Still Life in Watercolors
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Index<br />
Note: Page numbers <strong>in</strong> italics<br />
<strong>in</strong>dicate illustrations.<br />
Academic Suisse (Paris), 19<br />
Aix-en-Provence<br />
Cezanne <strong>in</strong>, 17-18, 20-21<br />
Cezanne on life <strong>in</strong>, 18<br />
<strong>in</strong> still lifes vs. landscapes, 18<br />
anthropomorphism<br />
<strong>in</strong> The Green Pot, 33<br />
of landscapes, 67<br />
of object relations, 11<br />
skulls and, 65-6.7<br />
apples, 51-53<br />
sexuality of, 3, 35<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Apples<br />
(Cezanne), 51, 52<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Apples<br />
(Courbet), 57<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Apples and<br />
Oranges, 51-52<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Blue Pot, 9,<br />
45-47; 4 6 > 47' 5°, 53, 106, 107,<br />
120, 220<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Compotier, 14<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Plaster Cast,<br />
60, 62<br />
Apples, Bottle, and Glass (Cezanne),<br />
79-81, 83<br />
Apples, Carafe, and Sugar Bowl<br />
(Cezanne), 92, 92<br />
Apples and Pears (Cezanne),<br />
79-81, 82<br />
Apples on a Plate (Cezanne), 84, 85<br />
Art Institute of Chicago, 66<br />
The Artist's Father (Cezanne), 12,<br />
13, 4<strong>in</strong>.i<br />
The Artist's Son Asleep (Cezanne),<br />
22-23, 2 &<br />
balconies, 128, 13511.10<br />
The Balcony (Cezanne), i35n.io<br />
Banquet (Cezanne), 4311.22<br />
basket, picnic, <strong>in</strong> <strong>Still</strong> <strong>Life</strong> with<br />
Basket, 14<br />
Bathers<br />
as ebauches vs. tableaux, 88-89<br />
from imag<strong>in</strong>ation vs. model, 88<br />
<strong>in</strong>fluence on modernism, 2, 6n.3<br />
Baudelaire, Charles, 115<br />
Bed and Table (Cezanne), 28, 29<br />
Bedpost and Chair Back (Cezanne),<br />
22-23, 2 5<br />
Belvedere Museum (Vienna), 92<br />
Bernard, Emile<br />
admiration for Cezanne, 4<br />
<strong>in</strong>ventory of colors by, 101, 134^1<br />
on revision of Pouss<strong>in</strong>, y<strong>in</strong>.5<br />
on watercolor process, 138<br />
Bernheim-Jeune, exhibition at<br />
(1907), 6n.4, 138<br />
Bert<strong>in</strong>, Jean- Victor, 50<br />
Blanc, Charles, 99n.4<br />
blue (color), <strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Blue<br />
Pot, 138, 139<br />
blue cup, <strong>in</strong> <strong>Still</strong> <strong>Life</strong>: Sugar Bowl,<br />
Pears, and Blue Cup, 12-13<br />
blue pot<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Apples on a<br />
Sideboard, 92<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Blue Pot, 9, 106,<br />
107, 120, 121<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Milk Pot, Melon,<br />
and Sugar Bowl, 11<br />
bodegone tradition, 95, 96<br />
Bottles, Pot, Alcohol Stove, and<br />
Apples (Cezanne), 37, 37, 94<br />
Boud<strong>in</strong>, Eugene, 53<br />
Braque, Georges, 2, 56, 64<br />
British Museum (London), 86<br />
Bryson, Norman, 7<strong>in</strong>.2<br />
Cafe Guerbois (Paris), 19<br />
Caillebotte, Gustave, 58-59, 69<br />
<strong>Still</strong> <strong>Life</strong> with Glasses, Carafes,<br />
and Compotiers of Fruit, 58, 58<br />
Calla Lily and Greenhouse Plants<br />
(Renoir), 70<br />
carafe, <strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Carafe,<br />
Bottle, and Fruit, 127, 128, 129,<br />
130, 131, 132<br />
Carafe and Knife (Cezanne), 28, 29<br />
Cezanne, Anne Elizabeth Honor<strong>in</strong>e<br />
Aubert, 17, 20, 21<br />
Cezanne, Emelie Hortense Fiquet<br />
pa<strong>in</strong>t<strong>in</strong>gs and draw<strong>in</strong>gs of, 21,<br />
2 8-33, 3°> 67<br />
relationship with, 20-24, 42n.i7<br />
Cezanne, Louis-Auguste, 17, 18, 20<br />
Cezanne, Marie, 18<br />
Cezanne, Paul<br />
<strong>in</strong> Aix-en-Provence, 17-18, 20-21<br />
death of, 22<br />
education of, 17, 19<br />
marriage of, 20-24<br />
<strong>in</strong> Paris, 17-18, 19, 20<br />
son of, 20-24<br />
youth of, 17-18<br />
Cezanne, Paul (son)<br />
pa<strong>in</strong>t<strong>in</strong>gs and draw<strong>in</strong>gs of,<br />
22-28, 23, 24, 26, 27<br />
relationship with, 20-24<br />
Cezanne, Rose Honor<strong>in</strong>e, 18<br />
chair, <strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Apples and<br />
Chair Back, 38, 40<br />
Chard<strong>in</strong>, Jean-Simeon<br />
<strong>in</strong>fluence of, 53-55, 57-62<br />
<strong>Still</strong> <strong>Life</strong> with Peaches, a Silver<br />
Goblet, Grapes, and Walnuts,<br />
53, 54, 54<br />
Chem<strong>in</strong> des Lauves: The Turn <strong>in</strong> the<br />
Road (Cezanne), 48, 49<br />
Chocquet, Victor, 19, 124, 13511.7<br />
Claude Lorra<strong>in</strong>, 50<br />
Coburn Memorial Collection<br />
(Chicago), 66<br />
color<br />
vs. design, hierarchy of, 78<br />
fem<strong>in</strong><strong>in</strong>ity l<strong>in</strong>ked to, 78, 99n.4,<br />
132<br />
<strong>in</strong>ventory of Cezanne's, 101,<br />
134-n.i<br />
k<strong>in</strong>esthetic properties of, 130-31<br />
l<strong>in</strong>e and, <strong>in</strong>version of, 113-15,<br />
i3 2 -33<br />
opaque vs. translucent, 131-32<br />
<strong>in</strong> <strong>Still</strong> <strong>Life</strong> with Blue Pot,<br />
113-20, 137-39<br />
colons, 99n.4, 132<br />
composition, of etudes, <strong>in</strong>creas<strong>in</strong>g<br />
complexity of, 79-81<br />
compotier, <strong>in</strong> <strong>Still</strong> <strong>Life</strong> with<br />
Compotier, 14<br />
concetti, 79<br />
Constant<strong>in</strong>, J. B., 4111.1<br />
cook<strong>in</strong>g, scenes of, 55, 58<br />
Corot, Jean-Baptiste-Camille, 50<br />
couillarde manner, 12, 4<strong>in</strong>.2<br />
couleur, 99n.4, 132<br />
Courbet, Gustave, 12, 4211.12, 53, 57<br />
<strong>Still</strong> <strong>Life</strong> with Apples, 57, 57<br />
Courtauld Institute of Art Gallery<br />
(London), 38, 85, 86, 87, 99n.8<br />
croquis, 78-79<br />
Cubism<br />
Bathers and, 2, 6n.3<br />
Cezanne's <strong>in</strong>terest <strong>in</strong> geometry<br />
and, 55-56<br />
Cupid. See plaster cast; Plaster Cupid<br />
Curta<strong>in</strong>s (Cezanne), 31, 32<br />
Dallas Museum of Art, 93<br />
Decanter and Bowl (Cezanne), 79, 80<br />
"deformations"<br />
of <strong>Still</strong> <strong>Life</strong> with Blue Pot, 4<br />
of <strong>Still</strong> <strong>Life</strong> with Compotier, 14<br />
Degas, Edgar, 19, 64, 94<br />
Delacroix, Eugene, 123, i35n.8<br />
Delaunay, Robert, 138<br />
Demoiselles d'Avignon (Picasso), 2,<br />
6n.3<br />
Denis, Maurice<br />
admiration for Cezanne, 4<br />
on Chard<strong>in</strong> (Jean-Simeon), 72n.8<br />
on colors, 17, 138<br />
Homage to Cezanne, 2, 2, 13<br />
on revision of Pouss<strong>in</strong>, 7111.5<br />
design, vs. color, hierarchy of, 78<br />
The Dessert (Cezanne), 39, 40<br />
Diebenkorn, Richard, 48<br />
draw<strong>in</strong>g<br />
act of, captured <strong>in</strong> <strong>Still</strong> <strong>Life</strong><br />
with Carafe, Bottle, and Fruit,<br />
128-29, 1 3°' 1 3 1<br />
mascul<strong>in</strong>ity l<strong>in</strong>ked to, 78, 99n.4<br />
pa<strong>in</strong>t<strong>in</strong>g and, physical nature of,<br />
129-30<br />
Duranty, Edmond, 73n.2o, 13411.4<br />
ebauches, 78-79<br />
Cezanne's, 88-92<br />
<strong>in</strong> classical academic system, 78<br />
def<strong>in</strong>ition of, 79<br />
landscapes as, 79, 9911.8<br />
Ecole des Beaux-Arts (Paris),<br />
4211.11, 64<br />
Ecole Gratuite de Dess<strong>in</strong> (Aix-en-<br />
Provence), 17, 19<br />
144