trtllt262ATLANTICA, JUNE, 1931Iione servant and a brother,Queen Adeiaide, widow of Lothaire,because she had opposedhis plan of giving her in marriageto his son Adalbert.Adelaide fled from the towerby lowering herself with a ropeand took refuge in the Castleof Canossa: Otto the Greatafterward married her. Richin history is Garda; but here,lest this become a manual oterudition, let us admire itsvague beauty and pass on.Agostino Brenzoni created themellow shelter of San Vigilio,entrusting its construction toSammicheli. The villa is worthyof its superb surroundings;surrounded by cypresses, olivetrees and myrtle plants, itseems to be indeed the hermitageof tranquillit]' and purit.v.Architectonic sculptures anddecorations of a fine humanistictaste give added beauty tothe garden. Between San Yigilioand Garda there look outon the bewitching gulf numerousvillas, among which therestand out that of the Carlotti,now of the Marchesi Canossa,where Carlo Alberto was orlcea guest, and that of the Countsof Albertini. The town ofTorri, which follows, has twonames: "marble - prodr-Lcing"and " of the beautiful women. "Whiie the propriety of the firstis indisputable because of itsyellow rnarbles of universalfame, let us leave the second,too subjective a matter, to thejudgment of the visitors. Here,at one time, existed. the " captainof the lake" l now the marbleand tourist trades flourishand assure a future for the attractivecity. -il lover of Torriis the \reronese painter AngeloDall'Oca Bianca, who sojournsthere frequently to paint onexquisite canvases the beautyof the surroundings and theenchantment of the lake. Letus leave behind us Yai, SanZemo, Castelletto, Brenzone,Ascensa, Casson-and we areat Maicesine" Erected on arock, the castle dominates it,with its high tower whose bellspealed for the memorable victoryof Venice over the Yisconti.Here G. B. Spolveriniwrote a great part of his poem"La Risiede." It contains interestingchurches and gayvillas. Up to 1918 this was thelast Italian city before tbe border,and the road ended there;but today that beautiful arter,v,the eastern Gardesana, hasbeen continued as far as Riva,where it joins the western Gardesana,which crosses the picturesquePonale.-I-ORBOLE, which comes afrter, is a charming Jittleretreat, where Goetire, on hisentrance into Italy, rested happilyand began composing his"Iphigenia"; because of itsenchanting tranquiility and thevariety and loveliness of itspanoramas, it has attractedmany illustrious guests, amongthem the King of Belgium.Beautiful also is the Settecentochurch where one may admirethe "Martyrdom of SanSebastiano," a masterpiece b-vCignaroli. But Torbole ismemorable in the annals ofhuman bravery for the transportationof the Venetian fleetfrom the Adige to Garda in thewar fought by the Yenetiansagainst Niccolo Piccinino, generalof the Visconti, in 1439.Brescia, besieged, asked forhelp, and Yenice could not approachthe lake save by way ofTorbole. Twenty-five boatsand six galleys from the mouthof the Adige were made to goup to llori; with 2000 oxenthey were hauied into the Lakeof Loppio, and then as far asthe ridge; then, tied to treesand rocks, they were loweredby pulleys into Garda. Thehazardous undertaking took15,000 ducats and 15 days'1abor;the battle that followed'was, according to some, Iost byPietro Zeno, according to others,it was won by StefanoContarini. Whichever it mayhave been, Torbole has theright to honor the names ofher citizens who thought upand led to completion the audaciousproject: Biasio de Arboribusand Nicolo Sorbolo.And here we are at Riva, theterminal city of the lake in the'Irentine ''Conca d'Oro "where, only a few kilometersdistant from the eternal sno'ws,the verdant palms and orangetrees flourish. The vesselswhich come to Riva from Desenzanoand Peschiera land inits port, where the ancient Apponaletower shows the way tonavigators, like a lighthouseerected over the buildings ofthe city. The name of the tower("Turris a Ponale") recallsthe cascade which falls througha ravine three kilometers tothe south into the lake. Thesquare, near which the vesseldocks, is the greatest of ancientRiva, and, with its gates, andwith the Palazzo Pretorio ofthe 14th century ancl the Cit-vHall, erected by the \renetiansa century later, it wears a severeaspect, like the age inwhich it rose. The neighboringPiazza Carducci, on theother hand, with its treeswbich shade it like a little park,is one of the most romanticspots in the city. In the nearbyIiocca, now an armory, thePrince of Trento used to takerefuge when his residence wasthreatened.Riva has risen, cocluettishlyand alluringly, from the ruinsof the great war I and it hasvigorously resumed its life.The old city clings to the footof the Monte Oro (GoldenMountain), which gives it apieasant summer temperature,thanks to the shade with whichit is covered. Its roads arenarrow and tortuous; the newcity, instead, is occupying theplain to the east, while extendingan outstretched limb to theold city. Riva owes its fame(Continued on Page 281)
Dces DepPessicn Afft.t A nt?D".iJ"J19, So9. thn Anti'l Cr"inribU Domir,ick Lo*oni.oHtr Italian-born Ameri-Alfredocan artistCrimi, nearl.v a score ofrrirose drawings, including figrleand portrait studies, were,r view last month at the FerrrgilGalleries, and who re-,,-urnecl not long ago frorn antrtended stay in Europe, has::orle remarkabl.t' interestingiin{-[ acute theories concerninglre relationship of present-da-rart with the current woridwiclerconomic depression.That depression has affecteclth sales of artists' handir,vork,ar.l that it has appreciably re-,lur:ed the num'ber of people artisticallS.inclined rvho can aft'orclto continue with theirlrainting, is alreacl5' wellknown.But,further thanthis, Mr. Crirnibelievesthat, beforeit will havepassecl i t scollrse, it willactually havebeen clepictedon canr-asin more\ra)s thanone, for,since clepressionis theclominanttheme in theworlcl toda-v,and since artis generallrhe1clto beeither a re-flection or an interpretation ofthe times, it follorvs that depressionrvill lear.e its tracesin the art of today.His opinions har.'e beensharpened by his recent visitto Ital-v ancl n'rance, where heremained studying and paintingfor a .Year and a half, retulningto ,\merica after thelast Christrrras holidays. "Economicdifficulties play a greaterpart in artistic (as rvell asother) endeavors in Europethan the.v do here, " said Mr.Crimi, his eager, sensitive featuresabsorbeci irr his subject." Take prizes ancl scholarshipsfor example. Though they existin both contirtents, theY arepurelv lelative, for wltile one"Sicilian Peasants"ma). amount to $10,000 in the{-nited States, in Italf it isjust as likel,v to be 10,000 lire.Yet even in this country, dealersin art supplies tell me thattheir business is falling off.Fewer people are able to affordthe 'luxury' of painting."l\l nVERTHELESS, thinks^ \ this 30-r'ear-old artist, itis to the Lfnitld States that theworld shoultl look for an artistic,as well as economic renaissance,for it is still fundamentall-1-more prosperous thanEurope, and art is born ofprosperity. "In looking backthrough history," he said,"you n'ili find that great artperiods occurrecl on15.' after thecountry hadattaineda certain dominanteconomicpositionin itsworlcl."B.\'this,of course, Idontt meanto belittle theefforts ofother countries,artisticallvspeakirrg.n'rancetoda;', f o rexample, i sthe art learlerof thervorld. S h ehas donemore than26-\
- Page 1 and 2: NTI LTHE ITALIAII I}IOITTIILY ISEYI
- Page 3 and 4: AI-I-ANTIC.\, ILrNE, 1931 241TeleBl
- Page 5 and 6: ATLANTICA'S OBStrRVATORY243rest. es
- Page 7 and 8: ATT,ANTIT,AThe ltalian Monthly Re.r
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- Page 11 and 12: EUROPE AND THE LTNITED STATES249l'"
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- Page 21 and 22: WHY NEGI-ECT DANTE?' ri " poets. lt
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- Page 27 and 28: Th" E.l.nce rf Tn.Jn Ent neenIt. l,
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- Page 31 and 32: Exhibition of lourisln in 1911.:,nd
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- Page 35 and 36: B ooks In ReviewTHE MODERN ITALIAN
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