subm
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