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The African American Experience in Louisiana

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significance (Figures 27-29). St. Peter AME Church of 1890,<br />

<strong>in</strong> New Orleans was nom<strong>in</strong>ated for significance <strong>in</strong> the areas of<br />

architecture, social history, and ethnic heritage, and St. John<br />

Baptist Church, <strong>in</strong> Dorseyville was nom<strong>in</strong>ated for significance<br />

<strong>in</strong> ethnic heritage and exploration and settlement (Figures 30<br />

and 31). <strong>The</strong> history of St. James AME as outl<strong>in</strong>ed <strong>in</strong> the<br />

background history (page 21) would clearly contribute to this<br />

build<strong>in</strong>g’s significance <strong>in</strong> the areas of social history and ethnic<br />

heritage as well. Likewise Antioch Baptist Church which<br />

evolved from a congregation formed <strong>in</strong> 1866 by seventy-three<br />

freed people bears significance for social history and ethnic<br />

heritage as well as its grand design by architect Nathaniel<br />

Sykes Allen. <strong>The</strong>se examples demonstrate that most <strong>African</strong><br />

<strong>American</strong> churches eligible for the National Register for their<br />

architecture are also likely to eligible for their associations with<br />

this context.<br />

Figure 29: St. Mary Congregational<br />

Church, Abbevillle, Vermillion Parish.<br />

On the other hand there are many <strong>African</strong> <strong>American</strong><br />

churches that would not be considered eligible for the<br />

National Register under the area of architecture because<br />

of the loss of <strong>in</strong>tegrity through changes like new brick<br />

facades, but are potentially eligible for their associations<br />

with this historic context. In the past, such profound<br />

alterations as brick veneers were looked upon as<br />

destroy<strong>in</strong>g the <strong>in</strong>tegrity and thus the National Register<br />

eligibility of a historic resource. However as our<br />

temporal distance from mid-twentieth-century alterations<br />

has grown, a new perspective on such changes and<br />

potential National Register eligibility has developed. It is<br />

now recognized that many alterations themselves reflect<br />

the broad historical patterns that are a part of a given<br />

resource’s significance. <strong>The</strong> social and economic<br />

repression of <strong>African</strong> <strong>American</strong>s <strong>in</strong> the late n<strong>in</strong>eteenth and<br />

early twentieth centuries was often reflected <strong>in</strong> their<br />

build<strong>in</strong>gs of these periods. Modest frame build<strong>in</strong>gs were<br />

the standard for <strong>African</strong> <strong>American</strong> churches <strong>in</strong> rural areas<br />

dur<strong>in</strong>g the Jim Crow era. Later, as the Multiple Property<br />

Documentation Form (MPDF) “Historic Rural <strong>African</strong>-<br />

<strong>American</strong> Churches <strong>in</strong> Tennessee, 1850-1970”<br />

summarizes,<br />

. . . when new opportunities and freedoms<br />

presented themselves <strong>in</strong> the civil rights years,<br />

rural <strong>African</strong> <strong>American</strong>s often moved quickly to<br />

add attractive porticoes with columns, to <strong>in</strong>stall<br />

central air-condition<strong>in</strong>g and heat<strong>in</strong>g, and to add<br />

<strong>in</strong>door restrooms. This "delayed reaction" to<br />

Page 71 of 123<br />

Figure 30: St. Peter AME Church, New<br />

Orleans, Orleans Parish.<br />

Figure 31: St. John Baptist Church,<br />

Dorseyville, Iberville Parish

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